Philip Aguirre y Otegui in Knokke, Oostende en Saint Louis, Missouri

Gepubliceerd op: 23 March 2017

Philip Aguirre y Otegui – beeldhouwer, schilder en tekenaar met Baskische roots – is op vele fronten actief: een solotentoonstelling met beschilderde Kameroense schoolbordjes in Knokke, deelname aan groepstentoonstellingen in Oostende en Saint Louis (V.S.), en een beeld voor wielerlegende Rik Van Looy in Herentals. Verguld is Aguirre omdat hij wereldwijd één van de zes genomineerden is voor de International Award for Public Art. Rode draad in dit alles is Aguirre zelf: een kunstenaar die humanistisch engagement koppelt aan verstilling en ogenschijnlijke eenvoud, en zijn liefde voor Afrika vermengt met een tikje surrealisme.

Philip Aguirre y Otegui: "Ik heb het label een geëngageerd kunstenaar te zijn, maar dat is niet altijd waar. Toch gaat elk goed kunstwerk, en dan bedoel ik uit de hele kunstgeschiedenis, over de wereld en de condition humaine. Dat denk ik toch. En dat is mijn geloof in de kunst."

Eric RINCKHOUT

Fotogalerij

Praktische Info

‘Suite Camerounaise’ tot 16 april in Galerie Geukens & De Vil, Zeedijk 735, Knokke. Open za-zo van 11-13 u., 15-18 u. tijdens schoolvakanties ook ma, do-vr van van 11-13 u., 15-18 u. www.geukensdevil.com

‘Frans Masereel en hedendaagse kunst: verzet in beelden’ van 1 april tot 4 september in Mu.ZEE, Romestraat 11, Oostende. Open di-zo van 10-18 u. www.muzee.be

‘Transparency Shade: Seeing through the Shade’ van 7 april tot 27 mei in Projects+ Gallery, Saint Louis, V.S. www.projects-gallery.com

Keywords

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Philip Aguirre y Otegui – beeldhouwer, schilder en tekenaar met Baskische roots – is op vele fronten actief: een solotentoonstelling met beschilderde Kameroense schoolbordjes in Knokke, deelname aan groepstentoonstellingen in Oostende en Saint Louis (V.S.), en een beeld voor wielerlegende Rik Van Looy in Herentals. Verguld is Aguirre omdat hij wereldwijd één van de zes genomineerden is voor de International Award for Public Art. Rode draad in dit alles is Aguirre zelf: een kunstenaar die humanistisch engagement koppelt aan verstilling en ogenschijnlijke eenvoud, en zijn liefde voor Afrika vermengt met een tikje surrealisme.

Philip Aguirre y Otegui: "Ik heb het label een geëngageerd kunstenaar te zijn, maar dat is niet altijd waar. Toch gaat elk goed kunstwerk, en dan bedoel ik uit de hele kunstgeschiedenis, over de wereld en de condition humaine. Dat denk ik toch. En dat is mijn geloof in de kunst."

Eric RINCKHOUT

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‘Suite Camerounaise’ tot 16 april in Galerie Geukens & De Vil, Zeedijk 735, Knokke. Open za-zo van 11-13 u., 15-18 u. tijdens schoolvakanties ook ma, do-vr van van 11-13 u., 15-18 u. www.geukensdevil.com

‘Frans Masereel en hedendaagse kunst: verzet in beelden’ van 1 april tot 4 september in Mu.ZEE, Romestraat 11, Oostende. Open di-zo van 10-18 u. www.muzee.be

‘Transparency Shade: Seeing through the Shade’ van 7 april tot 27 mei in Projects+ Gallery, Saint Louis, V.S. www.projects-gallery.com

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Karin Hanssen kaart in haar opiniestuk in het vorige nummer van H ART (H ART #167) een gewichtig probleem aan: de beperkte aanwezigheid van vrouwelijke kunstenaars in de publieke beeldvorming omtrent beeldende kunst.

Die opmerking snijdt zeker hout wat M HKA betreft. Dat museum besteedt bewust aandacht aan die vraagstelling, Kati Heck naast Vaast Colson, diversiteit in spanning, weet je wel.

 

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Een grote berg wol (de wolopbrengst van één jaar) tussen als schermen opgehangen half-doorzichtige tekstgordijnen en het projectiescherm visualiseert onmiddellijk de twee werelden waarin Orla Barry (°1969, woont en werkt in Wexford, Ierland) heen en weer manoeuvreert: behalve kunstenaar is zij fulltime schaapsherder en runt ze samen met haar partner Els Dietvorst een schapenboerderij. De ene wereld (die van de schapen) dook de laatste jaren al meermaals op in de andere, maar in ‘Breaking Rainbows’, een performance tijdens Performatik en een gelijknamige tentoonstelling in Argos, gebeurt dat wel heel expliciet.

Anne-Marie POELS

Orla Barry: "'Milk the ewe' begint heel soft en sensueel, je kunt je er een vrouw die een ooi melkt bij voorstellen. Maar uiteindelijk worden de lichaamsbewegingen en stemmen heel hard en dwingend – die dynamiek staat eerder voor het kapitalistische systeem dat leegzuigt tot er niks meer over is."

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Orla Barry ‘Breaking Rainbows’ tot 30 april in Argos, Werfstraat 13, Brussel. Open wo-zo van 11-18 u., elke laatste wo van de maand tot 21 u. www.argosarts.org

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