Nieuwe Kunsthal Gent

Gepubliceerd op: 21 February 2019

“Een kunsthal in een klooster is beter dan een supermarkt in een kerk”, zo
klonk het tijdens de vernissage van Kunsthal Gent, met een knipoog naar
de controversiële privatisering van de Sint-Annakerk. Na een
aanlooptraject van workshops, lezingen en screenings, heeft Kunsthal Gent
in januari officieel de deuren opengezwaaid voor het publiek. Een kritische
blik op dit kersvers instituut.

Pieter VERMEULEN

Praktische Info

Kunsthal Gent, Lange Steenstraat 14, Gent. Open za-zo van 11-18 u.
www.kunsthal.gent

Keywords

Geen keywords beschikbaar.

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“Een kunsthal in een klooster is beter dan een supermarkt in een kerk”, zo
klonk het tijdens de vernissage van Kunsthal Gent, met een knipoog naar
de controversiële privatisering van de Sint-Annakerk. Na een
aanlooptraject van workshops, lezingen en screenings, heeft Kunsthal Gent
in januari officieel de deuren opengezwaaid voor het publiek. Een kritische
blik op dit kersvers instituut.

Pieter VERMEULEN

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Kunsthal Gent, Lange Steenstraat 14, Gent. Open za-zo van 11-18 u.
www.kunsthal.gent

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Met een pak ontmoetingen, lezingen, concerten, filmvoorstellingen en twee
tentoonstellingen bouwt Moussem, de Brusselse organisatie voor Arabische
cultuur, een festival rond een stad en een land in oorlog. Dat is nooit
vanzelfsprekend, maar altijd leerzaam.

Pieter VAN BOGAERT

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Moussem Cities. Damascus, tot 28 februari in Globe Aroma, Bozar en andere
plaatsen in Brussel. www.moussem.be

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Middenin het gesprek met de ex-gevangene Salam krijgt de ik-figuur een
ingeving. Hij klapt zijn computer open en speelt geluiden af, van een man op
sneakers op een metalen trap. Dat is het, zegt Salam, die als gevangene van het
Assad-regime werd gemarteld in de Saydnaya-gevangenis. Daar heerste
continue duisternis. Het dwong de gevangenen de oren gespitst te houden, om
geluiden thuis te brengen, om de dreiging van marteling aan te horen komen. De
ik-figuur is kunstenaar Lawrence Abu Hamdan (°1985, Jordanië). En het
fragment is een tekst, die in witte letters op een zwart beeldscherm verschijnt,
als onderdeel van de installatie ‘Earwitness Inventory’, 2018.
Die gesprekken met gevangenen voerde Abu Hamdan in 2016 in een
samenwerking met Amnesty International en met Forensic Architecture, het
Londense kunstenaarscollectief dat politiek gevoelige misstanden onthult in
precieze reconstructies.

Machteld LEIJ

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Lawrence Abu Hamdan tot 28 april in Witte de With, Witte de Withstraat 50, Rotterdam,
NL. Open di-zo van 11-18 u. www.wdw.nl

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