Kunstenfestival Watou 2016: ‘Over de kracht van mededogen’

Gepubliceerd op: 14 July 2016

Vluchten kan niet meer

Wordt dit nu echt de 36ste en laatste uitgave van wat vroeger de ‘Poëziezomer’ en nu ‘Kunstenfestival’ in Watou heet? Het ziet er naar uit, nu ook voor dit evenement de subsidiekraan dichtgedraaid wordt. Blijkbaar hebben ‘toegankelijkheid’ en ‘groot publieksbereik’ hun prijs.

Fotogalerij

Praktische Info

Geen praktische info beschikbaar.

Keywords

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Vluchten kan niet meer

Wordt dit nu echt de 36ste en laatste uitgave van wat vroeger de ‘Poëziezomer’ en nu ‘Kunstenfestival’ in Watou heet? Het ziet er naar uit, nu ook voor dit evenement de subsidiekraan dichtgedraaid wordt. Blijkbaar hebben ‘toegankelijkheid’ en ‘groot publieksbereik’ hun prijs.

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Eens immigrant, altijd zo. Bij Maryam Najd, zelf een uitwijkeling, vormt de zoektocht naar identiteit een rode draad doorheen haar werk. De huidige vluchtelingencrisis weekt bij haar veel emoties los. Met haar schilderijen vindt ze een manier om emoties die ermee gepaard gaan te verbeelden. Daarnaast wil ze met bevroren momenten de kijker doen stilstaan bij de problematiek. Voor deze ontroerende reeks slaan het Groeningemuseum en cultuurcentrum De Bond in Brugge de handen in elkaar.

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Was tachtig dan toch prachtig, machtig en krachtig?

Het waren de jaren van Ronald Reagan, Margaret Thatcher en Helmut Kohl, de jaren waarin de vermarkting van de kunst haar intrede deed, waarin rave, house en techno opgeld maakten. Kortom: lelijke jaren. Of is dat de perceptie van een kind van de sixties? Waren er ook mooie, toffe dingen? In het M HKA lopen drie tentoonstellingen rond kunst in de jaren tachtig, elk met een eigen invalshoek, maar met opmerkelijke gelijkenissen en verbanden. Een eye opener.

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