Vrouwen in de kunst: Laure Prouvost

Gepubliceerd op: 22 March 2018

Van #MeToo tot FEMEN: de vrouw laat overal ter wereld steeds luider van zich horen. In deze nieuwe reeks zetten we dan ook de vrouw centraal. Hoe het is om vrouwelijk kunstenaar te zijn? Is de kunstwereld nog steeds in de eerste plaats een mannenwereld? Welke eigen accenten leggen vrouwelijke kunstenaars? Bijt de spits af: multimediakunstenares Laure Prouvost.

Jonas MORTIER

Laure Prouvost: "Bij film gaat het in grote mate over de zintuigen. Dat was alleszins wat mij aantrok: hoe kan je zoveel mogelijk zintuigen triggeren? Geur, hitte, textuur, zweet …"

Praktische Info

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Keywords

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Van #MeToo tot FEMEN: de vrouw laat overal ter wereld steeds luider van zich horen. In deze nieuwe reeks zetten we dan ook de vrouw centraal. Hoe het is om vrouwelijk kunstenaar te zijn? Is de kunstwereld nog steeds in de eerste plaats een mannenwereld? Welke eigen accenten leggen vrouwelijke kunstenaars? Bijt de spits af: multimediakunstenares Laure Prouvost.

Jonas MORTIER

Laure Prouvost: "Bij film gaat het in grote mate over de zintuigen. Dat was alleszins wat mij aantrok: hoe kan je zoveel mogelijk zintuigen triggeren? Geur, hitte, textuur, zweet …"

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De Franse kunstenares Lili Reynaud-Dewar is met haar multimediale installaties – waarvoor ze video’s waarin ze danst op diverse tentoonstellingsplekken combineert met bedrukte stukken textiel en sculpturen – al geruime tijd aan een opmars bezig. We zochten haar op tijdens haar expo in galerie C L E A R I N G in Brussel.

Sam STEVERLYNCK

Lili Reynaud-Dewar: "Het is praktisch om naakt te zijn. Je hoeft niet te piekeren over welke kleren je gaat dragen. Ik speel ook met de verwachtingen rond het vrouwenlichaam."

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Lili Reynaud-Dewar, ‘Lady to Fox’ tot 31 maart in Gallery C L E A R I N G, Van Volxemlaan 311, Brussel. Open di-za van 10-18 u., www.c-l-e-a-r-i-n-g.com

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“Ik dacht er al een tijd over na om deze film te maken: ik had al in mijn hoofd hoe hij in elkaar zou zitten en wist dat ik hem wilde draaien op een architectonisch interessante plek, maar ik had er nog niet de juiste context voor gevonden. Toen Kunsthal KAdE Amersfoort me uitnodigde als resident voor het Van Doesburghuis in het kader van de tentoonstelling ‘De kleuren van De Stijl’, werd dat een mooie aanleiding om het werk binnen de context van deze atelierwoning te maken.”

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Katja Mater, ‘As Much Time As Space’ tot 24 maart in de Beursschouwburg, Rue A. Ortsstraat 20-28, Brussel. Open 12-18 u. www.beursschouwburg.be

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