Kunst of architectuur: Happy End voor ‘Draaiend Huis’ van John Körmeling

Gepubliceerd op: 20 December 2018

Je vindt ze nog hier en daar, rijhuizen, geprangd tussen twee blinde zijmuren, eenzaam en plompverloren in het landschap. Als toonbeeld van Belgisch surrealisme, maar ook van de Nederlandse optimistische heropbouwarchitectuur, zette de Nederlandse architect-kunstenaar John Körmeling, een dergelijk huis – een doorzonwoning – op rails op een rotonde in Tilburg. Sinds 2008 draaide het er langzaam rondjes. Tot het stilviel. Stemmen gingen op om het te slopen. Finaal kiest het gemeentebestuur voor de kunst van het motoronderhoud.

Koen VAN SYNGHEL

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Je vindt ze nog hier en daar, rijhuizen, geprangd tussen twee blinde zijmuren, eenzaam en plompverloren in het landschap. Als toonbeeld van Belgisch surrealisme, maar ook van de Nederlandse optimistische heropbouwarchitectuur, zette de Nederlandse architect-kunstenaar John Körmeling, een dergelijk huis – een doorzonwoning – op rails op een rotonde in Tilburg. Sinds 2008 draaide het er langzaam rondjes. Tot het stilviel. Stemmen gingen op om het te slopen. Finaal kiest het gemeentebestuur voor de kunst van het motoronderhoud.

Koen VAN SYNGHEL

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Op een druilerige zondagnamiddag heb ik een afspraak bij galerie Tommy Simoens in Antwerpen voor een interview met Rirkrit Tiravanija. De vitrine van de galerie blijkt er vervangen door een bakstenen muur, en ook de deur is geblokkeerd. Niemand die er binnen of buiten kan. Na een kort telefoontje word ik gevraagd te wachten in het volkse café ernaast. Tiravanija is met vertraging op komst uit Museum Dhondt-Dhaenens te Deurle, waar hij enkele dagen in residentie was. De tentoonstelling zou pas later die avond opengaan, en ik heb geen idee van wat daar te zien zal zijn − iets waar de kunstenaar duidelijk plezier in vindt.

Rirkrit Tiravanija: "Tentoonstellingen maken in galeries is evengoed omgaan met de context van de kunst. En die werpt nog steeds vragen op. Zelfs aan het huidige klimaat van de kunstmarkt moeten we blijven deelnemen en ons de vraag stellen waar het over gaat."

Pieter VERMEULEN

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‘Rirkrit Tiravanija − Antwerp Roast’ tot 20 januari bij Tommy Simoens, Waalsekaai 31, Antwerpen. Open wo-za van 13-17 u. www.tommysimoens.com

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Lieven Segers (°1975) staat bij de halfopen deur van de galerie. Buiten hangt zijn arm te roken. Soms buigt hij door de kier naar buiten om het smeulen zuigend aan te wakkeren. Achter hem toont zich de pas vernieuwde galerieruimte, heel wit en heel geschikt om zijn nieuw werk te tonen: woord-tekeningen die hij heeft aangebracht op witgelakte, houten panelen met niet-rechthoekige vormen. De woorden of zinnetjes zijn losse gedachten, woordspelletjes of opgevangen gespreksflarden. Mijn lievelingswerk bestaat uit een opwaarts blazende ventilator die in zijn luchtstroom een traag wentelende ballon gevangenhoudt.

Hans THEYS

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Lieven Segers, ‘Hoera we leven nog – Hoera wel even nog’ tot 22 december 2018 in Base-Alpha Gallery, Kattenberg 12, Antwerpen. Open do-za van 14-18 u. en op afspraak. www.basealphagallery.be

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