Pieter Vermeersch in M in Leuven

Gepubliceerd op: 24 April 2019

‘Ik ervaar die centrale koker als een problematisch ruimtelijk element. De spiegels compenseren of ondermijnen zijn impact op de ruimte. De koker is niet langer een object in de ruimte, maar wordt zelf ruimte’

De tentoonstelling van het werk van Pieter Vermeersch in M in Leuven biedt een goed overzicht van het oeuvre van de laatste twintig jaar. Maar ze doet meer dan dat. Wie de tijd neemt ontdekt dat Vermeersch hier, in samenwerking met curator Eva Wittocx, een visie uitdrukt op de relatie van schilderkunst en kleur tot tijd en ruimte – of architectuur om preciezer te zijn. ‘Architectuur vervangt het canvas als drager’.

Pieter T’JONCK

Fotogalerij

Praktische Info

Pieter Vermeersch tot 11 augustus in M – Museum Leuven, Open ma-di, do van 11-22 u., vr-zo van 11-18 u., www.mleuven.be/vermeersch

Pieter Vermeersch van 25 april tot 6 juli in Galerie Greta Meert, 13 Rue du Canal, Brussel. Open di-za van 14-18 u. www.galeriegretameert.com

Keywords

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‘Ik ervaar die centrale koker als een problematisch ruimtelijk element. De spiegels compenseren of ondermijnen zijn impact op de ruimte. De koker is niet langer een object in de ruimte, maar wordt zelf ruimte’

De tentoonstelling van het werk van Pieter Vermeersch in M in Leuven biedt een goed overzicht van het oeuvre van de laatste twintig jaar. Maar ze doet meer dan dat. Wie de tijd neemt ontdekt dat Vermeersch hier, in samenwerking met curator Eva Wittocx, een visie uitdrukt op de relatie van schilderkunst en kleur tot tijd en ruimte – of architectuur om preciezer te zijn. ‘Architectuur vervangt het canvas als drager’.

Pieter T’JONCK

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Pieter Vermeersch tot 11 augustus in M – Museum Leuven, Open ma-di, do van 11-22 u., vr-zo van 11-18 u., www.mleuven.be/vermeersch

Pieter Vermeersch van 25 april tot 6 juli in Galerie Greta Meert, 13 Rue du Canal, Brussel. Open di-za van 14-18 u. www.galeriegretameert.com

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Het is wel zo dat die poppen en hun karakters, dat die eigenlijk heel één-dimensionaal zijn. Die hebben allemaal iets gedaan of doen iets, en wat ze ook proberen, die blijven dat herhalen. Ze kennen geen evolutie.

Het Belgisch Paviljoen op de komende Biënnale van Venetië wordt – zoals ondertussen algemeen bekend – dit jaar ingepalmd door Jos de Gruyter en Harald Thys. Beide kunstenaars bouwen al meer dan drie decennia aan een universum dat even bevreemdend als hilarisch is. Het Belgisch Paviljoen willen ze ombouwen tot een folkloristisch museum dat wordt bevolkt door geautomatiseerde poppen. Wij vroegen kunstenaar Michael Van den Abeele – die het duo al sinds zijn jeugd kent – een interview met beiden af te leggen. 

Michael VAN DEN ABEELE

[cnt_info] =>

http://www.labiennale.org/

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Is Pascale Marthine Tayou een keurige kunstenaar geworden? Toen Mu.ZEE in Oostende hem inviteerde, begon hij begin 2018 prompt met een proloog in vijf hoofdstukken om tegen museumsystemen te duwen. De Kameroense beeldenmaker uit Gent wou ‘de gefrustreerde museumruimte’ activeren. Nu lijkt zijn grote solo ‘Tornado’ zich te schikken naar klassieke museumnormen. Merendeels nieuw werk en ook de werken van de proloog. Maar opvallend netjes. Zijn engagement, zijn verrukkelijke scherpte en zijn humor is hij niet kwijtgespeeld. Dat niet. 

Christine VUEGEN 

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Pascale Marthine Tayou, ‘Tornado’ tot 1 september in Mu.ZEE, Romestraat 11, Oostende. Open di-zo van 10-18 u. www.muzee.be

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