Werner Mannaers stelt nieuw werk voor bij Roberto Polo Gallery in Brussel

Gepubliceerd op: 2 January 2015

Werner Mannaers is een geboren schilder die zich niet in een hokje laat duwen. Bij Roberto Polo stelt hij een gevarieerd ‘body’ van werk voor, waarin hij vrolijk danst van één stijl en schriftuur naar een andere. Het resultaat zijn gelaagde doeken waarop hij soms ook uitgesneden fragmenten uit vorige werken heeft gekleefd. “Beeldend kannibalisme”, noemt hij het zelf.

Werner Mannaers: "Als ik begin aan een werk, weet ik enkel welke kleuren ik ga gebruiken. Zelden wat ik ga schilderen."

Fotogalerij

Praktische Info

‘The Scent of Mimosa’ tot 1 februari in Roberto Polo Gallery, Lebeaustraat 6-8, Brussel. Open di-vr van 14-18 u., za-zo van 11-18 u., www.robertopologallery.com

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Werner Mannaers is een geboren schilder die zich niet in een hokje laat duwen. Bij Roberto Polo stelt hij een gevarieerd ‘body’ van werk voor, waarin hij vrolijk danst van één stijl en schriftuur naar een andere. Het resultaat zijn gelaagde doeken waarop hij soms ook uitgesneden fragmenten uit vorige werken heeft gekleefd. “Beeldend kannibalisme”, noemt hij het zelf.

Werner Mannaers: "Als ik begin aan een werk, weet ik enkel welke kleuren ik ga gebruiken. Zelden wat ik ga schilderen."

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‘The Scent of Mimosa’ tot 1 februari in Roberto Polo Gallery, Lebeaustraat 6-8, Brussel. Open di-vr van 14-18 u., za-zo van 11-18 u., www.robertopologallery.com

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De camera cirkelt boven de stad. Een grid van straten en huizenblokken rekt zich uit, eindeloos, beeldvullend. Dit is een stad als een machine, die mensen heeft opgeslokt. Je ziet de sporen van menselijk handelen, maar de levendigheid zelf is ver te zoeken. Hier overheerst de afstandelijke blik. De film is ‘Spiral City’, en Melanie Smith (Engeland, °1965) maakte hem, met haar partner Rafael Ortega, vanuit een helikopter boven Mexico-Stad. Wat haar raakt, is het urbane, het industriële, in combinatie met het menselijke. In haar films brengt ze het menselijk handelen terug tot een machinatie. Zo liet ze bijvoorbeeld een groep jongeren in een stadion borden opheffen die samen vertrouwde kunstwerken vormen. De laatste is het zwarte vierkant van Malevich. Maar dat modernistische slotstuk in de kunst valt onder de handen van de jongeren uiteen, alsof het zich niet laat dwingen in het keurslijf van de geschiedenis zoals we die kennen. De ogenschijnlijke orde valt altijd uiteen bij Smith. Ze is op zoek naar de barsten en de gaten. Want daar wordt een alternatieve waarheid verteld, daar speelt zich de officieuze geschiedenis af.

Melanie Smiths expositie in Boijmans van Beuningen in Rotterdam opent met ‘Spiral City’ uit 2002. Haar nieuwste film ‘Fordlandia’ draait er ook.

Melanie Smith: "Ik vond het vooral interessant dat Ford zelf nooit zijn industriële stadje in het regenwoud heeft bezocht. Alles speelde zich af in zijn geest, zijn fantasie. Kolonialisme is fantaseren over de Ander, over toe-eigening. Er is altijd dat verval, een utopie die omslaat in een dystopie."

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Melanie Smith tot 11 januari in Museum Boijmans van Beuningen, Museumpark 18-20, Rotterdam, NL. Open di-zo van 11-17 u. www.boijmans.nl

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Wout Vercammen (°1938, Antwerpen) is een godsgeschenk, een levende mythe: hij maakte G58 mee, de performances in de jaren zestig, de Wide White Space en al de rest daarna. Nu wordt hij gehonoreerd in het M HKA, met het drieluik ‘A Well-Considered Idea of an Exhibition in 3 Parts’.

Wout Vercammen: "‘Ik was wel goed op de hoogte van wat er allemaal gebeurde, maar zo interessant vond ik dat nu ook weer niet. Je kan er van uitgaan dat ik mezelf boeiender vond dan de rest." (glimlach)

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Wout Vercammen, ‘A well-considered idea of an exhibition in 3 parts’, in het M HKA, Leuvenstraat Antwerpen. ‘Aflevering 1: 1950-1970’ liep tot 11 januari 2015, curator Jef Lambrecht; ‘Aflevering 2: Belgische werken en woordschilderijen’ loopt nog tot 15 februari 2015, curator Frank Hendrickx; ‘Aflevering 3: Postdadaïstisch en ander werk dat niet past in Aflevering 2 tot heden’ van 19 februari tot 15 maart 2015, curator Ronny Van de Velde.
Het boek ‘Wout Vercammen’ is een co-uitgave van M HKA en Ronny Van de Velde, ISBN 978 9072 8285 14

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