Wendy Morris in Mu.ZEE Oostende

Gepubliceerd op: 19 October 2017

Afrikaanse vluchtelingen trachten massaal Europa te bereiken op zoek naar een leefbaar bestaan. Veelal kunnen ze op weinig steun en begrip rekenen. Ooit was het anders. We zouden haast vergeten dat tijdens WOI veel Afrikanen naar hier kwamen om ons bij te staan. Wendy Morris brengt in Mu.ZEE een intrigerende installatie, die een brug slaat tussen heden en verleden.

Wendy Morris: "Momenteel wordt WOI herdacht. Ik verwachtte dat er niet veel aandacht zou zijn voor de deelname van Afrikaanse troepen in Europa. Wat weinig mensen weten is dat hier veel Noord- en Zuid-Afrikaanse mannen kwamen vechten en werken voor de geallieerden om België en Noord-Frankrijk te verdedigen."

Indra DEVRIENDT

Praktische Info

Wendy Morris, ‘This, of course, is a work of the imagination’ tot 7 januari in Mu.ZEE, Romestraat 11, Oostende. Open van di-zo van 10-18 u. www.muzee.be

Keywords

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Afrikaanse vluchtelingen trachten massaal Europa te bereiken op zoek naar een leefbaar bestaan. Veelal kunnen ze op weinig steun en begrip rekenen. Ooit was het anders. We zouden haast vergeten dat tijdens WOI veel Afrikanen naar hier kwamen om ons bij te staan. Wendy Morris brengt in Mu.ZEE een intrigerende installatie, die een brug slaat tussen heden en verleden.

Wendy Morris: "Momenteel wordt WOI herdacht. Ik verwachtte dat er niet veel aandacht zou zijn voor de deelname van Afrikaanse troepen in Europa. Wat weinig mensen weten is dat hier veel Noord- en Zuid-Afrikaanse mannen kwamen vechten en werken voor de geallieerden om België en Noord-Frankrijk te verdedigen."

Indra DEVRIENDT

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Wendy Morris, ‘This, of course, is a work of the imagination’ tot 7 januari in Mu.ZEE, Romestraat 11, Oostende. Open van di-zo van 10-18 u. www.muzee.be

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De Belgische schilder Walter Swennen heeft tot 28 oktober een grote tentoonstelling in één van de topgaleries in New York: Gladstone Gallery. De nieuwssite Artnet plaatste half september volgend bericht: ‘Here are 51 New York Gallery Shows That You Need to (Somehow) See This September.’ De Swennen-expo is er niet bij. Er is dus werk aan de winkel, voor al die door de Vlaamse overheid gestuurde promo, via Kunstenpunt en dergelijke. Als troostpleister: deze bijdrage, voor het gemak in het Engels.

Hans THEYS

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Walter Swennen, ‘Bewtie’ tot 28 oktober in Gladstone Gallery, 515 West 24th Street, New York, V.S. Open di-za van 10-18 u. www.gladstonegallery.com

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Toen Lisa Spilliaert hoorde dat de Japanse man waarmee ze kort een relatie had een kind zou krijgen bij een andere vrouw, zag zij daarin een motief voor de start van een langdurig, relatief kleinschalig maar indringend project. Sinds 2014 trekt ze jaarlijks naar Japan en volgt ze met haar analoge camera het jongetje – telkens trekt ze daarvoor een halve dag uit. Ondertussen legt een cameraman of -vrouw op film vast hoe zij de ontwikkeling van het jongetje fotografeert: van een gemakkelijk te portretteren zittende baby, in ‘Growth Record #1’ tot een beweeglijk ventje dat zich al rollend over de vloer van een museum te pletter amuseert in het meest recente ‘Growth Record #4’. Dat vierde deel werd geproduceerd door de Beursschouwburg en is aanleiding voor een tentoonstelling daar.

Lisa Spilliaert: "Het project is relatief kleinschalig en ik kan met dit werk niet alles vertellen, maar het is wel een belangrijk zijspoor."

Anne-Marie POELS

 

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Lisa Spilliaert ‘Growth Record’ tot 22 december in Beursschouwburg, Rue A. Ortsstraat 20-28, Brussel. Open wo-vr van 12-18 u., za van 12-19 u. www.beursschouwburg.be

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