Katerina Gregos over de 33ste Art Brussels

Gepubliceerd op: 16 April 2015

De Griekse, maar al jaren in België wonende en werkende Katerina Gregos is voor de derde keer artistiek directeur van de internationale beurs voor beeldende kunst Art Brussels. Twee opvallende nieuwigheden: geen ‘talks’ meer, maar ‘artists’ music’, en geen individuele kunstenaarsinterventies, maar een specifieke ‘not-for-profit section’.

Marc RUYTERS

Katerina Gregos: ‘Ik ben geheel tegen leeftijdscriteria, ik vind dat je ook oog moet hebben voor mid-career artiesten, voor de ouderen: ook zij hebben iets moois opgebouwd, en ze hebben het in deze tijden van trends en novelty al moeilijk genoeg’

Verschenen in de gratis bijlage Art Brussels

Praktische Info

Art Brussels in Brussels Expo, Hall 1 & 3. Vernissage op vr 24 april van 17-22 u. Open voor het publiek op za 25 en zo 26 april van 11-19 u., ma 27 april van 11-20 u. www.artbrussels.com

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De Griekse, maar al jaren in België wonende en werkende Katerina Gregos is voor de derde keer artistiek directeur van de internationale beurs voor beeldende kunst Art Brussels. Twee opvallende nieuwigheden: geen ‘talks’ meer, maar ‘artists’ music’, en geen individuele kunstenaarsinterventies, maar een specifieke ‘not-for-profit section’.

Marc RUYTERS

Katerina Gregos: ‘Ik ben geheel tegen leeftijdscriteria, ik vind dat je ook oog moet hebben voor mid-career artiesten, voor de ouderen: ook zij hebben iets moois opgebouwd, en ze hebben het in deze tijden van trends en novelty al moeilijk genoeg’

Verschenen in de gratis bijlage Art Brussels

[cnt_info] =>

Art Brussels in Brussels Expo, Hall 1 & 3. Vernissage op vr 24 april van 17-22 u. Open voor het publiek op za 25 en zo 26 april van 11-19 u., ma 27 april van 11-20 u. www.artbrussels.com

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In de Knokse galerie van Ronny van de Velde loopt een tentoonstelling rond de thematiek van de zeven hoofdzonden. Het idee is gebaseerd op het beroemde, gelijknamige schilderij van James Ensor. Van de Velde nodigde diverse kunstenaars uit om rond het bekende thema werk te leveren: onder meer Rinus Van de Velde (geen familie), Jan Fabre, Vic Gentils, Kati Heck en Wout Vercammen. De belangrijkste bijdrage is die van eerstgenoemde (…)

(MR)

Rinus Van de Velde: "(...) de basis van mijn werk is dat ik mezelf toon als hoofdpersonage in een fictieve autobiografie. Ik geloof niet dat het zin heeft om eerlijk over jezelf te willen vertellen."

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‘De Zeven Hoofdzonden’ tot 10 mei in Galerie Ronny Van de Velde, Zeedijk 759 (hoek Golvenstraat) Knokke. Open vr van 14-18 u., za-zo van 11-18 u., ma van 14-18 u. www.ronnyvandevelde.com ‘Rinus Van de Velde’, uitgeverij Hannibal en Tim Van Laere Gallery, Antwerpen, 2014, 148 pag, ISBN 978 94 9137 695 5.

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Dans le cadre de la 56e édition de la Biennale de Venise, le pavillon belge propose une œuvre de Vincent Meessen. Oui, mais pas seulement… Son projet ‘Personne et les autres’ rassemble une dizaine d’artistes issus de divers horizons. Voilà qui met à mal la notion même de pavillon national si chère à l’institution vénitienne. Tous ont en commun cet intérêt pour la modernité coloniale, une thématique prégnante du travail de Vincent Meessen, au point d’en faire l’axe central de cette exposition. Au départ de ‘micro-histoires’, d’anecdotes, Vincent Meessen élabore sa recherche et nous propose une relecture alternative – ô combien poétique – de la modernité.

Le point de départ de l’œuvre présentée ? La découverte providentielle par l’artiste des paroles d’un chant révolutionnaire écrit en 1968 par M’Belolo Ya M’Piku, un étudiant situationniste congolais. Meessen se rend alors à Kinshasa et signe une réinterprétation filmique et musicale de cette chanson oubliée. Avec l’aide d’un orchestre féminin, il l’enregistre dans un cadre mythique : le ‘Un Deux Trois’, un célèbre club de rumba de la capitale congolaise.

Avant leur départ pour Venise, Vincent Meessen, l’artiste, et Katerina Gregos, la commissaire du pavillon, recevaient la presse pour nous exposer ce projet aussi atypique qu’émouvant.

Adrien COSTER

Vincent Meessen : ‘L’histoire coloniale ne m’intéresse pas autant que le rapport entre le pouvoir et le savoir. Ce qui m’intéresse, c’est de réécrire avec d’autres moyens une partie de cette histoire, mais pas comme le ferait un historien : en tant qu’artiste, on a le privilège de la fiction ; on sait que l’on ne racontera pas la vérité, que les choses sont plus compliquées que ça.’

Verschenen in de gratis bijlage H ART en français

 

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‘Personne et les autres’ de Vincent Meessen au pavillon belge. La 56e Biennale de Venise, du 9 mai jusqu’au 22 novembre. www.belgianpavilion.be

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