Trigger: Katja Mater

Gepubliceerd op: 22 March 2018

“Ik dacht er al een tijd over na om deze film te maken: ik had al in mijn hoofd hoe hij in elkaar zou zitten en wist dat ik hem wilde draaien op een architectonisch interessante plek, maar ik had er nog niet de juiste context voor gevonden. Toen Kunsthal KAdE Amersfoort me uitnodigde als resident voor het Van Doesburghuis in het kader van de tentoonstelling ‘De kleuren van De Stijl’, werd dat een mooie aanleiding om het werk binnen de context van deze atelierwoning te maken.”

Fotogalerij

Praktische Info

Katja Mater, ‘As Much Time As Space’ tot 24 maart in de Beursschouwburg, Rue A. Ortsstraat 20-28, Brussel. Open 12-18 u. www.beursschouwburg.be

Keywords

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“Ik dacht er al een tijd over na om deze film te maken: ik had al in mijn hoofd hoe hij in elkaar zou zitten en wist dat ik hem wilde draaien op een architectonisch interessante plek, maar ik had er nog niet de juiste context voor gevonden. Toen Kunsthal KAdE Amersfoort me uitnodigde als resident voor het Van Doesburghuis in het kader van de tentoonstelling ‘De kleuren van De Stijl’, werd dat een mooie aanleiding om het werk binnen de context van deze atelierwoning te maken.”

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Katja Mater, ‘As Much Time As Space’ tot 24 maart in de Beursschouwburg, Rue A. Ortsstraat 20-28, Brussel. Open 12-18 u. www.beursschouwburg.be

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Van #MeToo tot FEMEN: de vrouw laat overal ter wereld steeds luider van zich horen. In deze nieuwe reeks zetten we dan ook de vrouw centraal. Hoe het is om vrouwelijk kunstenaar te zijn? Is de kunstwereld nog steeds in de eerste plaats een mannenwereld? Welke eigen accenten leggen vrouwelijke kunstenaars? Bijt de spits af: multimediakunstenares Laure Prouvost.

Jonas MORTIER

Laure Prouvost: "Bij film gaat het in grote mate over de zintuigen. Dat was alleszins wat mij aantrok: hoe kan je zoveel mogelijk zintuigen triggeren? Geur, hitte, textuur, zweet …"

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In het derde en laatste deel van Field Recordings – een reeks waarvoor we met een kunstenaar naar een bijzondere plek trekken die een link vertoont met zijn werk – een gesprek met Xavier Mary. We namen het interview vier jaar geleden af – en hebben het sindsdien lichtjes geactualiseerd – tijdens Dinner in the Sky, een mobiel platform dat verschillende steden aandoet en waar je veertig meter boven de grond een sterrenmenu kan proeven met een prachtig uitzicht over de stad. Wij hielden het echter sober, met alleen een fles champagne die, wat ongemakkelijk, net te ver af stond.

Xavier Mary: "Aan wie behoort het beeld als de copy slechts een copy van een copy is in een wereld waar het origineel niet meer bestaat?"

Sam STEVERLYNCK

[cnt_info] =>

www.xaviermary.com

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