Kunstbeurs Independent maakt zich op voor haar derde editie

Gepubliceerd op: 5 November 2018

Voor haar derde editie verhuist de kunstbeurs Independent van april –toen ze in de slipstream van Art Brussels zat – naar november. Een slimme zet waardoor Brussel na het Gallery Weekend in september en Art Brussels in april een derde zwaartepunt krijgt op de kunstkalender. Nieuw aan deze editie, waaraan een zestigtal galeries deelneemt, van Supportico Lopez (Berlijn) over Super Dakota (Brussel), is dat er ook een luik gewijd is aan performancekunst, samengesteld door curator Vincent Honoré. We spraken mede-oprichtster Elizabeth Dee, die voor ons een tipje van de sluier wou lichten.

Sam STEVERLYNCK

Elizabeth Dee: "Als ik studiobezoeken doe in New York, Brussel of Parijs, zie ik niet alleen objecten die worden geproduceerd. Ik zie ook samenwerkingen met andere kunstenaars, experimentele films, notities voor performances, enz. Dat deed me beseffen dat we niet de hele waaier van artistieke productie tonen."

Praktische Info

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Keywords

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Voor haar derde editie verhuist de kunstbeurs Independent van april –toen ze in de slipstream van Art Brussels zat – naar november. Een slimme zet waardoor Brussel na het Gallery Weekend in september en Art Brussels in april een derde zwaartepunt krijgt op de kunstkalender. Nieuw aan deze editie, waaraan een zestigtal galeries deelneemt, van Supportico Lopez (Berlijn) over Super Dakota (Brussel), is dat er ook een luik gewijd is aan performancekunst, samengesteld door curator Vincent Honoré. We spraken mede-oprichtster Elizabeth Dee, die voor ons een tipje van de sluier wou lichten.

Sam STEVERLYNCK

Elizabeth Dee: "Als ik studiobezoeken doe in New York, Brussel of Parijs, zie ik niet alleen objecten die worden geproduceerd. Ik zie ook samenwerkingen met andere kunstenaars, experimentele films, notities voor performances, enz. Dat deed me beseffen dat we niet de hele waaier van artistieke productie tonen."

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Enkele maanden terug maakte de Antwerpse kunstenaar Stef Van Looveren met zijn project ‘Radical Hope’ een diepe indruk op Stijn Maes, artistiek coördinator van KRIEG te Hasselt en verbonden als docent en opleidingscoördinator Vrije Kunsten aan PXL-MAD School of arts, eveneens te Hasselt. Wat volgt is de neerslag van hun gesprek over enkele recente sleutelwerken.

Een van de hoogtepunten van het meest recente Antwerp Art Weekend (25-27 mei 2018) was ongetwijfeld de solotentoonstelling ‘Radical Hope’ van kunstenaar Stef Van Looveren. Plaats van gebeuren was Hole of The Fox, het geesteskind van kunstenaar Benny Van den Meulengracht-Vrancx. Opgericht in 2011, bracht Hole of The Fox op onregelmatige tijdstippen tentoonstellingen met te ontdekken artistiek talent. ‘Radical Hope’ werd aangekondigd als het voorlopige eindpunt van deze reeks presentaties. Maar hoe! Eindigen in schoonheid heet dat dan.

Stijn MAES

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www.stefvanlooveren.com

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Ik zou deze beschouwing willen laten aanvangen met een bescheiden hommage aan Menno Meewis (1954-2012), die sinds zijn aantreden in 1993 als directeur van het Middelheimmuseum geleidelijk aan alle omliggende terreinen en parken heeft geannexeerd. Op een dag reden we in een golfkarretje door het park omdat hij mij wilde tonen wat hij met het pasverworven Nachtegalenpark van plan was. Alle gebruikelijke wandelwegen negerend, als een volleerd skater, snelde hij slalommend door het bos, bergop bergaf, hier en daar ontluikende plantjes en kleine struikjes genadeloos platwalsend. Ik zou willen stellen dat zijn opvolgster Sara Weyns (°1980), in haar samenwerking met Dennis Tyfus (°1979) de geest van haar voorganger op een vrije manier voortzet.

Dennis Tyfus: "Mijn hele leven ben ik op zoek geweest naar plekken waar ik dingen kon doen."

Hans THEYS

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Dennis Tyfus, ‘My Niece’s Pierced Knees’ tot 17 2019 maart in het Middelheimmuseum, Middelheimlaan 61, Antwerpen. Open di-zo van 10-17 u. www.middelheimmuseum.be

Dennis Tyfus, ‘Up- and Downgrades pt. 2,5’ tot 25 november in Pinkie Bowtie, Wolstraat 31, Antwerpen. Open za-zo van 14-18 u. en op afspraak. www.pinkiebowtie.com

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