Vincent Meessen in Centre Pompidou

Gepubliceerd op: 24 May 2018

Chaos is niet-ontcijferde orde. Vraag me niet waar of wanneer, maar ooit heb ik dat ergens gelezen. Het zinnetje kwam weer naar boven tijdens mijn bezoek aan ‘Omar en mai’, de tentoonstelling van Vincent Meessen in het Centre Pompidou in Parijs. Chaos is als een mindmap, met woorden en pijlen en verbindingen die alle kanten uit schieten, vol dubbels die er geen zijn. Net niet.

Pieter VAN BOGAERT

Praktische Info

Vincent Meessen. ‘Omar en mai’ tot 28 mei in Centre Pompidou, Parijs, FR. Open wo-ma van 11-21 u. www.centrepompidou.fr

Keywords

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Chaos is niet-ontcijferde orde. Vraag me niet waar of wanneer, maar ooit heb ik dat ergens gelezen. Het zinnetje kwam weer naar boven tijdens mijn bezoek aan ‘Omar en mai’, de tentoonstelling van Vincent Meessen in het Centre Pompidou in Parijs. Chaos is als een mindmap, met woorden en pijlen en verbindingen die alle kanten uit schieten, vol dubbels die er geen zijn. Net niet.

Pieter VAN BOGAERT

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De titel van Melanie Bonajo’s solotentoonstelling in het Bonnefantenmuseum in Maastricht, ‘The Death of Melanie Bonajo. How to unmodernize yourself and become an elf in 12 steps’, klinkt als de ronkende titel van een Amerikaans zelfhulpboek. Er lopen twee kleine meisjes beteuterd rond aan de hand van hun moeder. Ze dragen al elfenvleugeltjes, en zijn er helemaal klaar voor om elf te worden. Maar die elf uit de titel is symbolisch, schrijft de curator in een zaaltekst. En toch lijkt het een goede strategie om Bonajo’s wereld te betreden: verkleed, met open geest, bereid om het alternatieve te omarmen.

Machteld LEIJ

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‘The Death of Melanie Bonajo, How to umodernize yourself and become an elf in 12 steps’ tot 28 oktober in Bonnefantenmuseum, Avenue Céramique 250, Maastricht, NL. Open di-zo van 11-17 u. www.bonnefanten.nl

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Hoe op een toereikende wijze performancekunst in een museumcontext tonen is en blijft een goeie vraag: bij zulke tentoonstellingen het documentaire, didactische en anekdotische overstijgen is voor iedere tentoonstellingsmaker een uitdaging. Voor haar omvangrijk oeuvre-overzicht in de Bundeskunsthalle in Bonn reikte Marina Abramović zo goed als zelf de oplossing aan. Om alles actief, dynamisch en levendig te maken werd het accent van de tentoonstelling hoofdzakelijk op ‘Re-Performance’ – re-enactments van haar werk – en recent participatief werk gelegd.

Cis BIERINCKX

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Marina Abramović. ‘The Cleaner’ tot 12 augustus in Bundeskunsthalle, Friedrich-Ebert-Allee 4, Bonn, DE. www.bundeskunsthalle.de

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