Zwart op Wit: Bruno Roels

Gepubliceerd op: 16 November 2017

Kunstfotografie wordt – excusez le mot – onderbelicht in België. In de reeks ‘Zwart op Wit’ willen wij daar iets aan doen en dalen we af in de donkere kamers van onze grootste fotografische talenten, alwaar zij hun licht laten schijnen op leven en werk. Vandaag in Zwart op Wit: Bruno Roels.

Bruno Roels: "Hoe komt het dat bepaalde dingen als je ze kopieert uitermate kitscherig worden en dat andere dingen overeind blijven? Ik weet het niet. Warhol heeft veel dingen herhaald, behoorlijk domme dingen ook, zoals soepblikken. Van Elvis Presley tot de elektrische stoel. Ik weet het niet, maar ik denk dat het te maken heeft met de betekenissen die ergens aan vasthangen."

Jonas MORTIER

Praktische Info

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Keywords

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Kunstfotografie wordt – excusez le mot – onderbelicht in België. In de reeks ‘Zwart op Wit’ willen wij daar iets aan doen en dalen we af in de donkere kamers van onze grootste fotografische talenten, alwaar zij hun licht laten schijnen op leven en werk. Vandaag in Zwart op Wit: Bruno Roels.

Bruno Roels: "Hoe komt het dat bepaalde dingen als je ze kopieert uitermate kitscherig worden en dat andere dingen overeind blijven? Ik weet het niet. Warhol heeft veel dingen herhaald, behoorlijk domme dingen ook, zoals soepblikken. Van Elvis Presley tot de elektrische stoel. Ik weet het niet, maar ik denk dat het te maken heeft met de betekenissen die ergens aan vasthangen."

Jonas MORTIER

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Voor zijn solotentoonstelling ‘Playground’ in Museum Dhondt-Dhaenens in Deurle heeft Thomas Lerooy de architectuur van het museum door elkaar gehaald door verschillende volumes in kleur op te trekken waarin zijn werk wordt gepresenteerd. Het resultaat is een ambitieuze tentoonstellingsarchitectuur waar elke zaal een eigen sfeer heeft.

Thomas Lerooy: "Ik werk wel vaker met elementen die ik deconstrueer of samenbreng terwijl die eigenlijk niet bij elkaar horen. Dat heb ik hier ook gedaan met de architectuur. Voor mij is dat grondplan een grote sculptuur die ik in de ruimte heb geduwd."

Sam STEVERLYNCK

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‘Playground’, Thomas Lerooy, tot 4 maart 2018 in Museum Dhondt-Dhaenens, Museumlaan 14, Deurle. Open wo-zo van 10-17 u., www.museumdd.be

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Wie kan zeggen dat hij zijn idealen in daden omzet? De intussen 73-jarige kunstenaar El Anatsui krijgt het voor elkaar. Bij Axel Vervoordt presenteert hij zeven nieuwe werken. Ze zijn een lust voor het oog. De manier waarop hij visuele, sociale en conceptuele aspecten verenigt, laat ons niet onberoerd.

El Anatsui: "Ik geloof dat kunstwerken vrije vormen zijn die elk moment kunnen veranderen. Je krijgt er altijd iets anders uit. Ze reflecteren aspecten van het leven, zoals dynamiek en verandering."

Indra DEVRIENDT

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‘Approximately’ tot 13 januari in Axel Vervoordt Gallery Kanaal, Stokerijstraat 19, Wijnegem. Open van do-za van 14-17 u. of op afspraak. www.axel-vervoordt.com

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