Julião Sarmento bij Daniel Templon in Brussel

Gepubliceerd op: 26 March 2015

Het was al van 2005 geleden dat Julião Sarmento een solo had in Dhondt-Dhaenens in Deurle en van 1999 dat zijn werk nog te zien was in Brussel. Maar nu is hij terug. Bij Daniel Templon waagt hij zich onder andere aan een herinterpretatie van Degas’ iconische ‘La Petite Danseuse de Quatorze Ans’.

Sam Steverlynck

Julião Sarmento: ‘Ik heb nooit een eigen stijl willen hebben. Maar geleidelijk aan heb ik daardoor toch een stijl ontwikkeld. Namelijk die van geen stijl te hebben’

Praktische Info

‘Easy Pairings Fractals Stars’, tot 18 april in Galerie Daniel Templon, Veydstraat 13a, Brussel. Open di-za van 11-18 u. www.danieltemplon.com

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Het was al van 2005 geleden dat Julião Sarmento een solo had in Dhondt-Dhaenens in Deurle en van 1999 dat zijn werk nog te zien was in Brussel. Maar nu is hij terug. Bij Daniel Templon waagt hij zich onder andere aan een herinterpretatie van Degas’ iconische ‘La Petite Danseuse de Quatorze Ans’.

Sam Steverlynck

Julião Sarmento: ‘Ik heb nooit een eigen stijl willen hebben. Maar geleidelijk aan heb ik daardoor toch een stijl ontwikkeld. Namelijk die van geen stijl te hebben’

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‘Easy Pairings Fractals Stars’, tot 18 april in Galerie Daniel Templon, Veydstraat 13a, Brussel. Open di-za van 11-18 u. www.danieltemplon.com

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Carole Vanderlinden beoefent klassieke genres als landschap, stilleven en portret, maar haar invulling ervan is heel onorthodox. Ze werkt niet in reeksen of herhalingen, eerder werkt ze aan meerdere genres tegelijk. Deze manier van werken weerspiegelt zich in de presentatie van haar werk, waarbij ze ook alle genres door elkaar haspelt. In ‘Creole & Vanity’ bouwde ze een spannende dialoog op tussen recent en iets ouder werk. Haar schilderijen gedragen zich als uiteenlopende facetten in een beeldinstallatie. En toch is elk werk ook een intrigerende wereld op zichzelf. In het beeldvlak verschijnen verrassende kleuren, lijnen en abstracte vormencombinaties die in alle richtingen uitdeinen: een spectrum verkennend tussen ultieme stilstand (‘een stil leven’, zoals in ‘Sintra’(2014) – op elkaar gestapelde groene vlakken die refereren aan de kolommen van Brancusi) en ultieme snelle beweging zoals in ‘Etoile’ (2010) – een explosie van blauwe lichtstralen tegen een zwarte achtergrond, die herinnert aan een oerknal.

Isabelle De Baets

[cnt_info] =>

Carole Vanderlinden ‘Creole & Vanity’ tot 12 april bij Kristof De Clercq Gallery, Tichelrei 82, Gent. Open wo-zo van 14-18 u. http://www.kristofdeclercq.com

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Het is een mooi verhaal. Bij de opening ‘Skulptur Projekte Münster ’97 liepen de bekende verzamelaar Isi Fiszman en de Belgisch-Oostenrijkse kunstenaar Kurt Ryslavy elkaar tegen het lijf. Ryslavy zei dat hij uitgenodigd was door curator Kasper König en vroeg of Fiszman zijn werk al opgemerkt had op de kunstroute. Fiszman vroeg hem wat hij dan wel toonde. ‘Verkaufswerke’, antwoordde Ryslavy, waarop Fiszman hem verontwaardigd de rug toekeerde en weg liep. ‘Verkaufswerke’ waren natuurlijk niet zomaar commerciële verkoopswerken. In 1997 had Kurt Ryslavy er zelfs nog geen enkel verkocht: hoogstens was er tijdens Skulptur Projekte Münste één gestolen uit het plaatselijke Landesmuseum en keurig vergoed door de verzekering. (...)

Marc Ruyters

 

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‘Verkaufswerke’ van Kurt Ryslavy tot 26 april in White-Out Studio, Van Bunnenlaan 58 A, Knokke. Window exhibition of via afspraak: info@whiteoutstudio.be , of info@hotelvanbunnen.be

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