Tweede solotentoonstelling van Ben Sledsens bij Tim Van Laere Gallery

Gepubliceerd op: 20 September 2018

Het gaat hard voor de jonge kunstenaar Ben Sledsens. Hij is pas zeventwintig en zojuist opende zijn tweede solotentoonstelling bij Tim Van Laere Gallery. De interesse in zijn werk is groot. Ook het M HKA heeft al werk van hem gekocht. In Sledsens’ frisse, toegankelijke schilderijen zitten dan wel tal van kunsthistorische verwijzingen, hij heeft wel degelijk een herkenbare stijl.

Ben Sledsens: "‘Soms heb ik heimwee naar een doek en zijn er elementen die ik wil hernemen. Ik probeer het dan op een andere manier te interpreteren. Monet schilderde ook steeds waterlelies. Ik vind het interessant om me opnieuw in vraag te stellen."

Sam STEVERLYNCK

 

 

Fotogalerij

Praktische Info

Ben Sledsens, ‘Two Trees’ tot 20 oktober in Tim Van Laere Gallery, Verlatstraat 23-25, Antwerpen. Open di-za van 13-18 u. www.timvanlaeregallery.com

Keywords

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Het gaat hard voor de jonge kunstenaar Ben Sledsens. Hij is pas zeventwintig en zojuist opende zijn tweede solotentoonstelling bij Tim Van Laere Gallery. De interesse in zijn werk is groot. Ook het M HKA heeft al werk van hem gekocht. In Sledsens’ frisse, toegankelijke schilderijen zitten dan wel tal van kunsthistorische verwijzingen, hij heeft wel degelijk een herkenbare stijl.

Ben Sledsens: "‘Soms heb ik heimwee naar een doek en zijn er elementen die ik wil hernemen. Ik probeer het dan op een andere manier te interpreteren. Monet schilderde ook steeds waterlelies. Ik vind het interessant om me opnieuw in vraag te stellen."

Sam STEVERLYNCK

 

 

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Ben Sledsens, ‘Two Trees’ tot 20 oktober in Tim Van Laere Gallery, Verlatstraat 23-25, Antwerpen. Open di-za van 13-18 u. www.timvanlaeregallery.com

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Jeroen Bocken (°1994, Heusden-Zolder, woont en werkt in Antwerpen) behaalde vorige zomer zijn Master Fotografie aan de Academie van Antwerpen en toonde toen op de afsluitende tentoonstelling ‘The Number 9: Master Exposition Photography Royal Academy of Fine Arts Antwerp’ in Extra City uit een heel aantal verschillende projecten telkens één foto. Rode draad doorheen zijn oeuvre is een bekommernis met de manier waarop met behulp van fotografie een geïdealiseerde wereld gecreëerd wordt. Bocken vertelt hoe hij twee jaar geleden tijdens een stage bij Milo-Profi print – een bekend fotolabo waar professionele fotografen hun prints laten maken – zag hoe foto’s van objecten in de fotostudio via de computer tot stand kwamen, door beelden met telkens een andere belichting samen te zetten: “Zo liet men het object op een heel geïdealiseerde manier uitkomen; zeer onrealistisch, maar als kijker geloven wij dat wel.”

Jeroen Bocken: "Op den duur evolueren we naar een wereld die volledig door onze menselijke theorieën en abstracties van de werkelijkheid gemaakt is, en dan missen we denk ik veel. Maar ook: is dat dan de wereld die wij willen?"

Anne-Marie POELS

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Werk van Jeroen Bocken is te zien van 5 september tot 21 oktober in Stedelijk Museum Breda tijdens BredaPhoto 2018, To Infinity and Beyond. www.bredaphoto.nl

In We’re This and We’re That, Aren’t We?, met alle STRT Kit residenten, samengesteld door Samuel Saelemakers van 22 september tot 14 oktober in Kunsthal Extra City, Antwerpen. www.extracity.be

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Naar aanleiding van de solotentoonstelling van de Nederlandse kunstenaar René Daniëls (°1950, Eindhoven), ‘Fragmenten uit een onvoltooide roman’ in Wiels Brussel, vroegen we Frank Lubbers een tekst te schrijven over het recente werk van Daniëls. Frank Lubbers was als conservator bij het Stedelijk Museum en als hoofdconservator in het Van Abbemuseum goed vertrouwd met René Daniëls en diens werk. De titel van zijn essay, ‘Daniëls geen Daniëls’, is een knipoog naar een artikel van Guido Goossens in De Witte Raaf in 2012. Ook Lubbers stelt, net als Goossens, dat het werk voor en na Daniëls’ hersenbloeding in 1987 niet echt met elkaar kan vergeleken worden. Daar bestaat nogal wat controverse over.
 
Het is niet eenvoudig om nog iets over René Daniëls te zeggen dat niet al eerder en ook beter door anderen is gezegd. Toch moet het verhaal van zijn snelle ontwikkeling vanaf 1977, de tragische breuk door een hersenbloeding in 1987, de bescheiden hervatting van het oeuvre in 1997 en het ontstaan van de eerste nieuwe schilderijen in 2007 steeds opnieuw worden verteld. Ook de discussie over de waardering van zijn werk na 1987 moet blijvend gevoerd worden. Hij wordt door velen beschouwd als een van de belangrijkste kunstenaars van zijn generatie en volgens een enkeling is hij zelfs een van de grootste Nederlandse schilders van de 20ste eeuw. Zijn oeuvre is van blijvend internationaal belang gebleken.
 
Frank LUBBERS
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‘René Daniëls: Fragmenten uit een onvoltooide roman’ tot 6 januari 2019 in Wiels, Centrum voor Hedendaagse Kunst, Van Volxemlaan 354, Brussel. Open di-zo van 11-18 u. Elke 1ste en 3de wo. van de maand tot 21 u. www.wiels.org

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