Niet omwille van de economie, de sociologie of de politiek, maar om de kunst

Gepubliceerd op: 23 March 2017

Karin Hanssen kaart in haar opiniestuk in het vorige nummer van H ART (H ART #167) een gewichtig probleem aan: de beperkte aanwezigheid van vrouwelijke kunstenaars in de publieke beeldvorming omtrent beeldende kunst.

Die opmerking snijdt zeker hout wat M HKA betreft. Dat museum besteedt bewust aandacht aan die vraagstelling, Kati Heck naast Vaast Colson, diversiteit in spanning, weet je wel.

 

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Karin Hanssen kaart in haar opiniestuk in het vorige nummer van H ART (H ART #167) een gewichtig probleem aan: de beperkte aanwezigheid van vrouwelijke kunstenaars in de publieke beeldvorming omtrent beeldende kunst.

Die opmerking snijdt zeker hout wat M HKA betreft. Dat museum besteedt bewust aandacht aan die vraagstelling, Kati Heck naast Vaast Colson, diversiteit in spanning, weet je wel.

 

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Wie de tentoonstellingsruimte van KIOSK in Gent eerder al bezocht en nu binnen komt, zal die allicht niet onmiddellijk herkennen: de Indiase kunstenares Shilpa Gupta liet in het portaal vóór het auditorium twee stukken muur weghalen en wist daarmee één grotere ruimte te creëren, waar er voorheen twee waren met een doorgang ertussen. Die ruimte barricadeert Gupta met een lange, dwars gelegde stalen balk die noopt tot omlopen of bukken. Zo zet ze de toon voor een expositie die gaat over ongeregistreerde bewegingen, begrenzende lijnen en omweggetjes om die begrenzingen te omzeilen.

Shilpa Gupta: "Er is een reden waarom India het langste hek bouwt en de douaniers die er werken toch toelaten dat die tot op zekere hoogte doordringbaar is  – hun wensen en verwachtingen komen niet per se overeen met die van de staat."

Anne-Marie POELS

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Philip Aguirre y Otegui – beeldhouwer, schilder en tekenaar met Baskische roots – is op vele fronten actief: een solotentoonstelling met beschilderde Kameroense schoolbordjes in Knokke, deelname aan groepstentoonstellingen in Oostende en Saint Louis (V.S.), en een beeld voor wielerlegende Rik Van Looy in Herentals. Verguld is Aguirre omdat hij wereldwijd één van de zes genomineerden is voor de International Award for Public Art. Rode draad in dit alles is Aguirre zelf: een kunstenaar die humanistisch engagement koppelt aan verstilling en ogenschijnlijke eenvoud, en zijn liefde voor Afrika vermengt met een tikje surrealisme.

Philip Aguirre y Otegui: "Ik heb het label een geëngageerd kunstenaar te zijn, maar dat is niet altijd waar. Toch gaat elk goed kunstwerk, en dan bedoel ik uit de hele kunstgeschiedenis, over de wereld en de condition humaine. Dat denk ik toch. En dat is mijn geloof in de kunst."

Eric RINCKHOUT

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‘Suite Camerounaise’ tot 16 april in Galerie Geukens & De Vil, Zeedijk 735, Knokke. Open za-zo van 11-13 u., 15-18 u. tijdens schoolvakanties ook ma, do-vr van van 11-13 u., 15-18 u. www.geukensdevil.com

‘Frans Masereel en hedendaagse kunst: verzet in beelden’ van 1 april tot 4 september in Mu.ZEE, Romestraat 11, Oostende. Open di-zo van 10-18 u. www.muzee.be

‘Transparency Shade: Seeing through the Shade’ van 7 april tot 27 mei in Projects+ Gallery, Saint Louis, V.S. www.projects-gallery.com

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