‘Robot Love’ in Eindhoven

Gepubliceerd op: 18 October 2018

Wie dacht dat robots harde koude monsters van ongenaakbaar staal zijn, zal verbaasd staan op ‘Robot Love’, in een verlaten melkfabriek in Eindhoven. De manifestatie omvat drie verdiepingen aan beeldende kunst, discussieprogramma’s, theater en zelfs een kortgeding tussen een bordeelhoudster en een seksrobot. De robots die je daar treft zijn soms tactiel, soms aarzelend, menselijk.

Machteld LEIJ

Praktische Info

Robot Love tot 2 december in Campina melkfabriek, Kanaaldijk-Zuid, ter hoogte van nr 3, Eindhoven, NL. Open di-zo van 11-18 u., vr tot 21 u. www.robotlove.nl

Keywords

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Wie dacht dat robots harde koude monsters van ongenaakbaar staal zijn, zal verbaasd staan op ‘Robot Love’, in een verlaten melkfabriek in Eindhoven. De manifestatie omvat drie verdiepingen aan beeldende kunst, discussieprogramma’s, theater en zelfs een kortgeding tussen een bordeelhoudster en een seksrobot. De robots die je daar treft zijn soms tactiel, soms aarzelend, menselijk.

Machteld LEIJ

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Robot Love tot 2 december in Campina melkfabriek, Kanaaldijk-Zuid, ter hoogte van nr 3, Eindhoven, NL. Open di-zo van 11-18 u., vr tot 21 u. www.robotlove.nl

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Tentoonstellingen in Extra City hebben nooit verlegen gezeten om grote statements te maken en een kritisch discours aan te zwengelen. Die toon werd eerst gezet met de ‘essay exhibitions’ van Anselm Franke, en ook onder leiding van Mihnea Mircan lag de focus op onderzoek − soms ten koste van een bredere toegankelijkheid. Na een institutionele bezinning besloot Extra City vorig jaar, met Adinda Van Geystelen aan het roer, een artistiek team van drie curatoren aan te stellen voor een periode van drie jaar, en volop in te zetten op het creëren van een dialoog tussen beeldende kunst en de stedelijke context. Na Antonia Alampi en Michiel Vandevelde is het nu de beurt aan de Griekse curator Iliana Fokianaki met de tentoonstelling ‘Extra States: Nations in Liquidation’.

Pieter VERMEULEN

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‘Extra States: Nations in Liquidation’ tot 16 december in Extra City Kunsthal, Eikelstraat 29, Antwerpen-Berchem. Open wo-zo van 13-18 u. www.extracitykunsthal.org

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Cultureel Centrum Strombeek toont zeefdrukken, litho’s, linosneden en etsen van kunstenaar Raoul De Keyser, van wiens schilderwerk momenteel een retrospectieve loopt in het Gentse S.M.A.K.

De vormelijke en thematische evolutie die Raoul De Keyser (1930-2012) in zijn schilderkunst doormaakte, wordt weerspiegeld in een 50-tal grafische drukwerken die hij in de loop van zijn carrière maakte. Deze werken kunnen min of meer chronologisch opgedeeld worden op basis van de gehanteerde technieken. Afgezien van een occasionele lithografie, maakte hij tijdens de periode 1967-1976 zeefdrukken terwijl hij in de jaren 1980 en vroege jaren 1990 vooral met linosneden experimenteerde. In 2004 vervaardigde hij zijn enige ets en op het einde van zijn carrière maakte hij opnieuw enkele zeefdrukken.

Daarnaast vertoont het drukwerk van De Keyser een geleidelijke autonomisering. De meeste vroege prenten kunnen nog worden beschouwd als reproducties of als grafische equivalenten of varianten van schilderijen. Maar in de loop van de jaren 1970 ging De Keyser intensiever samenwerken met drukkers. Voortaan was hij betrokken bij alle stappen van het drukproces en benutte hij tevens veel meer de specifieke mogelijkheden van de diverse grafische technieken. Verder zette De Keyser de reproductielogica op zijn kop door bijvoorbeeld extreem kleine oplagen te drukken. Sommige zeefdrukken, linosneden en etsen bewerkte hij manueel met aquarel waardoor ze opnieuw tot unieke werken worden getransformeerd.

 

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Tot 22 december, www.ccstrombeek.be

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