STRT Kit in Extra City Antwerpen

Gepubliceerd op: 22 October 2015

Wie zijn kunst graag geserveerd krijgt met pasklare definities, krabt zich waarschijnlijk eens achter de oren bij het zien van de eindtentoonstelling van de eerste editie van STRT Kit. De groepsexhibitie van het ondersteuningsprogramma voor jonge kunstenaars, verschaft heus een raamwerk – maar doet dat vanuit de retorische figuur van de ontkenning. De titel, ‘no blossom no moonlight’, zet lyriek en minimale gestes al gelijk buiten spel. Wat is de gemene deler?

Praktische Info

‘no blossom no moonlight’ tot 6 december in Extra City, Eikelstraat 25, Antwerpen. Open wo-zo van 13-18 u. www.extracitykunsthal.org

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Wie zijn kunst graag geserveerd krijgt met pasklare definities, krabt zich waarschijnlijk eens achter de oren bij het zien van de eindtentoonstelling van de eerste editie van STRT Kit. De groepsexhibitie van het ondersteuningsprogramma voor jonge kunstenaars, verschaft heus een raamwerk – maar doet dat vanuit de retorische figuur van de ontkenning. De titel, ‘no blossom no moonlight’, zet lyriek en minimale gestes al gelijk buiten spel. Wat is de gemene deler?

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‘no blossom no moonlight’ tot 6 december in Extra City, Eikelstraat 25, Antwerpen. Open wo-zo van 13-18 u. www.extracitykunsthal.org

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Land art verplaatsen is haar vernietigen, concludeert kunstcritica Sandra Smallenburg in haar boek ‘Expeditie land art’. Toch maakte ze als gastcurator voor Kunsthal Kade in Amersfoort een gelijknamige tentoonstelling over landschapskunst in Amerika, Groot-Brittannië en Nederland met grote namen en mythische werken die als film, documentaire of foto van buiten naar binnen gebracht worden: Robert Smithsons ‘Spiral Jetty’, ‘de Roden Crater’ van James Turrell en, dichter bij huis, ‘de Groene Kathedraal’ van Marinus Boezem. Dat maakt nieuwsgierig. Hoe kun je aan kunst die letterlijk met haar poten in de modder staat en daar ook haar bestaansrecht aan ontleent, recht doen tussen de strak gepleisterde muren van een museum, ver weg van de ‘great wide open’, van die natuurlijke ambiance die er deel van uitmaakt?

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‘Expeditie land art’ tot 3 januari in Kunsthal Kade, Eemplein 77, Amersfoort, NL. Op di-vr van 11-17 u., za-zo van 12-17 u. www.kunsthalkade.nl

Sandra Smallenburg, ‘Expeditie land art, Landschapskunst in Amerika, Groot Brittannië en Nederland’, ISBN 9789023492016, De Bezige Bij, Amsterdam, 2015

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Été 78, espace d’art indépendant à Ixelles, célèbre les cent ans de la parution du premier roman de Virginia Woolf, « The Voyage Out », le temps d’une courte exposition. Philippe Hunt, professeur de littérature à l’Académie royale des Beaux-Arts et Florian Kiniques, artiste plasticien, convient six jeunes artistes plasticiennes à rendre hommage à cette grande dame de la littérature. Six jeunes femmes, toutes issues de l’Académie royale des Beaux-Arts de Bruxelles : Meri Badalyan, Marie Braun, Céline Cuvelier, Charlotte Flamand, Babette Goossens et Emmanuela Vulpiani. Leurs œuvres, très sensibles, font écho à l’écriture de Virginia Woolf.

Dans le cadre de cette exposition, quelques événements prendront place : performances, lectures, visites commentées. Autant d’opportunités de discuter et de (re)découvrir ce roman - satire sociale mais aussi marqueur du passage de l’adolescence à l’âge adulte d’une jeune femme s’embarquant pour l’Amérique du Sud à bord d’un bateau de son père.

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Eté 78, rue de l’été 78, Bruxelles.  www.ete78.com

Ouvert ma 27 octobre de 17-20 h : visites commentées, sans rendez-vous. Me 28 octobre à 2 0h : finissage sous forme de lectures en français et en anglais. Durée 1 h + drink. Réservation obligatoire pour cette soirée uniquement, gratuit : envoyer un mail à info@ete78.com

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