Triënnale Brugge 2018: Liquid City | Vloeibare Stad

Gepubliceerd op: 24 May 2018

“Hoe flexibel, vloeibaar, weerbaar kan een historische stad als Brugge zijn in een tijd waarin niets nog zeker lijkt?” Deze vraag, ontleend aan de Pools-Britse filosoof- socioloog Zygmunt Bauman, inspireerde een rist internationale kunstenaars en architecten in Brugge tot vooral ecologische projecten. Baumans kritisch-pessimistische visie op de Vloeibare Maatschappij, met transmigratie als precaire emanatie daarvan, komt gelukkig ook in beeld. Rotor redt de Triënnale met een intellectueel verrukkelijke Wunderkammer waarin de invasieve Chinese handwolkrab uit de Brugse reien dé metafoor wordt voor onze schizofrene omgang met ‘de vreemdeling’.

Koen VAN SYNGHEL

Praktische Info

‘Triënnale Brugge 2018: Liquid City | Vloeibare Stad’ tot 16 september in Brugge, centraal infopunt Poortersloge, Kraanrei 19, Brugge. Open van 12-18 u. triennalebrugge.be
 
‘Liquid City 2 The Golden Snail Opera’ lezing/performance door Anna Tsing, ingeleid door Rotor, op 28 mei.
‘Liquid City 3 Architectures Liquides’, gesprek met Abdelkader Damani (FRAC), Till-Holger Borchert en Michel Dewilde (Triënnale Brugge) op 31 mei.
‘Liquid City 4 selgascano pavilion’, lezing door José Selgas en Lucía Cano (selgascano) op 05 juli.
‘Liquid City 5 House of Time’, lezing door raumlabor op 30 augustus.
‘Liquid City 6 MFS III – Minne Floating School’, lezing door Kunlé Adeyemi, op 16 september.

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“Hoe flexibel, vloeibaar, weerbaar kan een historische stad als Brugge zijn in een tijd waarin niets nog zeker lijkt?” Deze vraag, ontleend aan de Pools-Britse filosoof- socioloog Zygmunt Bauman, inspireerde een rist internationale kunstenaars en architecten in Brugge tot vooral ecologische projecten. Baumans kritisch-pessimistische visie op de Vloeibare Maatschappij, met transmigratie als precaire emanatie daarvan, komt gelukkig ook in beeld. Rotor redt de Triënnale met een intellectueel verrukkelijke Wunderkammer waarin de invasieve Chinese handwolkrab uit de Brugse reien dé metafoor wordt voor onze schizofrene omgang met ‘de vreemdeling’.

Koen VAN SYNGHEL

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‘Triënnale Brugge 2018: Liquid City | Vloeibare Stad’ tot 16 september in Brugge, centraal infopunt Poortersloge, Kraanrei 19, Brugge. Open van 12-18 u. triennalebrugge.be
 
‘Liquid City 2 The Golden Snail Opera’ lezing/performance door Anna Tsing, ingeleid door Rotor, op 28 mei.
‘Liquid City 3 Architectures Liquides’, gesprek met Abdelkader Damani (FRAC), Till-Holger Borchert en Michel Dewilde (Triënnale Brugge) op 31 mei.
‘Liquid City 4 selgascano pavilion’, lezing door José Selgas en Lucía Cano (selgascano) op 05 juli.
‘Liquid City 5 House of Time’, lezing door raumlabor op 30 augustus.
‘Liquid City 6 MFS III – Minne Floating School’, lezing door Kunlé Adeyemi, op 16 september.
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‘Unexchangeable’, zo heet een tweede museale oefening – na ‘Het afwezige museum’ uit 2017 – die Dirk Snauwaert in Wiels organiseert. In een unieke privaat-publieke samenwerking worden 73 kunstwerken uit 32 Belgische privécollecties getoond. Wiels zet hiermee het onderzoek naar “mogelijke institutionele vormen voor een toekomstig Museum van Hedendaagse Kunst in de Europese hoofdstad” voort. De relatief kleine tentoonstelling (één verdieping) is een schatkamer aan zelden geziene kunstwerken uit de jaren tachtig en negentig, met 1989 als scharnierjaar.

Marc HOLTHOF

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‘Unexchangeable’ tot 12 augustus in Wiels, Van Volxemlaan 354, Brussel. Open di-zo van 11-18 u., elke 1ste en 3de wo van de maand tot 21 u. www.wiels.org

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Binnenkort sluit De Bond in Brugge zijn deuren. De Bond deed 21 jaar dienst als exporuimte voor actuele kunst van Cultuurcentrum Brugge. De eerste expo die er, op 4 mei 1997, plaatsvond op initiatief van kunstenaar, curator, en cc-medewerker Jan Verhaeghe was ‘… creatie … communicatie … creatie …,’ met werk van een twintigtal West-Vlaamse – vooral Brugse – kunstenaars: Daniël Dewaele, Matthieu Lobelle, Johan Clarysse, Peter Jonckheere, D.D.Trans, William Sweetlove, Pierre Goetinck, Jean Godecharle, Natasja Lefevre, e.a.. Het is dan wellicht ook geen toeval dat diezelfde Brugse kunstscene, het gros ervan uitgebreid met een jongere garde, een artistieke ingreep of performance zal doen op het slotfeest van De Bond op 6 juni 2018, om in schoonheid af te sluiten.

Isabelle DE BAETS

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‘Playtime 2’ tot 6 juni in De Bond, Buiten Smedenvest 1, Brugge. Open wo-ma van 13-18 u., gesloten op 4 juni 2018. www.ccbrugge.be

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