Kunstwetenschapper Barbara Baert kreeg Francqui-prijs

Gepubliceerd op: 14 July 2016

Een zinnelijk hart voor kunst

“De hedendaagse kunstwereld roept mij”, grinnikt Barbara Baert. De kunstwetenschapper vertrekt vanuit haar kennis van de Middeleeuwen om heel breed en wijd naar culturen en maatschappijen te kijken. Geen wonder dat Berlinde de Bruyckere, Jan Fabre, Jan Van Imschoot en anderen op haar kunde beroep doen om zich te ankeren. Niet verbazend ook dat de internationaal gewaardeerde academica de prestigieuze Francqui-prijs 2016 (ook wel eens de Belgische Nobelprijs genoemd) ontving. 

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Een zinnelijk hart voor kunst

“De hedendaagse kunstwereld roept mij”, grinnikt Barbara Baert. De kunstwetenschapper vertrekt vanuit haar kennis van de Middeleeuwen om heel breed en wijd naar culturen en maatschappijen te kijken. Geen wonder dat Berlinde de Bruyckere, Jan Fabre, Jan Van Imschoot en anderen op haar kunde beroep doen om zich te ankeren. Niet verbazend ook dat de internationaal gewaardeerde academica de prestigieuze Francqui-prijs 2016 (ook wel eens de Belgische Nobelprijs genoemd) ontving. 

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In de tweede editie van STRTKit delen opnieuw vijf jonge kunstenaars (in feite vier en één kunstenaarsduo) een jaar lang een atelier onder de vleugels van Studio Start, AIR en Extra City. Die zorgen voor de praktische omkadering en voor een intensieve begeleiding via studiobezoeken, gesprekken met curators, een projectweek in het buitenland en een groepstentoonstelling aan het eind van het project. H ART stelt elk van de kunstenaars aan u voor. Het laatste kunstenaarsgesprek was er één met Timo van Grinsven; een gesprek met de curator van de groepstentoonstelling, Pieternel Vermoortel, houdt u nog van ons tegoed.

‘Ik maak gewoon en denk erover na’

Een starter is hij niet meer echt, Timo van Grinsven (°1985, NL, woont en werkt in Antwerpen). Hij had al een tentoonstelling in Base-Alpha Gallery in Antwerpen en een hele resem kleinere kunstruimtes, deed een residentie in Frankfurt en toonde in Nederland op plekken als TETEM kunstruimte (Enschede), MoMart (Amsterdam), Marres (Maastricht) en Kunstvereniging Diepenheim ... Van Grinsven balanceert in sculpturen, installaties, tekeningen en doeken (die meestal eerder installaties zijn dan schilderijen) de kunstenaar tussen beeld en teken (of woord), maar wil zichzelf noch beeldhouwer, tekenaar of schilder noemen: “Ik maak gewoon en denk daarover na.”

Timo van Grinsven: "Tekeningen zijn zoals een ruimte waar je dingen in kan zetten en waarin alles mogelijk is. Je kunt er ook heel veel ideeën in samenbrengen, zonder dat het beklemmend wordt, terwijl je bij een sculptuur toch meer terug moet naar de essentie."

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In ‘Behind the curtain’ kijkt Anton Cotteleer (°1974, Kalmthout) terug op zijn werk van de voorbije vijftien jaar. En hij maakte een boek waarin hij een overzicht van zijn beelden combineert met foto’s die zijn universum oproepen. Twee weken voor de opening zijn de beelden net gearriveerd in de Garage in Mechelen. Men heeft ze her en der neergezet in de achterste ruimte van de kunstplek. Het lijkt alsof het een bizarre, ordeloze kringloopwinkel is. Er is net plaats genoeg om te wandelen tussen deze wirwar van beelden, vormen en meubels, waarin zowel populaire cultuur, stukken interieur, als verwijzingen naar de klassieke beeldhouwkunst vermengd zitten. Die werken zitten vol tegendraadsheid, erotiek en humor. Uiteraard is dit niet de opstelling die de kunstenaar voor zijn tentoonstelling gaat maken. Maar ergens is deze oorspronkelijke wanorde niet ongeschikt als hernieuwde kennismaking met het werk van Anton Cotteleer.
 
Marc HOLTHOF
 
Anton Cotteleer: "Mijn sculpturen hebben geen eeuwige uitstraling zoals we die kennen bij bronzen en marmeren beelden, maar suggereren eerder een tijdelijkheid zoals een dekentje, een gordijn, een behang of een pluchen knuffel."
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‘Behind the curtain’ van Anton Cotteleer tot 6 november in De Garage, Onder de Toren 12, Mechelen, www.cultuurcentrummechelen.be
Werk van Anton Cotteleer is ook te zien op Coup de Ville in Sint-Niklaas.
Het boek bij de tentoonstelling verschijnt bij Borgerhoff & Lamberigts, 144 blz., 34,95 euro.
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