The Yes Men ontmaskeren het kapitalisme in Het Domein, Sittard

Gepubliceerd op: 4 September 2014

Museum Het Domein in Sittard mag zich op de borst kloppen: ‘Out-Smarting Capitalism’ is de eerste museumsolo in Europa van The Yes Men. Het New Yorkse duo licht het kapitalisme bijna stiekem een beentje door zich voor te doen als woordvoerders van bedrijven en organisaties. Hilarisch! Vlijmscherp! En het blijkt nog kunst te zijn ook…

Praktische Info

The Yes Men, ‘Out-Smarting Capitalism’ tot 30 november in Museum Het Domein, Kapittelstraat 6, Sittard, NL. Open di-zo van 11-17 u. www.hetdomein.nl

Gratis rondleiding door Roel Arkesteijn op 2 november om 15 u.

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Museum Het Domein in Sittard mag zich op de borst kloppen: ‘Out-Smarting Capitalism’ is de eerste museumsolo in Europa van The Yes Men. Het New Yorkse duo licht het kapitalisme bijna stiekem een beentje door zich voor te doen als woordvoerders van bedrijven en organisaties. Hilarisch! Vlijmscherp! En het blijkt nog kunst te zijn ook…

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The Yes Men, ‘Out-Smarting Capitalism’ tot 30 november in Museum Het Domein, Kapittelstraat 6, Sittard, NL. Open di-zo van 11-17 u. www.hetdomein.nl

Gratis rondleiding door Roel Arkesteijn op 2 november om 15 u.

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Na Steve McQueen nodigde de kunstmecenas Maja Oeri nu ook kunstenaar Paul Chan uit in haar kunsthal Schaulager in Basel. Deze in Hong Kong geboren, veertigjarige New Yorker presenteert er nog tot midden oktober een interessante overzichtstentoonstelling, die als een kantelmoment in zijn al erg veelzijdige oeuvre wordt beschouwd. Bij de tentoonstelling horen ook drie boeken.

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Paul Chan, Selected works tot 18 oktober in Schaulager Basel, Ruchfeldstrasse 19, 4142 Münchenstein / Basel, CH. Open di-wo en vr-zo van 12-18 u., do van 12-22 u. www.schaulager.org

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‘Echolalia’ staat niet alleen voor de speelse herhaling van woorden door een kind dat leert praten, maar heeft ook betrekking op een medische afwijking waarbij iemand dwangmatig woorden en zinnen nazegt. Bovendien verwijst het woord naar de opeenvolging van geluiden in de poëzie, die de betekenis ondergeschikt maakt aan het geluid. Met die titel lijkt beeldend kunstenares Ana Torfs (°1963), de Brusselse grande dame bij wie taal en beeld onlosmakelijk met elkaar zijn verbonden, aan te geven dat taal een substantieel bestanddeel van haar werken vormt. Met ‘Echolalia’ toont ze in WIELS haar oeuvre van de laatste vijf jaar, in zes installaties, die op één na nooit eerder in België te zien waren.

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Ana Torfs, ‘Echolalia’ van 12 september tot 14 december in Wiels, Centre d’Art Contemporain, Avenue Van Volxemlaan 354, Brussel. Open wo-zo van 11-18 u. www.wiels.org
Naar aanleiding van deze tentoonstelling verschijnt een gelijknamige publicatie die werd samengesteld door de kunstenaar; het is een beeldboek dat tekstbijdragen bevat van Dirk Snauwaert, Catherine Robberechts, Kassandra Nakas, Gabriele Mackert, Christophe Van
Gerrewey, Emiliano Battista, en Ana Torfs. 'Zyklus von Kleinigkeiten’ wordt op 21 november in Cinematek in Ana Torfs (foto: Jean-Pierre Stoop) Brussel getoond. www.cinematek.be

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