Ronny Van de Velde heropent Antwerpse kunstruimte met expo ‘De Rossaert & zijn passanten’

Gepubliceerd op: 21 April 2016

Een matrozenkroeg van Félicien Rops, een bordeel van Otto Dix en een schets van Eugène Delacroix naar Rubens hebben één ding gemeen: Antwerpen. De drie werken zijn vanaf 24 april te zien op de tentoonstelling ‘De Rossaert & zijn passanten’. Tegelijk verschijnt een lijvig boek over de vele kunstenaars die van de middeleeuwen tot de Eerste Wereldoorlog in Antwerpen zijn gepasseerd. “Het is allemaal begonnen met een tekening van Turner”, zegt Ronny Van de Velde, galeriehouder, collectioneur en kunsthandelaar.

Fotogalerij

Praktische Info

De Rossaert (Nosestraat 7, naast St. Pauluskerk, Antwerpen) heropent op 24 april. De tentoonstelling ‘De Rossaert & zijn passanten’ loopt tot 9 juli. Open do-zo van 14-18 u. Het boek, geschreven door Eliane Van den Ende, telt 400 pagina’s en is een uitgave van Ronny Van de Velde en Ludion.

 

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Een matrozenkroeg van Félicien Rops, een bordeel van Otto Dix en een schets van Eugène Delacroix naar Rubens hebben één ding gemeen: Antwerpen. De drie werken zijn vanaf 24 april te zien op de tentoonstelling ‘De Rossaert & zijn passanten’. Tegelijk verschijnt een lijvig boek over de vele kunstenaars die van de middeleeuwen tot de Eerste Wereldoorlog in Antwerpen zijn gepasseerd. “Het is allemaal begonnen met een tekening van Turner”, zegt Ronny Van de Velde, galeriehouder, collectioneur en kunsthandelaar.

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De Rossaert (Nosestraat 7, naast St. Pauluskerk, Antwerpen) heropent op 24 april. De tentoonstelling ‘De Rossaert & zijn passanten’ loopt tot 9 juli. Open do-zo van 14-18 u. Het boek, geschreven door Eliane Van den Ende, telt 400 pagina’s en is een uitgave van Ronny Van de Velde en Ludion.

 

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Grayson Perry is van enfant terrible van de kunstwereld uitgegroeid tot ‘national treasure’ in Engeland. Tijd dus, moet het Bonnefantenmuseum in Maastricht hebben gedacht, voor een voorzichtige introductie van zijn werk in Nederland. Want dat is de tentoonstelling ‘Hold your Beliefs Lightly’: een samenvatting van zijn werk, beginnend bij zijn cheeky vazen: de ene keer cartoonesk getekende idolen van vrouwelijkheid, dan weer een scherp commentaar op de consumerende mens. In het glazuur: uitgeknipte krantenadvertenties. Dit is het werk waarmee hij beroemd werd als een tegendraads vazenkunstenaar, een rol die innig verweven is met zijn vrouwelijk alter ego Claire.

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Grayson Perry, ‘Hold your Beliefs Lightly’ tot 5 juni in Bonnefantenmuseum, Avenue Céramique 250, Maastricht, NL. Open di-zo van 11-17 u. www.bonnefanten.nl

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‘On ne sait pas où on va’ tot 30 april in Trampoline Gallery, Vlaamsekaai 47, Antwerpen. Open do-vr van 14-17u30 en za van 14-18 u. www.trampolinegallery.com

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