STRTKit #2 Maika Garnica

Gepubliceerd op: 23 June 2016

In de tweede editie van STRTKit delen opnieuw vijf jonge kunstenaars (in feite vier en één kunstenaarsduo) een jaar lang een atelier onder de vleugels van Studio Start, AIR en Extra City. Die zorgen voor de praktische omkadering en voor een intensieve begeleiding via studiobezoeken, gesprekken met curators, een projectweek in het buitenland en een groepstentoonstelling aan het eind van het project. H ART stelt elk van de kunstenaars aan u voor. Op de dag van de vernissage van de groepstentoonstelling ‘Tradition does not graduate’ in KOMPLOT in Brussel, vertelt Maika Garnica over haar werk.

‘Werk maken is dingen zichtbaar maken’

De tentoonstelling is de afsluiting van de Master of Research in Art & Design, het postgraduate programma dat Maika Garnica (°1992, Dendermonde) afgelopen jaar volgde aan het St. Lucas in Antwerpen. Het onderzoekende aspect ervan, het met anderen praten over je werk, het lezen en schrijven van essays over kunst …: het waren aspecten die ze verder wilde ontwikkelen na haar master in de beeldhouwkunst aan de academie. Al reflecterende tekenden zich binnen haar werk tot nu toe steeds duidelijker twee richtingen af: enerzijds de keramische geluidsobjecten en anderzijds de acties die ze doet binnen een bepaalde context.

Maika Garnica: "‘Dat blijven zoeken naar nieuwe manieren waarop je hetzelfde materiaal kunt bewerken is belangrijk. Volgens mij is hoe je werkt met een materiaal helemaal gelinkt aan hoe je denkt over wat je aan het maken bent."

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In de tweede editie van STRTKit delen opnieuw vijf jonge kunstenaars (in feite vier en één kunstenaarsduo) een jaar lang een atelier onder de vleugels van Studio Start, AIR en Extra City. Die zorgen voor de praktische omkadering en voor een intensieve begeleiding via studiobezoeken, gesprekken met curators, een projectweek in het buitenland en een groepstentoonstelling aan het eind van het project. H ART stelt elk van de kunstenaars aan u voor. Op de dag van de vernissage van de groepstentoonstelling ‘Tradition does not graduate’ in KOMPLOT in Brussel, vertelt Maika Garnica over haar werk.

‘Werk maken is dingen zichtbaar maken’

De tentoonstelling is de afsluiting van de Master of Research in Art & Design, het postgraduate programma dat Maika Garnica (°1992, Dendermonde) afgelopen jaar volgde aan het St. Lucas in Antwerpen. Het onderzoekende aspect ervan, het met anderen praten over je werk, het lezen en schrijven van essays over kunst …: het waren aspecten die ze verder wilde ontwikkelen na haar master in de beeldhouwkunst aan de academie. Al reflecterende tekenden zich binnen haar werk tot nu toe steeds duidelijker twee richtingen af: enerzijds de keramische geluidsobjecten en anderzijds de acties die ze doet binnen een bepaalde context.

Maika Garnica: "‘Dat blijven zoeken naar nieuwe manieren waarop je hetzelfde materiaal kunt bewerken is belangrijk. Volgens mij is hoe je werkt met een materiaal helemaal gelinkt aan hoe je denkt over wat je aan het maken bent."

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In dit derde en laatste deel over de Bucharest Biennale 7 maken curator Niels Van Tomme en assistent-curator Charlotte Van Buylaere samen met kunstenaarsduo Vermeir & Heiremans de balans op van hun aandeel in dit project. Vermeir & Heiremans definiëren hun huis – een loft in een postindustrieel pand in Brussel – als kunstwerk om de dynamische, globale verhoudingen tussen kunst, architectuur en economie te onderzoeken. Hoe beleefden de kunstenaars de samenwerking aan de biënnale? Wat waren hun drijfveren om deel te nemen? En welke plaats neemt het werk dat ze er voor creëerden in in hun artistieke praktijk? 

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In de tweede editie van STRTKit delen opnieuw vijf jonge kunstenaars (in feite vier en één kunstenaarsduo) een jaar lang een atelier onder de vleugels van Studio Start, AIR en Extra City. Die zorgen voor de praktische omkadering en voor een intensieve begeleiding via studiobezoeken, gesprekken met curators, een projectweek in het buitenland en een groepstentoonstelling aan het eind van het project. H ART stelt elk van de kunstenaars aan u voor. Het laatste kunstenaarsgesprek was er één met Timo van Grinsven; een gesprek met de curator van de groepstentoonstelling, Pieternel Vermoortel, houdt u nog van ons tegoed.

‘Ik maak gewoon en denk erover na’

Een starter is hij niet meer echt, Timo van Grinsven (°1985, NL, woont en werkt in Antwerpen). Hij had al een tentoonstelling in Base-Alpha Gallery in Antwerpen en een hele resem kleinere kunstruimtes, deed een residentie in Frankfurt en toonde in Nederland op plekken als TETEM kunstruimte (Enschede), MoMart (Amsterdam), Marres (Maastricht) en Kunstvereniging Diepenheim ... Van Grinsven balanceert in sculpturen, installaties, tekeningen en doeken (die meestal eerder installaties zijn dan schilderijen) de kunstenaar tussen beeld en teken (of woord), maar wil zichzelf noch beeldhouwer, tekenaar of schilder noemen: “Ik maak gewoon en denk daarover na.”

Timo van Grinsven: "Tekeningen zijn zoals een ruimte waar je dingen in kan zetten en waarin alles mogelijk is. Je kunt er ook heel veel ideeën in samenbrengen, zonder dat het beklemmend wordt, terwijl je bij een sculptuur toch meer terug moet naar de essentie."

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