Open call POPPOSITIONS around ‘Capital of Woke’

Gepubliceerd op: 30 November 2018
The curated fair POPPOSITIONS, which encourages new, experimental and innovative approaches to the art market has launched its open call for its 2019 Edition.
 
For the third edition in a row, Niekolaas Johannes Lekkerkerk (The Office for Curating, NL) is the artistic director. He will be running, together with Rachelle Dufour as the new fair director, the 8th edition of POPPOSITIONS coinciding with the Art Brussels week from 25 to 28 April 2019.
 
The 8th edition of POPPOSITIONS will revolve around the term ‘woke’. The idea of being woke and wokeness concerns raising social awareness, taking actions in response to dominant paradigms, acknowledging one’s privileges towards understanding the struggles of others, and giving space to social bodies that have been silenced, unacknowledged and underrepresented. POPPOSITIONS wants to think collectively about what responses and forms of resistance can be formulated when ideologies have become trendy and woke-washing brands cash in on social justice.
 
The jury members for this edition are Diana Campbell Betancourt (Artistic Director at Samdani Art Foundation, BD, Chief Curator at Dhaka Art Summit,), Jessica Gysel (Founder of Girls Heart Brussels, Editor at Girls Like Us), Niekolaas Johannes Lekkerkerk (Curator and writer at The Office for Curating), Hana Miletic (Brussels and Zagreb based artist) and Christophe Veys (Collection Veys-Verhaevert, BE).
 
The application deadline is on 31 December.
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The curated fair POPPOSITIONS, which encourages new, experimental and innovative approaches to the art market has launched its open call for its 2019 Edition.
 
For the third edition in a row, Niekolaas Johannes Lekkerkerk (The Office for Curating, NL) is the artistic director. He will be running, together with Rachelle Dufour as the new fair director, the 8th edition of POPPOSITIONS coinciding with the Art Brussels week from 25 to 28 April 2019.
 
The 8th edition of POPPOSITIONS will revolve around the term ‘woke’. The idea of being woke and wokeness concerns raising social awareness, taking actions in response to dominant paradigms, acknowledging one’s privileges towards understanding the struggles of others, and giving space to social bodies that have been silenced, unacknowledged and underrepresented. POPPOSITIONS wants to think collectively about what responses and forms of resistance can be formulated when ideologies have become trendy and woke-washing brands cash in on social justice.
 
The jury members for this edition are Diana Campbell Betancourt (Artistic Director at Samdani Art Foundation, BD, Chief Curator at Dhaka Art Summit,), Jessica Gysel (Founder of Girls Heart Brussels, Editor at Girls Like Us), Niekolaas Johannes Lekkerkerk (Curator and writer at The Office for Curating), Hana Miletic (Brussels and Zagreb based artist) and Christophe Veys (Collection Veys-Verhaevert, BE).
 
The application deadline is on 31 December.
[cnt_info] =>

www.poppositions.com

 

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De Belgische curator, uitgever en essayist Guy Schraenen is overleden. Hij werd 77. In 1974 was hij co-oprichter van het befaamde Archive for Small Press and Communication (ASPC). Dat maakte deel uit van een belangrijk internationaal netwerk binnen de onafhankelijke kunstpers. Schraenen werd beroemd in de kunstwereld voor zijn onverdroten werk met kunstenaars en kunstenaarsarchieven. Via vele initiatieven, onder meer zijn eigen Archive Space, steunde hij kunstenaars uit de hele wereld. Met name zijn werk voor Poolse kunstenaars in de jaren zeventig bleek een grote steun voor hun internationale doorstroming.

Schraenen leidde van 1966 tot 1976 ook Galerie Kontakt in Antwerpen, waar hij werk van onder meer Jef Geys, Georges Vantongerloo, Lucio Fontana en anderen toonde. Hij had ook een eigen uitgeverij, Guy Schraenen Editeur, waarmee hij een stroom uitgaves publiceerde.

In 1989 werd Schraenen curator van de collectie kunstenaarspublicaties ‘A Museum within a Museum’ in het Museum Weserburg in Bremen. Dat museum nam in 1999 ook het Archive for Small Press and Communication over.

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De Turner Prize 2018 is toegekend aan Charlotte Prodger voor haar tentoonstelling ‘BRIDGIT / Stoneymollen Trail’. Ze is 44 en woont en werkt in Glasgow. Charlotte Prodger gebruikte voor dit werk haar iPhone als camera, waarin ze haar eigen leven als lesbische vrouw koppelt aan de omgeving waar ze opgroeide. De prehistorische monumenten die ze er filmde, zijn sterke suggesties van een alternatief bestaan waarin andere waardes en waarderingen golden, waar vrouwelijkheid werd vereerd in plaats van verguisd, Prodgers ervaringen – vaak aangesproken op het feit dat ze afweek van de heteroseksuele norm – horen we terug in voorgelezen dagboekfragmenten. De omgeving wordt het decor van een bevochten vrijheid. Er gebeurt iets spannends: de fragmenten van een mensenleven krijgen gewicht door de suggestie van een verbinding met een plek in het landschap. Alsof Prodger een nieuwe geschiedenis inschrijft in een bestaande realiteit. Toch weer enigszins documentair, maar zo persoonlijk en lichtelijk hypnotiserend. The shortlis artists voor de Turner Prize2018 waren: Forensic Architecture, Naeem Mohaiemen, Charlotte Prodger and Luke Willis Thompson. Zie ook de recensie in het vorige H ART-nummer 186.

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