Kunstenaarstekst Job Koelewijn

Gepubliceerd op: 13 February 2014

Het NICC, belangenvereniging voor beeldende kunstenaars in Vlaanderen en Brussel, krijgt in elk H ART-nummer een forum om kunstenaars zelf aan het woord te laten. Dit keer is de Nederlandse kunstenaar Job Koelewijn aan de beurt. Hij krijgt de ruimte van een volledige paginavoor een heel persoonlijke tekst.

The unexamined Life is not worth living (Plato)

Een schuchtere aars laat zelden een vrolijke scheet (Duitse volkswijsheid)

Mijn relatie met de beeldende kunst is veel later gekomen dan mijn relatie met het geschreven woord. De magie van de woorden moet me al vroeg gegrepen hebben, want als kind had ik een schriftje en ik begon daar allemaal aforismen in op te schrijven. Vooral degene waarvan de betekenis me niet duidelijk was oefenden de meeste aantrekkingskracht uit: als een soort formules met magische betekenis.

(...)

 

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Het NICC, belangenvereniging voor beeldende kunstenaars in Vlaanderen en Brussel, krijgt in elk H ART-nummer een forum om kunstenaars zelf aan het woord te laten. Dit keer is de Nederlandse kunstenaar Job Koelewijn aan de beurt. Hij krijgt de ruimte van een volledige paginavoor een heel persoonlijke tekst.

The unexamined Life is not worth living (Plato)

Een schuchtere aars laat zelden een vrolijke scheet (Duitse volkswijsheid)

Mijn relatie met de beeldende kunst is veel later gekomen dan mijn relatie met het geschreven woord. De magie van de woorden moet me al vroeg gegrepen hebben, want als kind had ik een schriftje en ik begon daar allemaal aforismen in op te schrijven. Vooral degene waarvan de betekenis me niet duidelijk was oefenden de meeste aantrekkingskracht uit: als een soort formules met magische betekenis.

(...)

 

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Frederika Huys leidde twaalf jaar lang de conservatie- en restauratieafdeling van het S.M.A.K. en is medeoprichtster van INCCA (International Network for the Conservation of Contemporary Art): het enige vandaag bestaande netwerk dat informatie uitwisselt over manieren waarop de conservatie en restauratie van hedendaagse kunstwerken verbeterd kunnen worden. Een gesprek. http://users.telenet.be/thehouseofconservation/

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Dat animatie kunst is geworden sinds het zich van het commerciële filmgenre heeft losgemaakt, weten we met het werk vanWilliam Kentridge, Jan Svankmajer en anderen al langer. Maar we komen veel meer te weten in de prettige tentoonstelling ‘El Hotel Eléctrico' van curator Edwin Carels in het M HKA.

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www.muhka.behttp://www.muhka.be

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