KANAL opent met een knal

Gepubliceerd op: 24 May 2018

Er was heel wat over te doen maar nu is het zover: KANAL – Centre Pompidou opent (even) haar deuren in de voormalige Citroëngarage onder de noemer KANAL Brut. Daarbij zuigt het iconische gebouw alle aandacht op: zowel ruimtelijk als conceptueel.

Sam STEVERLYNCK

Praktische Info

Kanal Brut, Akenkaai, Brussel. Open ma, wo-do van 12-22 u., vr-za van 12-24 u., zo van 12-20 u. www.kanal.brussels

Keywords

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Er was heel wat over te doen maar nu is het zover: KANAL – Centre Pompidou opent (even) haar deuren in de voormalige Citroëngarage onder de noemer KANAL Brut. Daarbij zuigt het iconische gebouw alle aandacht op: zowel ruimtelijk als conceptueel.

Sam STEVERLYNCK

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Kanal Brut, Akenkaai, Brussel. Open ma, wo-do van 12-22 u., vr-za van 12-24 u., zo van 12-20 u. www.kanal.brussels

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In het derde en laatste deel van Field Recordings – een reeks waarvoor we met een kunstenaar naar een bijzondere plek trekken die een link vertoont met zijn werk – een gesprek met Xavier Mary. We namen het interview vier jaar geleden af – en hebben het sindsdien lichtjes geactualiseerd – tijdens Dinner in the Sky, een mobiel platform dat verschillende steden aandoet en waar je veertig meter boven de grond een sterrenmenu kan proeven met een prachtig uitzicht over de stad. Wij hielden het echter sober, met alleen een fles champagne die, wat ongemakkelijk, net te ver af stond.

Xavier Mary: "Aan wie behoort het beeld als de copy slechts een copy van een copy is in een wereld waar het origineel niet meer bestaat?"

Sam STEVERLYNCK

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www.xaviermary.com

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Van #MeToo tot FEMEN: de vrouw laat overal ter wereld steeds luider van zich horen. In deze nieuwe reeks zetten we dan ook de vrouw centraal. Hoe het is om vrouwelijk kunstenaar te zijn? Is de kunstwereld nog steeds in de eerste plaats een mannenwereld? Welke eigen accenten leggen vrouwelijke kunstenaars? Vandaag spreken we met Otobong Nkanga.

Otobong Nkanga: "Ik kijk naar een landschap om sociaal-culturele ontwikkelingen te begrijpen. Een landschap draagt de littekens en wonden die wij aanbrengen. Het is de stille getuige van al wat daar in de loop van de tijd heeft plaatsgevonden. Dat verdwijnt niet, maar wordt mooi in laagjes opgeslagen."

Jonas MORTIER

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