La Biennale di Venezia: een gebruiksaanwijzing

Gepubliceerd op: 20 June 2019

H ART magazine en Pompidou | Klara presenteren: 'De Biennale van Venetië: een gebruiksaanwijzing.'

Een handige gids voor uw bezoek aan de oudste en mooiste biennale ter wereld. U vindt er alle uitleg bij de grote tentoonstelling 'May you live in interesting times', met de tien meest opvallende paviljoenen, en met alle andere tentoonstellingen die je in de stad niet mag overslaan én boekentips. Alleen voor de spritz moet u zelf zorgen. Gratis als extra bijlage bij H ART #193 en online op www.klara.be

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H ART magazine en Pompidou | Klara presenteren: 'De Biennale van Venetië: een gebruiksaanwijzing.'

Een handige gids voor uw bezoek aan de oudste en mooiste biennale ter wereld. U vindt er alle uitleg bij de grote tentoonstelling 'May you live in interesting times', met de tien meest opvallende paviljoenen, en met alle andere tentoonstellingen die je in de stad niet mag overslaan én boekentips. Alleen voor de spritz moet u zelf zorgen. Gratis als extra bijlage bij H ART #193 en online op www.klara.be

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https://klara.be/gebruiksaanwijzingbiennale2019

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‘Men don’t protect you anymore’ is de ambivalente boodschap op de verpakking van een condoom. Het frulletje, uitgestald onder plexiglas, is één van die typische actie-kunstwerken van Jenny Holzer. De ‘condition humaine’ vervat in scherpe woorden. Reflecties over macht(smisbruik), geweld, verdriet, pijn, herinneringen, liefde, seks en dood doorspekken al 40 jaar haar werk. Haar plastisch-sociaal oeuvre vertolkt zich in diverse materialen: T-shirts, koffiekopjes, schilderijen, installaties, lichtprojecties, poëzie gebeiteld in marmer, slogans in LED-lampen, … Kijkers moeten hun eigen oordeel vormen over thema’s als de vluchtelingencrisis, geweld tegen vrouwen, mensenrechten... 

Eliane VAN DEN ENDE 

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{Highlights}

De grenzen die de kolonisatie van Afrika met zich meebracht, veranderden niet alleen de relatie tot de ander, maar ook, tot op vandaag, de notie van tijd en ruimte van de meeste Afrikanen die op het continent leven

Jean Katambayi, een kunstenaar uit Lubumbashi, de tweede grootste stad van de Democratische Republiek Congo, heeft het in zijn werk over energie, op een wetenschappelijke manier en metaforisch. Tijdens zijn kindertijd maakt Katambayi het verval van het door de overheid geëxploiteerde mijnbedrijf Gécamines mee en de daaropvolgende verpaupering van zijn stad. Die is paradoxaal genoeg bekend omwille van de mijnontginning door buitenlandse bedrijven. Momenteel is in WIELS een tentoonstelling te zien die het werk van vijf voormalige Afrikaanse residenten samenbrengt, waaronder dat van Katambayi. Daarnaast heeft hij ook een solotentoonstelling in Etablissement d’en face. Uit beide tentoonstellingen blijkt zijn inventiviteit en wetenschappelijke bagage.

Sorana MUNSYA

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‘Jean Katambayi Mukendi: Onderhandeling’, tot 14 juli in Etablissement d’en face, Ravensteinstraat 32, Brussel. www.etablissementdenface.com

‘Multiple Transmissions: Art in the Afropolitan Age’, tot 18/09 in Wiels, Van Volxemlaan 354, Brussel. Open di-zo 11 tot 18u, www.wiels.org

Een deel van ‘Multiple Transmissions: Art in the Afropolitan Age’ reist door naar Lubumbashi waar het van 24 oktober tot 24 november deel uitmaakt van de 6de editie van de Biennale de Lubumbashi, waarvan Sandrine Colard eveneens curator is. www.biennaledelubumbashi.org

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