Marc Nagtzaam bij Panache Towers

Gepubliceerd op: 1 October 2015

Antwerpen heeft er met Panache Towers sinds begin van het jaar weer een projectruimte bij, een ontmoetingsplaats en ‘verspreidingsplatform’ voor kustenaars, designers, schrijvers ..., aldus Panache Towers zelf. De komende maanden wordt er ruimte gemaakt voor kunstenaar Marc Nagtzaam, die een nieuw boek publiceerde en een onderzoek over de esthetiek van het fragment aan Sint Lucas Antwerpen afrondde. Hij brengt bovendien een aantal verwante kunstenaars mee.

Marc Nagtzaam: "De tekeningen zijn eigenlijk gewoon bladen die ik maak om iets te hebben om een tentoonstelling mee te maken of boeken – het is altijd materiaal om te rangschikken, daar maak ik ze voor."

Praktische Info

Marc Nagtzaam, ‘The Aesthetic of the Fragment’ van 1 oktober tot 13 november in Panache Towers, Frankrijklei 73, 2de verdieping, Antwerpen. Open di-vr van 10-18 u. en op afspraak. www.panache.works

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Antwerpen heeft er met Panache Towers sinds begin van het jaar weer een projectruimte bij, een ontmoetingsplaats en ‘verspreidingsplatform’ voor kustenaars, designers, schrijvers ..., aldus Panache Towers zelf. De komende maanden wordt er ruimte gemaakt voor kunstenaar Marc Nagtzaam, die een nieuw boek publiceerde en een onderzoek over de esthetiek van het fragment aan Sint Lucas Antwerpen afrondde. Hij brengt bovendien een aantal verwante kunstenaars mee.

Marc Nagtzaam: "De tekeningen zijn eigenlijk gewoon bladen die ik maak om iets te hebben om een tentoonstelling mee te maken of boeken – het is altijd materiaal om te rangschikken, daar maak ik ze voor."

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Marc Nagtzaam, ‘The Aesthetic of the Fragment’ van 1 oktober tot 13 november in Panache Towers, Frankrijklei 73, 2de verdieping, Antwerpen. Open di-vr van 10-18 u. en op afspraak. www.panache.works

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Vraag Katja Mater hoe ze haar werk zou omschrijven en ze vertelt dat ze eigenlijk altijd bezig is met de optische media fotografie en film. Vreemd dus dat ze inging op de uitnodiging van DOCU-PRESS in het Frans Masereel Centrum, een plek die in de eerste plaats focust op grafisch werk? Toch niet zo, blijkt als we haar spreken en ze over het project in Kasterlee vertelt.

Katja Mater: “Ik werk vrij traag, het gaat meer over het opbouwen van een werk dan over het schieten van een werk. Maar toen ik net begon in Kasterlee, vond ik het heel traag. Dat had ik niet verwacht: drukken is super arbeidsintensief en het tempo ligt heel laag. Alles gaat vervolgens over tijd, de tijd die het kost om dingen te maken ...”

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DOCU-PRESS 5: Katja Mater tot 1 november in Frans Masereel Centrum, Masereeldijk 5, Kasterlee. Open ma-vr van 10-17 u. fransmasereelcentrum.be

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Geef Sven ’t Jolle (°1966, Antwerpen, woont en werkt in Melbourne) carte blanche en de kans is groot dat een scala aan actuele sociale, culturele en politieke problemen de revue passeert. In zijn nieuwe solo in Voorkamer Lier is dat niet anders. Vertrekkend van de hoedanigheid van katholiek geïnspireerd huis voor armenzorg dat de site van Voorkamer vroeger was, zoomt ’t Jolle in op heel wat misstanden die hun grond hebben in religie, terwijl hij meandert van één facet naar een ander, associaties legt tussen één gebeurtenis en een volgende. Ondertussen blijft hij zoeken naar nieuwe vormen en laat hij zich daarbij dankbaar inspireren door de kunstgeschiedenis.

Sven 't Jolle: "Dat heen-en-weer springen tussen België en Australië vind ik interessant en hoe dingen in België en Australië parallel lopen. De Australische dingen in de tentoonstelling gaan impliciet ook over België, ook hier spelen dezelfde thema’s."

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Sven ’t Jolle, ‘The Good Shepherd (& other sculptures for the not so converted) tot 22 november in Voorkamer, H. Geeststraat 7, Lier. Open do-zo van 14-18 u. www.voorkamer.be

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