Skulptur Projekte 2017 in Münster

Gepubliceerd op: 20 July 2017

Het historisch provinciestadje Münster wordt in 2017 opnieuw voor 100 dagen op zijn kop gezet door het grootse Skulptur Projekte Münster. Het project, in 1977 opgezet door Kasper König, is van intentie géén stadsfestival, maar een exploratie en potentieel kritisch moment voor sculptuur in de openbare ruimte. Pas bij de derde manifestatie in 1997 werd beslist om er een terugkerend evenement van te maken met een regelmaat van tien jaar.

Louis DE MEY / Cis BIERINCKX

 

Fotogalerij

Praktische Info

Skulptur Projekte 2017 tot 1 oktober op diverse locaties in Münster. www.skulptur-projekte.de

Keywords

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Het historisch provinciestadje Münster wordt in 2017 opnieuw voor 100 dagen op zijn kop gezet door het grootse Skulptur Projekte Münster. Het project, in 1977 opgezet door Kasper König, is van intentie géén stadsfestival, maar een exploratie en potentieel kritisch moment voor sculptuur in de openbare ruimte. Pas bij de derde manifestatie in 1997 werd beslist om er een terugkerend evenement van te maken met een regelmaat van tien jaar.

Louis DE MEY / Cis BIERINCKX

 

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Skulptur Projekte 2017 tot 1 oktober op diverse locaties in Münster. www.skulptur-projekte.de

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Kunst kan de wereld dus niet redden, maar misschien wel wat verzet, inzicht en vooral engagement bieden. Dat lijkt de kernboodschap van deze documenta in Kassel, die Athene – de eerste pleisterplek – niet vergeet, integendeel. In deze tijden is er blijkbaar geen plaats meer voor vrijblijvende esthetiek, daar hebben we geen tijd meer voor, geen zin meer in. Althans volgens de curatoren.

Marc RUYTERS

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Documenta 14 tot 17 september in Kassel. Centrale plek: Friedrichsplatz. www.documenta.de

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‘Le Nouvel Observateur’, zo heet de veertiende uitgave van Beeldig Hof ter Saksen, de tentoonstelling met buitensculpturen in het gelijknamige, prachtige park in Beveren. Twaalf kunstenaars nemen er aan deel. Curator én participant is Paul Gees, bekend om zijn even spannende als ontspannende sculpturen, opgebouwd in steen, hout en ijzer. Gees gaf de expo de naam ‘Le Nouvel Observateur’ mee, en dat tekent deze uitgave: de kunstenaars geven, elk op hun manier, een twist aan het alledaagse, aan wat als banaal en vanzelfsprekend ervaren wordt, maar via hun ingreep een nieuwe context krijgt, niet alleen mentaal maar ook visueel.

Marc RUYTERS

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