Stan Douglas in Wiels Brussel

Gepubliceerd op: 22 October 2015

De Anjerrevolutie, die in 1974 een eind maakt aan veertig jaar militaire dictatuur in Portugal, past in een netwerk van gebeurtenissen. De opstand wordt gestuurd en heeft een belangrijk effect op bevrijdingsbewegingen in de Portugese kolonies. Langs daar krijgt ze een plaats in de geschiedenis van de koude oorlog en voedt ze spionageverhalen in de pers en in de populaire cultuur. En in hetzelfde klimaat verleggen avant-garde kunstenaars en (veelal zwarte) muzikanten grenzen. Al die geschiedenissen ontmoeten elkaar in ‘Interregnum’, de tentoonstelling van Stan Douglas bij Wiels in Brussel.

Stan Douglas: "De titel van dat werk verwijst naar de gelijktijdigheid van de opstand in Luanda en de ‘Rumble in the Jungle’ in Kinshasa. Daar stond Mohammed Ali voor een Amerikaanse culturele uitwisseling. James Brown en andere groepen speelden er rond die tijd."

Fotogalerij

Praktische Info

Stan Douglas. ‘Interregnum’ tot 10 januari in Wiels, Van Volxemlaan 354, Brussel. Open wo-zo van 11-18 u. www.wiels.org

‘Helen Lawrence’, de theatervoorstelling van Stan Douglas, staat op 29, 30 en 31 oktober in deSingel, Antwerpen.

‘The Secret Agent’, de catalogus bij de tentoonstelling, is uit bij Ludion. 192 p., 39 euro. ISBN 978-94-9181-938-4.

Op di 17 november (20 u.) leidt Luc Tuymans in Cinema Zuid Antwerpen Alfred Hitchcocks ‘Sabotage’ in, die net als Stan Douglas recente installatie gebaseerd is op ‘Secret Agent’ van Joseph Conrad. www.cinemazuid.be

Keywords

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De Anjerrevolutie, die in 1974 een eind maakt aan veertig jaar militaire dictatuur in Portugal, past in een netwerk van gebeurtenissen. De opstand wordt gestuurd en heeft een belangrijk effect op bevrijdingsbewegingen in de Portugese kolonies. Langs daar krijgt ze een plaats in de geschiedenis van de koude oorlog en voedt ze spionageverhalen in de pers en in de populaire cultuur. En in hetzelfde klimaat verleggen avant-garde kunstenaars en (veelal zwarte) muzikanten grenzen. Al die geschiedenissen ontmoeten elkaar in ‘Interregnum’, de tentoonstelling van Stan Douglas bij Wiels in Brussel.

Stan Douglas: "De titel van dat werk verwijst naar de gelijktijdigheid van de opstand in Luanda en de ‘Rumble in the Jungle’ in Kinshasa. Daar stond Mohammed Ali voor een Amerikaanse culturele uitwisseling. James Brown en andere groepen speelden er rond die tijd."

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Stan Douglas. ‘Interregnum’ tot 10 januari in Wiels, Van Volxemlaan 354, Brussel. Open wo-zo van 11-18 u. www.wiels.org

‘Helen Lawrence’, de theatervoorstelling van Stan Douglas, staat op 29, 30 en 31 oktober in deSingel, Antwerpen.

‘The Secret Agent’, de catalogus bij de tentoonstelling, is uit bij Ludion. 192 p., 39 euro. ISBN 978-94-9181-938-4.

Op di 17 november (20 u.) leidt Luc Tuymans in Cinema Zuid Antwerpen Alfred Hitchcocks ‘Sabotage’ in, die net als Stan Douglas recente installatie gebaseerd is op ‘Secret Agent’ van Joseph Conrad. www.cinemazuid.be

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Geef Sven ’t Jolle (°1966, Antwerpen, woont en werkt in Melbourne) carte blanche en de kans is groot dat een scala aan actuele sociale, culturele en politieke problemen de revue passeert. In zijn nieuwe solo in Voorkamer Lier is dat niet anders. Vertrekkend van de hoedanigheid van katholiek geïnspireerd huis voor armenzorg dat de site van Voorkamer vroeger was, zoomt ’t Jolle in op heel wat misstanden die hun grond hebben in religie, terwijl hij meandert van één facet naar een ander, associaties legt tussen één gebeurtenis en een volgende. Ondertussen blijft hij zoeken naar nieuwe vormen en laat hij zich daarbij dankbaar inspireren door de kunstgeschiedenis.

Sven 't Jolle: "Dat heen-en-weer springen tussen België en Australië vind ik interessant en hoe dingen in België en Australië parallel lopen. De Australische dingen in de tentoonstelling gaan impliciet ook over België, ook hier spelen dezelfde thema’s."

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Sven ’t Jolle, ‘The Good Shepherd (& other sculptures for the not so converted) tot 22 november in Voorkamer, H. Geeststraat 7, Lier. Open do-zo van 14-18 u. www.voorkamer.be

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Wie bij een schilderij louter denkt aan verf op canvas, komt bij het recente werk van Tina Gillen bedrogen uit. Voor haar presentatie in Bozar trekt ze alle registers open. Naast beschilderde doeken en panelen toont ze een wandschildering en een installatie, waarin ze presentatiemogelijkheden en de perceptie van schilderijen aftast. Haar omgang met verf en drager gaat ver. Ze toont een gedurfde vertaling van haar vertrouwde beeldtaal, wat een verrassend en samenhangend geheel oplevert.

Tina Gillen: "Ik wilde geen selectie van schilderijen ophangen, maar de dimensies van de ruimte erbij betrekken. Door de ruimte aan de ene kant af te sluiten met een wand, wil ik een contemplatieve, intieme ruimte creëren."

 

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‘Echo’ tot 7 februari in de Raadzaal van Bozar, Ravensteinstraat 23, Brussel. Open van di-za van 11-19 u. www.bozar.be

Vanaf 13 november is een publicatie te koop met werk van Tina Gillen van 2010 tot heden. Ca. 128pp., met een tekst van Eva Wittocx.

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