Karin Hanssens grootste expo tot op heden in België bij Roberto Polo

Gepubliceerd op: 4 September 2014

De schilderijen van Karin Hanssen zijn vaak gebaseerd op gevonden afbeeldingen uit de jaren 1950-1970. Eerder dan naar een gevoel van nostalgie te streven, legt Hanssen het achterliggende discours van een tijdperk bloot. Dat is niet anders voor haar laatste reeks, waarvoor ze vertrekt van het invloedrijke essay ‘A Room of One’s Own’ (1929) van Virginia Woolf.

Fotogalerij

Praktische Info

Karin Hanssen, ‘A Room of One’s Own’ van 12 september tot 16 november in Roberto Polo Gallery, Lebeaustraat 6-8, Brussel, Open di-vr van 14-18 u., za-zo van 11-18 u. www.robertopologallery.com
‘The Borrowed Gaze’ met een tekst van Charlotte Mullins, Lannoo Publishers, 2014, ISBN 9789401420426

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De schilderijen van Karin Hanssen zijn vaak gebaseerd op gevonden afbeeldingen uit de jaren 1950-1970. Eerder dan naar een gevoel van nostalgie te streven, legt Hanssen het achterliggende discours van een tijdperk bloot. Dat is niet anders voor haar laatste reeks, waarvoor ze vertrekt van het invloedrijke essay ‘A Room of One’s Own’ (1929) van Virginia Woolf.

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Karin Hanssen, ‘A Room of One’s Own’ van 12 september tot 16 november in Roberto Polo Gallery, Lebeaustraat 6-8, Brussel, Open di-vr van 14-18 u., za-zo van 11-18 u. www.robertopologallery.com
‘The Borrowed Gaze’ met een tekst van Charlotte Mullins, Lannoo Publishers, 2014, ISBN 9789401420426

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‘Echolalia’ staat niet alleen voor de speelse herhaling van woorden door een kind dat leert praten, maar heeft ook betrekking op een medische afwijking waarbij iemand dwangmatig woorden en zinnen nazegt. Bovendien verwijst het woord naar de opeenvolging van geluiden in de poëzie, die de betekenis ondergeschikt maakt aan het geluid. Met die titel lijkt beeldend kunstenares Ana Torfs (°1963), de Brusselse grande dame bij wie taal en beeld onlosmakelijk met elkaar zijn verbonden, aan te geven dat taal een substantieel bestanddeel van haar werken vormt. Met ‘Echolalia’ toont ze in WIELS haar oeuvre van de laatste vijf jaar, in zes installaties, die op één na nooit eerder in België te zien waren.

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Ana Torfs, ‘Echolalia’ van 12 september tot 14 december in Wiels, Centre d’Art Contemporain, Avenue Van Volxemlaan 354, Brussel. Open wo-zo van 11-18 u. www.wiels.org
Naar aanleiding van deze tentoonstelling verschijnt een gelijknamige publicatie die werd samengesteld door de kunstenaar; het is een beeldboek dat tekstbijdragen bevat van Dirk Snauwaert, Catherine Robberechts, Kassandra Nakas, Gabriele Mackert, Christophe Van
Gerrewey, Emiliano Battista, en Ana Torfs. 'Zyklus von Kleinigkeiten’ wordt op 21 november in Cinematek in Ana Torfs (foto: Jean-Pierre Stoop) Brussel getoond. www.cinematek.be

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BORG 2014

Vanaf 19 september tot 5 oktober vindt BORG 2014 plaats: een tweejaarlijks evenment voor de hedendaagse kunt in Borgerhout, ontstaan vanuit het sterk heersende community-gevoel in het stadsdistrict. Kunstenaars van alle disciplines verenigen zich en zetten hun deuren wagenwijd open om te laten zien wat ze in hun mars hebben. Een uitgestippeld parcours leidt de bezoekers langs tentoonstellingsplekken en kunstwerken in de publieke ruimte. Het wandeltraject bestaat uit drie onderdelen. Het luik ‘Exhibition’ toont groepstentoonstellingen op verrassende locaties. ‘Public space’ zal de beeldende interventies in de openbare ruimte verenigen. Voor ‘Extra’ geven beeldende kunstenorganisaties, kunstenaarsinitiatieven en galeries toeschouwers de gelegenheid om eens binnen te kijken. O.a. fotografe Sarah van Marcke, schilder Kris Gevers, Sarah Westphal, Katie Lagast, Roeland Tweelinckx en Kasper Bosmans zijn door een professionele jury gekozen om hun werk te tonen in hartje Borgerhout.
 

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Kernlocaties:
Districthuis Borgerhout, Moorkensplein 1; Postgebouw, Jaak de Braeckleerstraat 13; Vooruitzicht, Turnhoutsebaan 186; Peperbus, Sint-Mattheusstraat 1B.
Er vindt een afterparty plaats na de opening op 19 september (18 u.) in het Postgebouw.
Voor concreet programma en tijden zie www.b-o-r-g.be

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