‘Sculpteurs’ Tamara Van San en Hedwig Houben in Permekemuseum

Gepubliceerd op: 21 September 2017

Het Huis ‘De Vier Winden’ in Jabbeke, ooit de woonst van Constant Permeke, mét prachtig beeldhouw- en schilderatelier, is één van de buitenlocaties van Mu.ZEE. Tijdens het bewind van Willy Van den Bussche werden er geregeld tentoonstellingen met hedendaagse kunstenaars georganiseerd, en ook huidig artistiek directeur Phillip Van den Bossche pikt sinds vorig jaar die draad weer op. Toen stelden Katleen Vinck en Wim Wauman tentoon, nu zijn dat Tamara Van San en Hedwig Houben.

Fotogalerij

Praktische Info

‘Theory of Forms’ van Hedwig Houben en Tamara Van San tot 5 november in het Permekemuseum, Gistelsteenweg 341, Jabbeke,. Open di-zo van 10u30-12u30 en van 13u30-18 u. www.mu.zee.be

Keywords

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Het Huis ‘De Vier Winden’ in Jabbeke, ooit de woonst van Constant Permeke, mét prachtig beeldhouw- en schilderatelier, is één van de buitenlocaties van Mu.ZEE. Tijdens het bewind van Willy Van den Bussche werden er geregeld tentoonstellingen met hedendaagse kunstenaars georganiseerd, en ook huidig artistiek directeur Phillip Van den Bossche pikt sinds vorig jaar die draad weer op. Toen stelden Katleen Vinck en Wim Wauman tentoon, nu zijn dat Tamara Van San en Hedwig Houben.

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‘Theory of Forms’ van Hedwig Houben en Tamara Van San tot 5 november in het Permekemuseum, Gistelsteenweg 341, Jabbeke,. Open di-zo van 10u30-12u30 en van 13u30-18 u. www.mu.zee.be

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Naast de tentoonstelling van Patrick Keulemans (ook in H ART #173) is werk van twee andere kunstenaars te zien in de White House Gallery in Lovenjoel. Denitsa Todorova (°1984) is van Bulgaarse afkomst, maar woont en werkt in Antwerpen. Zij toont in de benedenruimte van de galerie een reeks tekeningen, onder de titel ‘Voice in the Wilderness’. Dat slaat op het gevoel dat ze wil bewerkstelligen: zich los van de wereld maken, in een vorm van totaal op zichzelf aangewezen zijn en zo die wereld bekijken.

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Denitsa Todorova en Heinde Hinrichs resp. tot 15 oktober en 12 november in White House Gallery, Groot Park, Lovenjoel. Open vr-zo van 14-18 u. www.thewhitehousegallery.be

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Twee jaar geleden was het Japanse paviljoen voor veel mensen één van de hoogtepunten van de Biënnal van Venetië. Daar maakte de Japanse kunstenaar Chiharu Shiota van rode draad een ruimte vullende installatie die ze vol hing met sleutels. Rutger Pontzen noemde de installatie in De Volkskrant ‘Blikvanger van stralende omvang’, Het Financiële Dagblad schreef ‘De installatie is beeldschoon’ en The New York Times had het over ‘Chihaur (sic) Shiota’s seductive presentation’. Nog tot midden oktober is nu opnieuw een met rode draad geweven installatie van Shiota te zien, dit keer iets dichter bij huis, in het Noordbrabants Museum in Den Bosch. En ook hier is de ervaring overdonderend.

Anne-Marie POELS

Chiharu Shiota: "Het idee van ‘Uncertain Journey’ dateert al van 2016 en toen ik deze ruimte binnen kwam en het licht zag, wist ik meteen dat ik die hier kon uitvoeren. Uiteindelijk heb ik dat ook gedaan, precies zoals ik het in mijn hoofd had zitten."

