Weef- en viltwerk van Hana Miletić in WIELS

Gepubliceerd op: 21 June 2018

De Belgisch-Kroatische Hana Miletić (°1982) beweegt zich tussen haar geboortestad Zagreb en Brussel. Daar neemt ze op straat foto’s – bijvoorbeeld van werfdoeken of van kleine DIY-reparaties aan auto’s, ramen of deuren – die ze ondertussen al een aantal jaar vooral als bron voor haar geweven werken gebruikt: “Het lastige met fotografie is dat je met foto’s echt iets van de straat neemt. Door tijd in te lassen kan ik beter verantwoorden dat ik die beelden gebruik.” In WIELS zijn een heel aantal van de weefwerken die zo ontstonden bijeen gebracht, gecombineerd met de uitkomst van een samenwerkingsproject dat Miletić had met het kunstencentrum voor nieuwkomers Globe Aroma. Zo worden onmiddellijk twee heel belangrijke elementen binnen haar oeuvre zichtbaar.

Anne-Marie POELS

Fotogalerij

Praktische Info

Hana Miletić ‘Dependencies’ tot 12 augustus in WIELS, Van Volxemlaan 354, Brussel. Open www.wiels.org
Op 4 juli (19 u.) is er nog een lezing van Dessislava Dimova ‘On the modernist grid and the fabric of the world’.

Keywords

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De Belgisch-Kroatische Hana Miletić (°1982) beweegt zich tussen haar geboortestad Zagreb en Brussel. Daar neemt ze op straat foto’s – bijvoorbeeld van werfdoeken of van kleine DIY-reparaties aan auto’s, ramen of deuren – die ze ondertussen al een aantal jaar vooral als bron voor haar geweven werken gebruikt: “Het lastige met fotografie is dat je met foto’s echt iets van de straat neemt. Door tijd in te lassen kan ik beter verantwoorden dat ik die beelden gebruik.” In WIELS zijn een heel aantal van de weefwerken die zo ontstonden bijeen gebracht, gecombineerd met de uitkomst van een samenwerkingsproject dat Miletić had met het kunstencentrum voor nieuwkomers Globe Aroma. Zo worden onmiddellijk twee heel belangrijke elementen binnen haar oeuvre zichtbaar.

Anne-Marie POELS

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Hana Miletić ‘Dependencies’ tot 12 augustus in WIELS, Van Volxemlaan 354, Brussel. Open www.wiels.org
Op 4 juli (19 u.) is er nog een lezing van Dessislava Dimova ‘On the modernist grid and the fabric of the world’.
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Ooit zat ik in een discussie over een onbegrepen film met een Grote Antropologische Filmmaker die uitdraaide op de vraag: “Mais où est le regard?” Waar is de blik? Wie kijkt? Wat is het standpunt? Mijn antwoord – beetje treiterig, ik geef het toe – was: “Overal!” Iedereen kijkt. Niet enkel de Grote Antropologische Filmmaker zelf kijkt, maar ook zijn onderwerp kijkt terug en ook in het publiek zitten tientallen mensen die – elk op hun eigen en eigenzinnige manier – meekijken. Die blikken wisselen elkaar af, gaan in verschillende richtingen, met diverse intensiteiten en spreken elkaar dikwijls tegen bovendien. Dat spel wordt zeer concreet in de actuele tentoonstellingen bij Argos.

Pieter VAN BOGAERT

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Bie Michels & Marie Voignier. ‘Dialoguing Gazes’; Laurent Van Lancker. ‘Disorientation(s)’ tot 15 juli bij Argos, Werfstraat 13, Brussel. Open wo-zo van 11-18u. www.argosarts.org

Tussen 20 en 30 juni presenteert Cinematek in Brussel een programma met films van en een carte blanche voor Laurent Van Lancker. ‘Kalès’ draait er op 24 juni. Info en uren op www.cinematek.be

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Wim Wauman leeft gulzig. We kennen hem misschien vooral als fotograaf van uitgekiende, geometrische stillevens. Sinds ‘WORKFLOW  - A play with Arts Apes and Crafts’, dat tot 2 september in het cultuurcentrum van Sint-Niklaas te zien is, staat hij ook op onze radar als verdienstelijk curator. Deze expo op poten zetten was een titanenwerk. “‘WORKFLOW’ was meer work dan flow.”

Sofie CRABBÉ

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‘WORKFLOW - A play with Arts Apes and Crafts’, tot 2 september in CC Sint-Niklaas - Tentoonstellingszaal Zwijgershoek. Open di-za van 14-17 u. en zo van 11-17 u. www.ccsint-niklaas.be/podium/8934/cc-sint-niklaas-workflow

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