Raoul De Keyser in print

Gepubliceerd op: 20 October 2018

Cultureel Centrum Strombeek toont zeefdrukken, litho’s, linosneden en etsen van kunstenaar Raoul De Keyser, van wiens schilderwerk momenteel een retrospectieve loopt in het Gentse S.M.A.K.

De vormelijke en thematische evolutie die Raoul De Keyser (1930-2012) in zijn schilderkunst doormaakte, wordt weerspiegeld in een 50-tal grafische drukwerken die hij in de loop van zijn carrière maakte. Deze werken kunnen min of meer chronologisch opgedeeld worden op basis van de gehanteerde technieken. Afgezien van een occasionele lithografie, maakte hij tijdens de periode 1967-1976 zeefdrukken terwijl hij in de jaren 1980 en vroege jaren 1990 vooral met linosneden experimenteerde. In 2004 vervaardigde hij zijn enige ets en op het einde van zijn carrière maakte hij opnieuw enkele zeefdrukken.

Daarnaast vertoont het drukwerk van De Keyser een geleidelijke autonomisering. De meeste vroege prenten kunnen nog worden beschouwd als reproducties of als grafische equivalenten of varianten van schilderijen. Maar in de loop van de jaren 1970 ging De Keyser intensiever samenwerken met drukkers. Voortaan was hij betrokken bij alle stappen van het drukproces en benutte hij tevens veel meer de specifieke mogelijkheden van de diverse grafische technieken. Verder zette De Keyser de reproductielogica op zijn kop door bijvoorbeeld extreem kleine oplagen te drukken. Sommige zeefdrukken, linosneden en etsen bewerkte hij manueel met aquarel waardoor ze opnieuw tot unieke werken worden getransformeerd.

 

Praktische Info

Tot 22 december, www.ccstrombeek.be

Keywords

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Cultureel Centrum Strombeek toont zeefdrukken, litho’s, linosneden en etsen van kunstenaar Raoul De Keyser, van wiens schilderwerk momenteel een retrospectieve loopt in het Gentse S.M.A.K.

De vormelijke en thematische evolutie die Raoul De Keyser (1930-2012) in zijn schilderkunst doormaakte, wordt weerspiegeld in een 50-tal grafische drukwerken die hij in de loop van zijn carrière maakte. Deze werken kunnen min of meer chronologisch opgedeeld worden op basis van de gehanteerde technieken. Afgezien van een occasionele lithografie, maakte hij tijdens de periode 1967-1976 zeefdrukken terwijl hij in de jaren 1980 en vroege jaren 1990 vooral met linosneden experimenteerde. In 2004 vervaardigde hij zijn enige ets en op het einde van zijn carrière maakte hij opnieuw enkele zeefdrukken.

Daarnaast vertoont het drukwerk van De Keyser een geleidelijke autonomisering. De meeste vroege prenten kunnen nog worden beschouwd als reproducties of als grafische equivalenten of varianten van schilderijen. Maar in de loop van de jaren 1970 ging De Keyser intensiever samenwerken met drukkers. Voortaan was hij betrokken bij alle stappen van het drukproces en benutte hij tevens veel meer de specifieke mogelijkheden van de diverse grafische technieken. Verder zette De Keyser de reproductielogica op zijn kop door bijvoorbeeld extreem kleine oplagen te drukken. Sommige zeefdrukken, linosneden en etsen bewerkte hij manueel met aquarel waardoor ze opnieuw tot unieke werken worden getransformeerd.

 

[cnt_info] =>

Tot 22 december, www.ccstrombeek.be

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Wie dacht dat robots harde koude monsters van ongenaakbaar staal zijn, zal verbaasd staan op ‘Robot Love’, in een verlaten melkfabriek in Eindhoven. De manifestatie omvat drie verdiepingen aan beeldende kunst, discussieprogramma’s, theater en zelfs een kortgeding tussen een bordeelhoudster en een seksrobot. De robots die je daar treft zijn soms tactiel, soms aarzelend, menselijk.

Machteld LEIJ

[cnt_info] =>

Robot Love tot 2 december in Campina melkfabriek, Kanaaldijk-Zuid, ter hoogte van nr 3, Eindhoven, NL. Open di-zo van 11-18 u., vr tot 21 u. www.robotlove.nl

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Afgelopen vrijdag opened in het Zuiderpershuis in Antwerpen de tentoonstelling COOK IT BOIL IT BAKE IT or FORGET IT. Hierin zetten de Koninklijke Academie voor Schone Kunsten Antwerpen en Sint Lucas Antwerpen hun pas afgestudeerde masters in de spotlights. Curator Nadia Bijl volgde de 130 masters uit beide scholen tijdens hun laatste maanden en maakte een eclectische selectie van 27 kunstenaars en ontwerpers uit de verschillende afstudeerrichtingen.
 
De titel is een oproep aan de jonge kunstenaars om na hun opleiding actief aan de kunstwereld deel te nemen en de vinger aan de pols te houden. Het uitroepteken duidt ook op de urgentie van de jonge garde om zich te ontwikkelen, te blijven werken en zich niet zomaar te conformeren.
 
Deelnemende kunstenaars: Samuel Allemand, Elena Aya Bundurakis, Atilla Buonsenso, Bertrand Cavalier, Valentin Cernat, Zeyun Chen, Charlotte Christoffels, Larissa Cluzet, Pierre Coric, Michela Dal Brollo, Jack  Davey, Ayrton Eblé, Niels Goos, Emma Heiðarsdóttir, Stefan Kartchev, Molly Kwok, Jonne Nurmela, Jan Willem Reimus, Sanne Roekaers, Robert Soroko, Olga Suveizdyté-Claes, Stijn ter Braak, Charline Tyberghein, Leendert Van Accoleyen, Sietske Van Aerde, Tim Verherstraeten en Robin Vets.
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COOK IT BOIL IT BAKE IT or FORGET IT! tot 4 november in het Zuiderpershuis, Waalsekaai 14, Antwerpen. Open wo-zo van 13-19 u.

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