 

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Chiharu Shiota tot 15 oktober in het Noordbrabants Museum, Verwersstraat 41, Den Bosch, NL. Open di-zo van 11-17 u. www.hetnoordbrabantsmuseum.nl

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[img_publish_date_end] => [img_title] => Hedwig Houben, 'The Hand, The Eye, It and The Foot, 2015, still, courtesy van de kunstenaar en Galerie Fons Welters Amsterdam [img_caption] => Hedwig Houben, 'The Hand, The Eye, It and The Foot, 2015, still, courtesy van de kunstenaar en Galerie Fons Welters Amsterdam [img_date_created] => 2017-09-19 15:05:17 ) [1] => stdClass Object ( [id_gallery] => 8077 [gal_content_id] => 2062 [gal_image_id] => 3283 [gal_image_order] => 2 [id_image] => 3283 [img_type] => jpg [img_published] => 1 [img_publish_date_start] => 2017-09-19 [img_publish_date_end] => [img_title] => Hedwig Houben, ' Personal Matters And Public Affairs, 2015, still, courtesy van de kunstenaar en Galerie Fons Welters Amsterdam [img_caption] => Hedwig Houben, ' Personal Matters And Public Affairs, 2015, still, courtesy van de kunstenaar en Galerie Fons Welters Amsterdam [img_date_created] => 2017-09-19 15:02:08 ) [2] => stdClass Object ( [id_gallery] => 8078 [gal_content_id] => 2062 [gal_image_id] => 3290 [gal_image_order] => 3 [id_image] => 3290 [img_type] => jpg [img_published] => 1 [img_publish_date_start] => 2017-09-19 [img_publish_date_end] => [img_title] => Tamara Van San, installatiezicht, 'Theory of Forms' in Permekemuseum [img_caption] => Tamara Van San, installatiezicht, 'Theory of Forms' in Permekemuseum [img_date_created] => 2017-09-19 15:17:52 ) [3] => stdClass Object ( [id_gallery] => 8079 [gal_content_id] => 2062 [gal_image_id] => 3289 [gal_image_order] => 4 [id_image] => 3289 [img_type] => jpg [img_published] => 1 [img_publish_date_start] => 2017-09-19 [img_publish_date_end] => [img_title] => Tamara Van San, 'Specimen', 2016, pigment, paint, polyurethane, resin, ca. 36 x 35 x 3 cm. [img_caption] => Tamara Van San, 'Specimen', 2016, pigment, paint, polyurethane, resin, ca. 36 x 35 x 3 cm. [img_date_created] => 2017-09-19 15:16:40 ) [4] => stdClass Object ( [id_gallery] => 8080 [gal_content_id] => 2062 [gal_image_id] => 3288 [gal_image_order] => 5 [id_image] => 3288 [img_type] => jpg [img_published] => 1 [img_publish_date_start] => 2017-09-19 [img_publish_date_end] => [img_title] => Tamara Van San, 'Green Orange', 2012, glazed ceramics, ca. 63 x 37 x 3 cm. [img_caption] => Tamara Van San, 'Green Orange', 2012, glazed ceramics, ca. 63 x 37 x 3 cm. [img_date_created] => 2017-09-19 15:15:51 ) [5] => stdClass Object ( [id_gallery] => 8081 [gal_content_id] => 2062 [gal_image_id] => 3286 [gal_image_order] => 6 [id_image] => 3286 [img_type] => jpg [img_published] => 1 [img_publish_date_start] => 2017-09-19 [img_publish_date_end] => [img_title] => Tamara Van San, installatiezicht, 'Theory of Forms' in Permekemuseum [img_caption] => Tamara Van San, installatiezicht, 'Theory of Forms' in Permekemuseum [img_date_created] => 2017-09-19 15:14:14 ) [6] => stdClass Object ( [id_gallery] => 8082 [gal_content_id] => 2062 [gal_image_id] => 3287 [gal_image_order] => 7 [id_image] => 3287 [img_type] => jpg [img_published] => 1 [img_publish_date_start] => 2017-09-19 [img_publish_date_end] => [img_title] => Tamara Van San, 'Belly', 2012, glazed ceramics, black clay, ca. 62 x 50 x 12 cm. [img_caption] => Tamara Van San, 'Belly', 2012, glazed ceramics, black clay, ca. 62 x 50 x 12 cm. 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