Rita McBride in WIELS Brussel

Gepubliceerd op: 19 October 2017

Het nieuwe seizoen in WIELS wordt na het overvolle ‘Afwezige Museum’ ingezet met een oase van rust, concentratie en dualiteit, aan de hand van het oeuvre van de Amerikaanse Rita McBride. Met een modulaire site-specifieke installatie, glimmende objecten en visuele grapjes legt ze zowel een focus op het objectmatige karakter van vele werken, als op de architectuur van het WIELS zelf.

Louis DE MEY

 

Praktische Info

‘Rita McBride. Explorer’ tot 7 januari in WIELS, Van Volxemlaan 354, Brussel. Open di-zo van 11-18 u. www.wiels.org

Keywords

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Het nieuwe seizoen in WIELS wordt na het overvolle ‘Afwezige Museum’ ingezet met een oase van rust, concentratie en dualiteit, aan de hand van het oeuvre van de Amerikaanse Rita McBride. Met een modulaire site-specifieke installatie, glimmende objecten en visuele grapjes legt ze zowel een focus op het objectmatige karakter van vele werken, als op de architectuur van het WIELS zelf.

Louis DE MEY

 

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‘Rita McBride. Explorer’ tot 7 januari in WIELS, Van Volxemlaan 354, Brussel. Open di-zo van 11-18 u. www.wiels.org

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In Bruthaus Gallery loopt nog tot 29 oktober de groepstentoonstelling ‘NON PERSONS - PLACES - SITUATIONS (a view behind utopia)’ met werk van Elisabeth Ida Mulyani, Pinar Ögrenci, Luk Berghe en Philippe Van Wolputte. Voor onderstaande aankondiging putten wij uit het persbericht van de drijvende kracht achter BruthausGallery, Joris Van der Borght.
 
In 2016 vroeg Bruthaus aan kunstenaar Luk Berghe (1954-2017) om een tentoonstellingsproject te ontwikkelen met nieuwe grote werken als insteek. Het werden zijn allerlaatste werken: portretten van bekende, niet reëel bestaande, personen, de reeks ‘NON PERSONS’. De kunstenaar vond dat betreffend thema moest worden aangevuld met een NON PLACES- en een NON SITUATIONS-gegeven en koos heel bewust Pinar Ogrenci en Elisabeth Ida Mulyani uit om die luiken te vullen. Achterliggende gedachte hierbij is dat in dit tijdperk van digitale beleving de authenticiteit van figuren, plaatsen, situaties nog onmogelijk na te gaan is: realiteit is virtual reality.
 
De activiste en internationale video- en installatie-kunstenaar Pinar Ogrenci (°1971, leeft en werkt in Turkije) creëert voornamelijk werk met een sociaal-maatschappelijke ondertoon. Op het kruispunt van de westerse cultuur en die van het Midden-Oosten refereert haar werk aan de problematiek die daaruit voortvloeit. Met haar grote video-installatie ‘Led Light City Istanbul’ vertegenwoordigt Pinar het ‘NON SITUATIONS’ deel van dit project.
 
Elisabeth Ida Mulyani (°1979, woont en werkt in Indonesië) werd bekend door haar fotografische weerslag van ambassades. Zij probeert met haar ‘Inside Embassies’ de identiteit van de vertegenwoordigde landen en culturen te zoeken op plaatsen die zich daar eigenlijk het minst toe lenen – lobby’s en bureaus van ambassades. Elisabeth Ida, vertegenwoordigt in dit project de ‘NON PLACES’.
 
Bruthaus vulde het project verder aan met Philippe Van Wolputte, die in een vorig project ook al sparring partner was van Luk Berghe. Van Wolputte zoekt als urban explorer plaatsen om als kunstenaar te kunnen overleven, het zijn soms mentale, soms materiële plaatsen. Van Wolputte toont het vluchten uit een onherbergzame realiteit, naar, in onze ogen, soms nog onherbergzamer plaatsen of situaties. Hij toont hier enkele grafische werken uit zijn project ‘Short Time Stay’, een site specifieke interventie in Tallin (EST) & Citadel’Arte, Diest (BE). Deze werken staan duidelijk zowel voor ‘NON PLACES’ als voor ‘NON SITUATIONS’.
 
Dit 'NON PERSONS - PLACES - SITUATIONS'-project wil onderstrepen hoe veel hedendaagse kunstenaars de realiteit van nu als non-realiteit ervaren, en hoe ze toch deze non-realiteit moeten beleven, doorleven en archiveren.
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‘NON PERSONS - PLACES - SITUATIONS (a view behind utopia)’ tot 29 oktober in Bruthausgallery, Molenstraat 84, Waregem. Open za-zo van 14-18u en op afspraak. www.bruthausgallery.be

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Hondenweer of niet, ‘Oh les beaux jours!’ kwinkeleert de biënnale in Louvain-la-Neuve. De twee curatoren Joël Benzakin en kunstenaar Angel Vergara kozen radicaal voor de publieke ruimte en trommelden een ongelooflijk gezelschap van bijna 70 kunstenaars op. Het is een prettige wandeling waar de werken wat fluisteren over de staat van de wereld en over wat kunst vermag. En het blijft aan de gang met performances en ‘mobiele werken’. Generositeit en nederigheid, allebei schone artistieke posities, daarmee laat deze editie grote kunstevenementen een poepje ruiken.

Christine VUEGEN

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Biennale9 ‘Oh les beaux jours! - Pour une esthétique des moyens disponibles’ (georganiseerd door Centre culturel d’Ottignies-Louvain-la-Neuve) tot 10 december in Louvain-la-Neuve. Van 26 oktober t/m 26 november een extensie in het Brusselse cultuurcentrum Wolulibis, in de publieke ruimte. Bezoekersinfo Biennale9 en kalender: www.ohlesbeauxjours.be

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