Walter Swennen bij Xavier Hufkens

Gepubliceerd op: 18 November 2016

De schilderijen van de vandaag zeventigjarige Walter Swennen lijken nog steeds lichtvoetiger te worden. Kunstenaars beschouwen hem als iemand die nieuwe mogelijkheden heeft ontsloten en blijft ontsluiten. “Een schilderij van Swennen,” vertelt schilder Carole Vanderlinden, “reikt je tal van vondsten aan die deuren openen. Ineens, door het prijsgeven van een nieuw detail, draait het schilderij zich met zijn rug naar je toe en lijkt het te ontsnappen. Tot je nog iets ontdekt, en het zich nog eens omkeert. Zo blijft het wentelen, als een genereus gebaar dat je nooit kan vatten.”

Hans THEYS

‘Een schilderij heeft geen verborgen betekenis die verpakt zit in een zo helder mogelijke vorm. Het is een voorwerp dat wordt gemaakt om naar te kijken’

Fotogalerij

Praktische Info

 

Walter Swennen, ‘Hic Haec Hoc’ tot 17 december bij Xavier Hufkens, Sint-Jorisstraat 6, Brussel. Open di-za van 11-18 u. www.xavierhufkens.com

Keywords

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De schilderijen van de vandaag zeventigjarige Walter Swennen lijken nog steeds lichtvoetiger te worden. Kunstenaars beschouwen hem als iemand die nieuwe mogelijkheden heeft ontsloten en blijft ontsluiten. “Een schilderij van Swennen,” vertelt schilder Carole Vanderlinden, “reikt je tal van vondsten aan die deuren openen. Ineens, door het prijsgeven van een nieuw detail, draait het schilderij zich met zijn rug naar je toe en lijkt het te ontsnappen. Tot je nog iets ontdekt, en het zich nog eens omkeert. Zo blijft het wentelen, als een genereus gebaar dat je nooit kan vatten.”

Hans THEYS

‘Een schilderij heeft geen verborgen betekenis die verpakt zit in een zo helder mogelijke vorm. Het is een voorwerp dat wordt gemaakt om naar te kijken’

[cnt_info] =>

 

Walter Swennen, ‘Hic Haec Hoc’ tot 17 december bij Xavier Hufkens, Sint-Jorisstraat 6, Brussel. Open di-za van 11-18 u. www.xavierhufkens.com

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Het M HKA toont een serie op fotografie gebaseerde kunstwerken gemaakt tussen midden jaren 60 tot begin jaren 90. Het zijn geen werken van fotografen, maar van kunstenaars. Het gaat om ‘Photo-based Art’, zoals Liesbeth Decan het omschrijft in haar doctoraatsthesis ‘Conceptual, Surrealist, Pictorial: Photo-based Art in Belgium (1960’s - early 1990’s)’ waarop de tentoonstelling gebaseerd is. Begin jaren zestig ontdekten de kunstenaars dat de fotografie een relatief makkelijk en goedkoop middel was om kunstwerken te creëren. Een traditie die tot vandaag doorloopt, ondanks de concurrentie van zowel ‘échte’ fotografie als schilderkunst.

Marc HOLTHOF

'Jacques Charlier, ironisch als altijd, fotografeerde in die periode tijdens een groot aantal tentoonstellingen niet de kunstwerken maar de vernissage'

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‘Van Broodthaers tot Braeckman - Fotografie in de beeldende kunst in België’ tot 5 februari 2017 in het M HKA, Leuvenstraat, Antwerpen. Open di-zo van 11-18 u., do tot 21 u. www.muhka.be

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Hij werd nog geen 35, maar wat een leven: Jules Schmalzigaug verraste België, Parijs, Venetië en Den Haag. Hij was de eerste Belgische kunstenaar die zich manifesteerde in de echte avant-garde begin vorige eeuw, het futurisme. Het Mu.ZEE in Oostende toont een overzicht van zijn werk, in de Venetiaanse Gaanderijen is dat van drie generaties abstracte Belgische kunstenaars te zien.

Marc RUYTERS

'Hij zou de eerste en enige Belgische kunstenaar worden die zich in het futurisme onderdompelde, door de Italiaanse collega’s daarvoor ook geapprecieerd werd en een kortstondig, maar hevig succes zou kennen.'

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‘Jules Schmalzigaug & Het Kookboek van het Futurisme’ tot 5 maart 2017 in Mu.ZEE, Romestraat 6, Oostende. Open di-zo van 10-18 u. www.muzee.be

‘B.LAST – Drie generaties Belgische abstracte kunst’ tot 14 februari 2017 in de Venetiaanse Gaanderijen, Zeedijk Oostende.

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