Lawrence Abu Hamdan in Witte de With

Gepubliceerd op: 21 February 2019

Middenin het gesprek met de ex-gevangene Salam krijgt de ik-figuur een
ingeving. Hij klapt zijn computer open en speelt geluiden af, van een man op
sneakers op een metalen trap. Dat is het, zegt Salam, die als gevangene van het
Assad-regime werd gemarteld in de Saydnaya-gevangenis. Daar heerste
continue duisternis. Het dwong de gevangenen de oren gespitst te houden, om
geluiden thuis te brengen, om de dreiging van marteling aan te horen komen. De
ik-figuur is kunstenaar Lawrence Abu Hamdan (°1985, Jordanië). En het
fragment is een tekst, die in witte letters op een zwart beeldscherm verschijnt,
als onderdeel van de installatie ‘Earwitness Inventory’, 2018.
Die gesprekken met gevangenen voerde Abu Hamdan in 2016 in een
samenwerking met Amnesty International en met Forensic Architecture, het
Londense kunstenaarscollectief dat politiek gevoelige misstanden onthult in
precieze reconstructies.

Machteld LEIJ

Praktische Info

Lawrence Abu Hamdan tot 28 april in Witte de With, Witte de Withstraat 50, Rotterdam,
NL. Open di-zo van 11-18 u. www.wdw.nl

Keywords

Geen keywords beschikbaar.

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Middenin het gesprek met de ex-gevangene Salam krijgt de ik-figuur een
ingeving. Hij klapt zijn computer open en speelt geluiden af, van een man op
sneakers op een metalen trap. Dat is het, zegt Salam, die als gevangene van het
Assad-regime werd gemarteld in de Saydnaya-gevangenis. Daar heerste
continue duisternis. Het dwong de gevangenen de oren gespitst te houden, om
geluiden thuis te brengen, om de dreiging van marteling aan te horen komen. De
ik-figuur is kunstenaar Lawrence Abu Hamdan (°1985, Jordanië). En het
fragment is een tekst, die in witte letters op een zwart beeldscherm verschijnt,
als onderdeel van de installatie ‘Earwitness Inventory’, 2018.
Die gesprekken met gevangenen voerde Abu Hamdan in 2016 in een
samenwerking met Amnesty International en met Forensic Architecture, het
Londense kunstenaarscollectief dat politiek gevoelige misstanden onthult in
precieze reconstructies.

Machteld LEIJ

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Lawrence Abu Hamdan tot 28 april in Witte de With, Witte de Withstraat 50, Rotterdam,
NL. Open di-zo van 11-18 u. www.wdw.nl

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“Een kunsthal in een klooster is beter dan een supermarkt in een kerk”, zo
klonk het tijdens de vernissage van Kunsthal Gent, met een knipoog naar
de controversiële privatisering van de Sint-Annakerk. Na een
aanlooptraject van workshops, lezingen en screenings, heeft Kunsthal Gent
in januari officieel de deuren opengezwaaid voor het publiek. Een kritische
blik op dit kersvers instituut.

Pieter VERMEULEN

[cnt_info] =>

Kunsthal Gent, Lange Steenstraat 14, Gent. Open za-zo van 11-18 u.
www.kunsthal.gent

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Het landelijk in de Antwerpse Kempen gelegen Frans Masereel Centrum
(FMC) begon ooit als ontmoetingsplaats voor grafisch kunstenaars, maar
groeide ondertussen uit tot een plek waar nationale en internationale
kunstenaars uit alle mogelijke disciplines naar toe trekken om te werken en
experimenteren met print en grafisch design. Onder de bevlogen leiding
van Sofie Dederen werd het bovendien een platform waar publiek en
kunstenaars elkaar ontmoeten op tentoonstellingen, portfoliodagen en
andere events waarbinnen grafisch werk centraal staat. Begin februari
werd het nieuwe paviljoen dat het FMC bij liet bouwen geopend en sprak
H ART met Sofie Dederen over die nieuwbouw en de werking van het
centrum.

Anne-Marie POELS

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Nog tot 24 februari gaat ‘There is a Storm, copy that’ een programma van FMC
door in het Antwerp Art Pavilion, Hanzestedenplaats 15, Antwerpen.
In mei staat in het FMC zelf de eerste grote tentoonstelling op het programma
en kan ook het publiek het nieuwe paviljoen ontdekken.
Frans Masereel Centrum, Masereeldijk 5, Kasterlee.

fransmasereelcentrum.be

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