Tomás Saraceno toont nieuwe in-situ installatie bij Vanhaerents Art Collection in Brussel

Gepubliceerd op: 12 May 2016

Utopische architectuur van Buckminster Fuller, de manier hoe spinnen hun web maken, het zijn maar een paar inspiratiebronnen die kunstenaar Tomás Saraceno verweeft in zijn sculpturen en ruimte-vullende installaties.

 

Praktische Info

Tomás Saraceno, ‘Many suns and the worlds’ tot 28 oktober in Vanhaerents Art Collection, Anneessensstraat 29, Brussel. Open iedere eerste za van de maand van 14-17 u. www.vanhaerentsartcollection.com

Keywords

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Utopische architectuur van Buckminster Fuller, de manier hoe spinnen hun web maken, het zijn maar een paar inspiratiebronnen die kunstenaar Tomás Saraceno verweeft in zijn sculpturen en ruimte-vullende installaties.

 

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Tomás Saraceno, ‘Many suns and the worlds’ tot 28 oktober in Vanhaerents Art Collection, Anneessensstraat 29, Brussel. Open iedere eerste za van de maand van 14-17 u. www.vanhaerentsartcollection.com

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De Amerikaanse kunstenaar Mark Dion werkt al een paar decennia rond de manier waarop de mens de natuur objectificeert, catalogiseert en tentoonstelt. Dat is opnieuw het geval met zijn fraaie tentoonstelling ‘Reconnaissance’ bij Waldburger Wouters Gallery in Brussel.

Mark Dion: "Ik was niet zo bezig met vragen rond de ‘white cube’ en wou geen opnieuw opgewarmde versie brengen van pop art of conceptuele kunst. Ik was meer aangetrokken door vragen die werden gesteld in de natuurwetenschappen zoals het lot van de planeet en onze rol daarin."

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Mark Dion, ‘Reconnaissance’ tot 20 juni in Waldburger Wouters Gallery, Regentschapstraat 67, Brussel. Open wo-za van 12-18 u. www.waldburgerwouters.com

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In 2016 begon de tweede editie van STRTKit. Opnieuw zullen vijf jonge kunstenaars (in feite vier en één kunstenaarsduo) een jaar lang een atelier delen onder de vleugels van Studio Start, AIR en Extra City. Die zorgen niet alleen voor de praktische omkadering, maar ook voor een intensieve begeleiding via studiobezoeken, gesprekken met curators, een projectweek in het buitenland – met afsluitend een groepstentoonstelling. H ART stelt de kunstenaars opnieuw aan u via gesprekken met elk van hen. Vlak voor de opening van hun project op het non-profit event Poppositions, spraken we de mountaincutters eind april in Brussel.

Het is niet hoe ze meestal werken, vertellen de mountaincutters (Manon N. en Quentin P., °1990, FR, wonen en werken in Brussel) als ze hun installatie op Poppositions aanhalen. Hier hadden ze maar twee dagen de tijd om een ‘environment’ te creëren en kenden ze de ruimte niet, terwijl ze tot nu toe in situ-installaties bouwden waarin de onmiddellijke omgeving (lees: de buitenruimte errond) een belangrijke rol speelde en ze daar vaak ook langere tijd vertoefden.

Mountaincutters: "Stel je voor dat er niets anders is dan je eigen lichaam en voor je is er alleen het landschap – wat gebeurt er dan? Hoe kan je daarmee samenleven, hoe kan je je beschermen, hoe kun je er binnen bewegen …?"

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