YUGEN Art#02 Group Exhibition

Gepubliceerd op: 21 November 2017

Nog tot zondag 26 November 2017 loopt in de YUGEN brouwerij op de Ferdinand Lousbergskaai 21 in Gent ‘YUGEN Art#02 Group Exhibition’, een groepstentoonstelling met 16 kunstenaars uit de Vlaamse regio die door Jan Hoet Junior samengebracht werden.

Jan Hoet Junior over twee belangrijke aspecten die binnen het resultaat een rol spelen: “In de eerste plaats de energie die de samenwerking tussen de verschillende kunstenaars en de organisatoren kan teweegbrengen. Daarnaast speelt de ruimte waarin dit zich kan voltrekken een belangrijke rol.”

Die ruimte zijn de voormalige loodsen van Vettenburg, een niet alledaags kader dat de kunstenaars alle vrijheid laat om te zoeken naar nieuwe, uitdagende manieren om hun werk te presenteren.

Jan Hoet Junior: “In de selectie van de kunstwerken zijn een groot aantal installaties terug te vinden. De werken aan de wanden zijn eveneens zeer typerend door hun ruimtelijkheid.”

Deelnemende kunstenaars zijn Leyla Aydoslu, Marie Cloquet, Charlie De Voet, Johan De Wit, Adelheid De Witte, Jeroen Frateur, Johan Gelper, Manor Grunewald, Tine Guns, Tim Onderbeke, Matthieu Ronsse, W. Louis Rosa, Klaas Vanhee, Adriaan Verwee, Karel Thienpont en Joris Van de Moortel.

Fotogalerij

Praktische Info

YUGEN Art#02 Group Exhibition tot 26 november in YUGEN brouwerij, Ferdinand Lousbergskaai 21, Gent. Open van 11-18 u., do tot 23u.

Keywords

Geen keywords beschikbaar.

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Nog tot zondag 26 November 2017 loopt in de YUGEN brouwerij op de Ferdinand Lousbergskaai 21 in Gent ‘YUGEN Art#02 Group Exhibition’, een groepstentoonstelling met 16 kunstenaars uit de Vlaamse regio die door Jan Hoet Junior samengebracht werden.

Jan Hoet Junior over twee belangrijke aspecten die binnen het resultaat een rol spelen: “In de eerste plaats de energie die de samenwerking tussen de verschillende kunstenaars en de organisatoren kan teweegbrengen. Daarnaast speelt de ruimte waarin dit zich kan voltrekken een belangrijke rol.”

Die ruimte zijn de voormalige loodsen van Vettenburg, een niet alledaags kader dat de kunstenaars alle vrijheid laat om te zoeken naar nieuwe, uitdagende manieren om hun werk te presenteren.

Jan Hoet Junior: “In de selectie van de kunstwerken zijn een groot aantal installaties terug te vinden. De werken aan de wanden zijn eveneens zeer typerend door hun ruimtelijkheid.”

Deelnemende kunstenaars zijn Leyla Aydoslu, Marie Cloquet, Charlie De Voet, Johan De Wit, Adelheid De Witte, Jeroen Frateur, Johan Gelper, Manor Grunewald, Tine Guns, Tim Onderbeke, Matthieu Ronsse, W. Louis Rosa, Klaas Vanhee, Adriaan Verwee, Karel Thienpont en Joris Van de Moortel.

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YUGEN Art#02 Group Exhibition tot 26 november in YUGEN brouwerij, Ferdinand Lousbergskaai 21, Gent. Open van 11-18 u., do tot 23u.

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Met de ‘The Photographic I - Other Pictures’ stelt het S.M.A.K dit najaar scherp op het fotografische beeld. Eindelijk. “De fotografische conditie is immers het fundament van onze hedendaagse beeldcultuur. Het is de lingua franca, een gemeenschappelijke taal in een geglobaliseerde wereld. Fotografie fungeert vaak als een artistieke vrijplaats: een plek voor experiment, voor het uitdagen van conventies,” duidt curator Martin Germann de urgentie van de expo.

Sofie CRABBÉ

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‘The Photographic I - Other Pictures’ tot 7 januari 2018 in het S.M.A.K., Jan Hoetplein 1, Gent. Open di-vr van 9u30-17u30 en za van 10-18 u. www.smak.be

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Verboden de werf te betreden
 
Voor de derde keer op rij zet CAB een groepstentoonstelling op rond het Demonteerbare Huis van Jean Prouvé uit 1944. Het resultaat is een opvallend coherente expo die nog het meest doet denken aan een bouwwerf.
 
Sam STEVERLYNCK
 
Met zijn ontwerp van het Demonteerbare Huis, een soort paviljoenstructuur, bedacht Jean Prouvé een nieuwe, compacte en goedkope manier van wonen voor het naoorlogse, verwoeste Europa. Het levert een aantal interessante vragen op over wederopbouw, sociale voorzieningen en reconversie. Maar daar gaat deze expo jammer genoeg niet echt op in. In plaats daarvan kiest men voor een formalistische benadering met opvallend veel werk van toonaangevende namen die ‘iets’ doen rond ruimte.
James Capper toont een boormachine die inhakt op een grote blok gips. Rondom de installatie liggen brokken gips, op twee grote canvassen allerlei spetters. Werk waar een brutale energie uit spreekt. Nog meer iconoclasme bij de mountaincutters die een aantal wanden uit het paviljoen hebben gehaald en elementen in keramiek, stalen structuren en textiel toevoegen. Wat nu juist de bedoeling van hun interventie was, is ons – en misschien de kunstenaars zelf? – niet echt duidelijk. Meer overtuigend is de bijdrage van Phillippe Van Wolputte die met een reeks monotypes instructies geeft aan de hand van coördinaten van vervallen plekken waar de bezoeker zelf op zoek naar kan (“Go to 50’49’43.7” N, 4°23’12.7” E, climb over barricade, walk to trenchbox, enter, stay/leave”).
Nogal wat kunstenaars gaan voor de esthetiek van een bouwwerf: Lena Verijke stapelt houtplaten met daartussen een stuk behangpapier, Christoph Weber toont een gekromde betonblok met een grindkant, terwijl Oscar Tuazon een venster in aluminium toevoegt aan een blinde muur. Zowel Jose Davilla als Gabriel Kuri werken met materiaal – respectievelijk een glazen plaat die met spanband wordt vastgehouden tegen een blok beton en twee op elkaar gestapelde stenen blokken met daartussen een parkeerschijf - waarbij de notie van evenwicht wordt onderzocht en op de spits gedreven. Ondanks een aantal knappe bijdragen komt het geheel toch een beetje vrijblijvend over. Het resultaat is wel verrassend coherent en lijkt haast eerder een soloshow dan een groepstentoonstelling. Wat dan weer een mooie verdienste is van de curatoren.

 

 

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‘Perpetual Construction: Een dialoog met het Demonteerbaar Huis van Jean Prouvé III’, tot 9 december in CAB, Borrensstraat 32-34, 1050 Brussel, Open wo- za 14-18u, www.cab.be

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