Museum M in Leuven wordt droomtheater van Markus Schinwald

Gepubliceerd op: 16 October 2014

Op de voorlaatste Biënnale van Venetië maakte het Oostenrijks paviljoen dat werd verzorgd door Markus Schinwald een sterke beurt. Bevreemdend, bizar en beklijvend. Nu heeft de kunstenaar voor het eerst een grote solo in ons land. In Leuven toont hij niet alleen ‘Orient’, zijn hypnotiserende video-installatie uit Venetië, maar ook andere werken waarin bevreemding en poëzie hand in hand gaan.

Markus Schinwald: "Ik hoop op een geduldige ‘aquariumblik’ van het publiek."

Fotogalerij

Praktische Info

Markus Schinwald tot 8 februari in Museum M, L. Vanderkelenstraat 28, Leuven. Open ma-di en vr-zo van 11-18 u., do van 11-22 u. www.mleuven.be

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Op de voorlaatste Biënnale van Venetië maakte het Oostenrijks paviljoen dat werd verzorgd door Markus Schinwald een sterke beurt. Bevreemdend, bizar en beklijvend. Nu heeft de kunstenaar voor het eerst een grote solo in ons land. In Leuven toont hij niet alleen ‘Orient’, zijn hypnotiserende video-installatie uit Venetië, maar ook andere werken waarin bevreemding en poëzie hand in hand gaan.

Markus Schinwald: "Ik hoop op een geduldige ‘aquariumblik’ van het publiek."

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Markus Schinwald tot 8 februari in Museum M, L. Vanderkelenstraat 28, Leuven. Open ma-di en vr-zo van 11-18 u., do van 11-22 u. www.mleuven.be

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In De Bond in Brugge loopt momenteel de overzichtstentoonstelling ‘Framis in Progress’ van de Spaanse Alicia Framis (°1967, Barcelona) – een samenwerking met het Museum voor Moderne Kunst in Arnhem, de Galerie im Taxispalais in Innsbrück en het MUSAC in Léon. De expo bundelt belangrijke werken van de voorbije 20 jaar, die onder te brengen zijn in drie secties: ‘Social Architecture’, ‘Fashion & Demonstrations’ en ‘Wishing Walls’. Meerdere werken doen je zowel huiveren als glimlachen.

Alicia Framis: "“Vanuit mijn achtergrond als performer werd ik zeer geïnteresseerd in architectuur. Ik zie architectuur als een cocon van de performer. Zo ben ik ervan overtuigd dat de manier waarop een
stad en een huis ontworpen zijn een grote impact heeft op de manier waarop wij leven en bewegen."

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‘Alicia Framis, Framis in Progress’ tot 23 november in DE BOND, Buiten Smedenvest 1, Brugge. Open wo-ma van 13-18 u. www.ccbrugge.be

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Het Waregemse kunstplatform Be-Part is gehuisvest in twee villa’s uit 1947 (feitelijk één hoofdgebouw en één conciërgewoning) die vroeger als woonhuis en nadien als galerie dienden. Dat gegeven is een kolfje naar de hand van Sarah Westphal, die ruimtes zoals bijvoorbeeld verlaten woningen als uitgangspunt neemt van haar werk. Ze legt er de sporen bloot die achtergelaten werden en bouwt daar werk rond op, of het nu gaat om foto’s, projecties, een boek of driedimensionale installaties. In Be-Part zet ze niet zozeer in op achtergelaten sporen, maar op de zweem van verval die zich er ondertussen begint af te tekenen.

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Sarah Westphal ‘Hintersteg’ tot 30 november in Be-Part Platform voor actuele kunst, Westerlaan 17, Waregem. Open zo-vr van 11-17 u. www.bepartlive.org

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