Kurt Ryslavy toont ‘Verkaufswerke’ in White-Out Studio Knokke

Gepubliceerd op: 26 March 2015

Het is een mooi verhaal. Bij de opening ‘Skulptur Projekte Münster ’97 liepen de bekende verzamelaar Isi Fiszman en de Belgisch-Oostenrijkse kunstenaar Kurt Ryslavy elkaar tegen het lijf. Ryslavy zei dat hij uitgenodigd was door curator Kasper König en vroeg of Fiszman zijn werk al opgemerkt had op de kunstroute. Fiszman vroeg hem wat hij dan wel toonde. ‘Verkaufswerke’, antwoordde Ryslavy, waarop Fiszman hem verontwaardigd de rug toekeerde en weg liep. ‘Verkaufswerke’ waren natuurlijk niet zomaar commerciële verkoopswerken. In 1997 had Kurt Ryslavy er zelfs nog geen enkel verkocht: hoogstens was er tijdens Skulptur Projekte Münste één gestolen uit het plaatselijke Landesmuseum en keurig vergoed door de verzekering. (...)

Marc Ruyters

 

Praktische Info

‘Verkaufswerke’ van Kurt Ryslavy tot 26 april in White-Out Studio, Van Bunnenlaan 58 A, Knokke. Window exhibition of via afspraak: info@whiteoutstudio.be , of info@hotelvanbunnen.be

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Het is een mooi verhaal. Bij de opening ‘Skulptur Projekte Münster ’97 liepen de bekende verzamelaar Isi Fiszman en de Belgisch-Oostenrijkse kunstenaar Kurt Ryslavy elkaar tegen het lijf. Ryslavy zei dat hij uitgenodigd was door curator Kasper König en vroeg of Fiszman zijn werk al opgemerkt had op de kunstroute. Fiszman vroeg hem wat hij dan wel toonde. ‘Verkaufswerke’, antwoordde Ryslavy, waarop Fiszman hem verontwaardigd de rug toekeerde en weg liep. ‘Verkaufswerke’ waren natuurlijk niet zomaar commerciële verkoopswerken. In 1997 had Kurt Ryslavy er zelfs nog geen enkel verkocht: hoogstens was er tijdens Skulptur Projekte Münste één gestolen uit het plaatselijke Landesmuseum en keurig vergoed door de verzekering. (...)

Marc Ruyters

 

[cnt_info] =>

‘Verkaufswerke’ van Kurt Ryslavy tot 26 april in White-Out Studio, Van Bunnenlaan 58 A, Knokke. Window exhibition of via afspraak: info@whiteoutstudio.be , of info@hotelvanbunnen.be

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Het was al van 2005 geleden dat Julião Sarmento een solo had in Dhondt-Dhaenens in Deurle en van 1999 dat zijn werk nog te zien was in Brussel. Maar nu is hij terug. Bij Daniel Templon waagt hij zich onder andere aan een herinterpretatie van Degas’ iconische ‘La Petite Danseuse de Quatorze Ans’.

Sam Steverlynck

Julião Sarmento: ‘Ik heb nooit een eigen stijl willen hebben. Maar geleidelijk aan heb ik daardoor toch een stijl ontwikkeld. Namelijk die van geen stijl te hebben’

[cnt_info] =>

‘Easy Pairings Fractals Stars’, tot 18 april in Galerie Daniel Templon, Veydstraat 13a, Brussel. Open di-za van 11-18 u. www.danieltemplon.com

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Bruno Verbergt (°1964, Leuven) heeft een coöperatieve vereniging opgericht die luistert naar de naam TouchTime en actief is op het vlak van kunst- en cultuurproductie, cultuurmanagement en -beleid. TouchTime is alvast tot eind juni 2015 te gast bij kultuurfaktorij Monty in Antwerpen.

(MR)

[cnt_info] =>

TouchTime at monty is open op onregelmatige tijdstippen in de Montignystraat 7 Antwerpen. Contact via info@touchtime.coop, www.touchtime.coop

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