Waarheid en Leugen in de Kunst: Guillaume Bijl

Gepubliceerd op: 2 June 2016

“Is niet alles illusie en is illusie niet alles”, zo wist schrijver Marcellus Emants al. Maar wat betekenen waarheid en leugen voor onze kunstenaars? Wat hebben werkelijkheid en fictie met elkaar te maken? Vandaag: de waarheid en de leugen van Guillaume Bijl.

We beginnen het gesprek aan het begin van de carrière van Guillaume Bijl toen hij zijn installaties nog vergezeld liet gaan van een fictief pamflet. Daarin schreef hij dat de overheid had besloten dat kunst overbodig was en dat alle kunstinstellingen dan ook omgevormd moesten worden tot ruimten met een sociaal nut, zoals de autorijschool van Bijl of een supermarkt of een psychiatrische instelling.

Praktische Info

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Keywords

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“Is niet alles illusie en is illusie niet alles”, zo wist schrijver Marcellus Emants al. Maar wat betekenen waarheid en leugen voor onze kunstenaars? Wat hebben werkelijkheid en fictie met elkaar te maken? Vandaag: de waarheid en de leugen van Guillaume Bijl.

We beginnen het gesprek aan het begin van de carrière van Guillaume Bijl toen hij zijn installaties nog vergezeld liet gaan van een fictief pamflet. Daarin schreef hij dat de overheid had besloten dat kunst overbodig was en dat alle kunstinstellingen dan ook omgevormd moesten worden tot ruimten met een sociaal nut, zoals de autorijschool van Bijl of een supermarkt of een psychiatrische instelling.

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Begin 2016 schoot de tweede editie van STRTKit uit de startblokken. Opnieuw delen vijf jonge kunstenaars (in feite vier en één kunstenaarsduo) een jaar lang een atelier onder de vleugels van Studio Start, AIR en Extra City in Antwerpen. Die zorgen voor de praktische omkadering en voor een intensieve begeleiding via studiobezoeken, gesprekken met curators, een projectweek in het buitenland – wat zal uitmonden in een groepstentoonstelling aan het eind van het project. H ART stelt de kunstenaars aan u voor via gesprekken met elk van hen. Jim Campers is de eerste kunstenaar die we spraken op de nieuwe werkplek van de vijf kunstenaars, aan de Kielsevest in Antwerpen.

Het werk van Jim Campers (°1990, Antwerpen), die fotografie studeerde aan Sint-Lukas in Brussel en de academies van Leipzig en Antwerpen, bestaat uit een combinatie van kleuren- en zwartwit foto’s van de binnen- en buitenkant van rudimentaire bouwsels, natuurfoto’s en studiofoto’s van objecten zoals een zelfgemaakte visfuik. Ze passen allemaal binnen een groot project ‘Let’s kill the moonlight’, waar Campers zich tijdens zijn studie in vastbeet en dat nog altijd groeit. Voor het eerst bouwde hij tijdens het Antwerp Art Weekend ook een wandstructuur, die eveneens deel uitmaakt van het project.

Do It Yourself

Jim Campers: "“Mijn werk bestaat meestal uit een heel lange periode van research – daar kruipt de meeste tijd in. Ik raak erg betrokken bij het researchproces. Ik blijf dan onderzoeken, kom van het een bij het ander terecht. Uiteindelijk is uit dat vorige project ook een nieuw project geëvolueerd.”

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Perceptie-poëzie

Floris Vanhoof is een kind van vele podia: zijn eigengereide mash-up van fotografie, film en muziek blijft zowel in een achteraf gelegen concertzaal als in een geijkte white-cube overeind. In een speels onderzoek naar het menselijk waarnemingsproces, waarbij beeld en geluid in elkaar verweven liggen, wekt de jonge kunstenaar graag gedateerde, analoge technologieën opnieuw tot leven. Zijn nieuwe solotentoonstelling loopt in de Antwerpse kunstruimte LLS 387. 

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Floris Vanhoof, ‘Fossil Locomotion’ tot 30 juni in LLS 387, Lange Leemstraat 387, Antwerpen. Open do-zo van 14-18 u. http://users.telenet.be/lls387

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