Karin Hanssen in Roberto Polo Gallery

Gepubliceerd op: 16 October 2014

In H ART #130 van begin september plaatsten we, als aanzet voor het nieuwe seizoen, het werk van acht kunstenaars op de voorgrond, zeven vrouwen en één man (een gelukkig toeval). Geheel subjectief kiezen we er nu het werk van één vrouw uit, om dieper op in te gaan. Omdat we denken dat dit werk sterk is, maar ook enige duiding behoeft. Daar dient de ‘kunstpers’ voor. Het gaat om Karin Hanssen, die in de Brusselse Roberto Polo Gallery een opmerkelijke solo heeft.

Fotogalerij

Praktische Info

Karin Hanssen, ‘A Room of One’s Own’ tot 16 november in Roberto Polo Gallery, Lebeaustraat 6-8, Brussel, Open di-vr van 14-18 u., za-zo van 11-18 u. www.robertopologallery.com
‘The Borrowed Gaze’ met een tekst van Charlotte Mullins, Lannoo Publishers, 2014, ISBN 9789401420426

Keywords

Geen keywords beschikbaar.

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In H ART #130 van begin september plaatsten we, als aanzet voor het nieuwe seizoen, het werk van acht kunstenaars op de voorgrond, zeven vrouwen en één man (een gelukkig toeval). Geheel subjectief kiezen we er nu het werk van één vrouw uit, om dieper op in te gaan. Omdat we denken dat dit werk sterk is, maar ook enige duiding behoeft. Daar dient de ‘kunstpers’ voor. Het gaat om Karin Hanssen, die in de Brusselse Roberto Polo Gallery een opmerkelijke solo heeft.

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Karin Hanssen, ‘A Room of One’s Own’ tot 16 november in Roberto Polo Gallery, Lebeaustraat 6-8, Brussel, Open di-vr van 14-18 u., za-zo van 11-18 u. www.robertopologallery.com
‘The Borrowed Gaze’ met een tekst van Charlotte Mullins, Lannoo Publishers, 2014, ISBN 9789401420426

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Naar aanleiding van de bruikleen van Caravaggio’s schilderij ‘De Madonna van Loreto’ (1605) voor de expositie ‘Heilige plaatsen – Heilige boeken’ in het MAS, legt ditzelfde museum nu een link tussen de Italiaanse barokschilder en de Antwerpse kunstenaar Spank Moons. Twee Antwerpse galerijen tonen vanaf 29 oktober foto- en videowerk van Moons, die, net als Caravaggio, theatrale mise-en-scènes en stillevens laat ontstaan vanuit het donker, maar dan wel via de digitale weg. ‘In Questa Tomba Obscura’ (2010), te zien in galerij Verbeeck – Van Dyck, speelt Moons met de symboliek, dramatische schoonheid en lichtmanipulatie in op de 400 jaar oude Caravaggio-traditie. Galerij Schoots + Van Duyse pakt uit met het recentere ‘All right mister DeMille, I’m ready for my close-up’ (2014): een directe verwijzing naar de film noir. Moons laat zich graag beïnvloeden door niet alleen de beeldtaal van de cinematografie (close-up, belichting, enscenering), maar ook door de onderliggende menselijke relaties en motieven die het narratief voortstuwen: eveneens een bekend thema in het werk van Caravaggio.

Op donderdag 30 oktober tijdens de nocturne van het MAS geeft Spank Moons toelichting bij de werken.
 

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Galerij Verbeeck – Van Dijk:
Opening woensdag 29 oktober om 18 u.
Inleiding door Philip Heylen (Schepen van cultuur)
Tot en met 5 november, open van 13 tot 18 u.

Schoots + Van Duyse:
Opening woensdag 29 oktober 20 u.
Inleiding door Guus van den Hout (Curator ‘Heilige plaatsen – heilige boeken’)
Open van 12 tot 18 u.
Tot en met 8 november, open van 12 tot 18 u.

Artist talk met Spank Moons bij het MAS:
Donderdag 30 oktober
Vertrek om 17.30 uur, bij het doek van Caravaggio in het MAS. Vervolgens een korte wandeling naar de 2 deelnemende galerijen. Duur ca. 1,5 uur.

Meer info: www.artui.be

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Hoe toon je kunst in een kleine, haast landelijke gemeente onder de rook van Brussel? Het evenement 'Van Stof tot Asse' trekt zich terug in verlaten gebouwen, om negen kunstenaars een plek van rust aan te reiken. Maar dat is bedrieglijk.

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‘Van Stof tot Asse’ tot 2 november op diverse locaties in Asse. Startpunt: Galerie De Ziener, Stationsstraat 55, Asse. Open za-zo van 14u30-18u30. www.vanstoftotasse.be

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