Melanie Gilligan, Bjørn Melhus en groepstentoonstelling ‘Soap’

Gepubliceerd op: 12 February 2015

Wat als er een technologie wordt ontwikkeld, die ons in staat stelt om elkaars gedachtes en emoties te lezen, zonder verdere hulpmiddelen? Altijd online, altijd direct de commentaren van je manager in je hoofd. Je maakt op je werk een faux pas en hup, je bent sneller dan het licht ontslagen. Dat is een enge, benauwende wereld die de Amerikaanse kunstenaar Melanie Gilligan schetst in ‘The Common Sense’, haar miniserie van korte filmpjes, die je kon en kunt bekijken in Casco Utrecht, De Hallen Haarlem en De Appel Amsterdam.

Machteld LEIJ

 

Fotogalerij

Praktische Info

Melanie Gilligan, ‘The Common Sense’, ‘Phase 1’ was tot 25 januari te zien in Casco Projects in Utrecht. ‘Phase 2A’ loopt tot 1 maart in De Hallen Haarlem, www.dehallenhaarlem.nl, ‘Phase 2B’ tot 8 maart in de Appel, Amsterdam, www.deappel.nl

Bjørn Melhus tot 1 maart in de Kunsthal, Rotterdam, www.kunsthal.nl en tot 28 februari in Galerie West, Den Haag, www.westdenhaag.nl

De groepstentoonstelling Soap! Tot 1 maart in Nieuwe Vide, Haarlem, www.nieuwevide.nl

Keywords

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Wat als er een technologie wordt ontwikkeld, die ons in staat stelt om elkaars gedachtes en emoties te lezen, zonder verdere hulpmiddelen? Altijd online, altijd direct de commentaren van je manager in je hoofd. Je maakt op je werk een faux pas en hup, je bent sneller dan het licht ontslagen. Dat is een enge, benauwende wereld die de Amerikaanse kunstenaar Melanie Gilligan schetst in ‘The Common Sense’, haar miniserie van korte filmpjes, die je kon en kunt bekijken in Casco Utrecht, De Hallen Haarlem en De Appel Amsterdam.

Machteld LEIJ

 

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Melanie Gilligan, ‘The Common Sense’, ‘Phase 1’ was tot 25 januari te zien in Casco Projects in Utrecht. ‘Phase 2A’ loopt tot 1 maart in De Hallen Haarlem, www.dehallenhaarlem.nl, ‘Phase 2B’ tot 8 maart in de Appel, Amsterdam, www.deappel.nl

Bjørn Melhus tot 1 maart in de Kunsthal, Rotterdam, www.kunsthal.nl en tot 28 februari in Galerie West, Den Haag, www.westdenhaag.nl

De groepstentoonstelling Soap! Tot 1 maart in Nieuwe Vide, Haarlem, www.nieuwevide.nl

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Pour le philosophe français Jacques Derrida, « la pure hospitalité (accueil sans condition), c’est accepter que l’autre fasse loi chez moi ». Mais cet accueil sans condition préalable qui implique un bouleversement peut créer une ambivalence et faire naître douleur, péril, hostilité. C’est ainsi qu’il a créé le mot-valise ‘hostipitalité’. Il met en lumière la double étymologie du mot ‘hospitalité’ : aussi bien ‘hostis’ - ennemi - que ‘hospes’ - invité. Il s’agit, lorsque l’autre entre en/chez soi de se laisser affecter par lui au plus profond de notre propre identité. Les installations qui constituent l’exposition ‘Hostipitalité’ à l’ISELP s’y réfèrent : elles renoncent à aboutir à un consensus et laissent vivace l’antagonisme ; d’ennemi potentiel, l’autre devient un adversaire.

Colette DUBOIS

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‘Hostipitalités’ jusqu’au 21 mars à l’Iselp, 31 boulevard de Waterloo, Bruxelles. Ouvert lu-sa de 11-18h30. www.iselp.be

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In het park net vóór The White House Gallery, het statische pand dat gelegen is in het grote domein van de voormalige psychiatrische kliniek Salve Mater in Lovenjoel, prijkt de bronzen sculptuur van Stief Desmet. Zijn ‘Monument for Cervus Vitalis’ zet de toon van de duo-tentoonstelling die hij er samen met Yves Velter heeft. Met ‘L’oubli extatique’ onthullen beiden op een frisse en tegelijk persoonlijke manier hun beeldend alfabet, waarbij de werken van twee op het eerste gezicht zeer uiteenlopende kunstenaars elkaar op een verrassende manier aanvullen en optillen.

Inge BRAECKMAN

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Stief Desmet & Yves Velter, ‘L’oubli extatique’ tot 8 maart in The White House Gallery, Groot Park 2, Lovenjoel. Open do-zo van 14-18 u. www.thewhitehousegallery.be

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