Thomas Lerooy zet Museum Dhondt-Dhaenens naar zijn hand

Gepubliceerd op: 16 November 2017

Voor zijn solotentoonstelling ‘Playground’ in Museum Dhondt-Dhaenens in Deurle heeft Thomas Lerooy de architectuur van het museum door elkaar gehaald door verschillende volumes in kleur op te trekken waarin zijn werk wordt gepresenteerd. Het resultaat is een ambitieuze tentoonstellingsarchitectuur waar elke zaal een eigen sfeer heeft.

Thomas Lerooy: "Ik werk wel vaker met elementen die ik deconstrueer of samenbreng terwijl die eigenlijk niet bij elkaar horen. Dat heb ik hier ook gedaan met de architectuur. Voor mij is dat grondplan een grote sculptuur die ik in de ruimte heb geduwd."

Sam STEVERLYNCK

Praktische Info

‘Playground’, Thomas Lerooy, tot 4 maart 2018 in Museum Dhondt-Dhaenens, Museumlaan 14, Deurle. Open wo-zo van 10-17 u., www.museumdd.be

Keywords

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Voor zijn solotentoonstelling ‘Playground’ in Museum Dhondt-Dhaenens in Deurle heeft Thomas Lerooy de architectuur van het museum door elkaar gehaald door verschillende volumes in kleur op te trekken waarin zijn werk wordt gepresenteerd. Het resultaat is een ambitieuze tentoonstellingsarchitectuur waar elke zaal een eigen sfeer heeft.

Thomas Lerooy: "Ik werk wel vaker met elementen die ik deconstrueer of samenbreng terwijl die eigenlijk niet bij elkaar horen. Dat heb ik hier ook gedaan met de architectuur. Voor mij is dat grondplan een grote sculptuur die ik in de ruimte heb geduwd."

Sam STEVERLYNCK

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‘Playground’, Thomas Lerooy, tot 4 maart 2018 in Museum Dhondt-Dhaenens, Museumlaan 14, Deurle. Open wo-zo van 10-17 u., www.museumdd.be

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Toen Lisa Spilliaert hoorde dat de Japanse man waarmee ze kort een relatie had een kind zou krijgen bij een andere vrouw, zag zij daarin een motief voor de start van een langdurig, relatief kleinschalig maar indringend project. Sinds 2014 trekt ze jaarlijks naar Japan en volgt ze met haar analoge camera het jongetje – telkens trekt ze daarvoor een halve dag uit. Ondertussen legt een cameraman of -vrouw op film vast hoe zij de ontwikkeling van het jongetje fotografeert: van een gemakkelijk te portretteren zittende baby, in ‘Growth Record #1’ tot een beweeglijk ventje dat zich al rollend over de vloer van een museum te pletter amuseert in het meest recente ‘Growth Record #4’. Dat vierde deel werd geproduceerd door de Beursschouwburg en is aanleiding voor een tentoonstelling daar.

Lisa Spilliaert: "Het project is relatief kleinschalig en ik kan met dit werk niet alles vertellen, maar het is wel een belangrijk zijspoor."

Anne-Marie POELS

 

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Lisa Spilliaert ‘Growth Record’ tot 22 december in Beursschouwburg, Rue A. Ortsstraat 20-28, Brussel. Open wo-vr van 12-18 u., za van 12-19 u. www.beursschouwburg.be

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Kunstfotografie wordt – excusez le mot – onderbelicht in België. In de reeks ‘Zwart op Wit’ willen wij daar iets aan doen en dalen we af in de donkere kamers van onze grootste fotografische talenten, alwaar zij hun licht laten schijnen op leven en werk. Vandaag in Zwart op Wit: Bruno Roels.

Bruno Roels: "Hoe komt het dat bepaalde dingen als je ze kopieert uitermate kitscherig worden en dat andere dingen overeind blijven? Ik weet het niet. Warhol heeft veel dingen herhaald, behoorlijk domme dingen ook, zoals soepblikken. Van Elvis Presley tot de elektrische stoel. Ik weet het niet, maar ik denk dat het te maken heeft met de betekenissen die ergens aan vasthangen."

Jonas MORTIER

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