‘The Photographic II’ in het S.M.A.K. in Gent

Gepubliceerd op: 20 December 2018

Goede kunst moet de wereld gecompliceerder maken. Onder dit adagium breien Martin Germann en Tanja Boon, curatoren van het S.M.A.K., een vervolg aan ‘The Photographic I - Other Pictures’ (2017). Niet dat het tweede deel ‘The Photographic II - Signal or Noise’ zo ontoegankelijk is, maar het helpt om doorheen het prisma van de diepte naar de tentoongestelde werken te kijken.

Sofie CRABBÉ

 

Fotogalerij

Praktische Info

‘The Photographic II – Signal or Noise’ tot 10 februari 2019 in het S.M.A.K., Jan Hoetplein 1, Gent. Open di-vr van 9u30-17u30 en za van 10-18 u. www.smak.be

Keywords

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Goede kunst moet de wereld gecompliceerder maken. Onder dit adagium breien Martin Germann en Tanja Boon, curatoren van het S.M.A.K., een vervolg aan ‘The Photographic I - Other Pictures’ (2017). Niet dat het tweede deel ‘The Photographic II - Signal or Noise’ zo ontoegankelijk is, maar het helpt om doorheen het prisma van de diepte naar de tentoongestelde werken te kijken.

Sofie CRABBÉ

 

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‘The Photographic II – Signal or Noise’ tot 10 februari 2019 in het S.M.A.K., Jan Hoetplein 1, Gent. Open di-vr van 9u30-17u30 en za van 10-18 u. www.smak.be

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‘The Weather is Quiet, Cool and Soft’, zo luidt de in het Engels vertaalde titel van de tentoonstelling met werk van Guy Mees in het Oostendse Mu.ZEE. Mees, die vooral in de voetsporen van de conceptual en minimal art figureerde, was wellicht één van de meest ongrijpbare Belgische kunstenaars uit die periode. Een Einzelgänger die zijn eigen ‘verloren ruimte’ invulde.

Marc RUYTERS

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In ADAM – Brussels Design Museum vlak aan het Atomium – loopt momenteel de tentoonstelling ‘Night Fever, Designing Club Culture 1960-Today’. De tentoonstelling wil een beeld schetsen van verschillende iconische nachtclubs. Sam Steverlynck nam een kijkje en vult de expo aan met eigen herinneringen aan clubs die hij bezocht en die door, voor of met kunstenaars werden ontworpen: van de Piper Club in Turijn, over de Double Club in Londen, Berghain in Berlijn, Silencio in Parijs en Strookoffer in Brussel. Een subjectief, non-exhaustief overzicht.

Sam STEVERLYNC

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‘Night Fever, Designing Club Culture 1960-Today’ tot 5 mei in ADAM, Belgiëplein, Brussel. Open ma-zo van 10-18 u. www.adamuseum.be

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