Jan Lauwers in Sjanghai

Gepubliceerd op: 12 May 2016

Jan Lauwers is deze zomer de eerste Europese kunstenaar die exposeert in het McaM, het Ming Contemporary Art Museum in Sjanghai. De Chinese kunstenaar Qiu Zhijie bouwde een oude papierfabriek om tot een private tentoonstellingsruimte van flink drieduizend vierkante meter. Dat is veel. Veel eer en veel ruimte. Lauwers gebruikt die gelegenheid om een gigantisch stilleven te maken waarvoor hij diep in zijn eigen archieven duikt. Het wordt een solotentoonstelling in samenwerking met andere kunstenaars. Onder meer van zijn geliefde Needcompany uiteraard, die een drie dagen durende openingsperformance brengt.

Jan Lauwers: Improvisatie: "Eigenlijk mag dat niet. Maar toch ga ik de confrontatie aan met de andere cultuur. We hebben nog teveel een koloniale houding: maar wie ben ik om te zeggen dat China Tibet moet bevrijden, terwijl Leopold II hier nog altijd op zijn paard zit? Ik neem dat ernstig en ga daar niet als een Jezuïet met een bijbel zitten kijken. Het gaat erom de dialoog aan te gaan."

Praktische Info

Jan Lauwers. ‘Silent Stories’ van 20 mei tot 31 juli in MCAM, Sjanghai, CN. http://mcam.io

Keywords

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Jan Lauwers is deze zomer de eerste Europese kunstenaar die exposeert in het McaM, het Ming Contemporary Art Museum in Sjanghai. De Chinese kunstenaar Qiu Zhijie bouwde een oude papierfabriek om tot een private tentoonstellingsruimte van flink drieduizend vierkante meter. Dat is veel. Veel eer en veel ruimte. Lauwers gebruikt die gelegenheid om een gigantisch stilleven te maken waarvoor hij diep in zijn eigen archieven duikt. Het wordt een solotentoonstelling in samenwerking met andere kunstenaars. Onder meer van zijn geliefde Needcompany uiteraard, die een drie dagen durende openingsperformance brengt.

Jan Lauwers: Improvisatie: "Eigenlijk mag dat niet. Maar toch ga ik de confrontatie aan met de andere cultuur. We hebben nog teveel een koloniale houding: maar wie ben ik om te zeggen dat China Tibet moet bevrijden, terwijl Leopold II hier nog altijd op zijn paard zit? Ik neem dat ernstig en ga daar niet als een Jezuïet met een bijbel zitten kijken. Het gaat erom de dialoog aan te gaan."

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Jan Lauwers. ‘Silent Stories’ van 20 mei tot 31 juli in MCAM, Sjanghai, CN. http://mcam.io

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In 2016 begon de tweede editie van STRTKit. Opnieuw zullen vijf jonge kunstenaars (in feite vier en één kunstenaarsduo) een jaar lang een atelier delen onder de vleugels van Studio Start, AIR en Extra City. Die zorgen niet alleen voor de praktische omkadering, maar ook voor een intensieve begeleiding via studiobezoeken, gesprekken met curators, een projectweek in het buitenland – met afsluitend een groepstentoonstelling. H ART stelt de kunstenaars opnieuw aan u via gesprekken met elk van hen. Vlak voor de opening van hun project op het non-profit event Poppositions, spraken we de mountaincutters eind april in Brussel.

Het is niet hoe ze meestal werken, vertellen de mountaincutters (Manon N. en Quentin P., °1990, FR, wonen en werken in Brussel) als ze hun installatie op Poppositions aanhalen. Hier hadden ze maar twee dagen de tijd om een ‘environment’ te creëren en kenden ze de ruimte niet, terwijl ze tot nu toe in situ-installaties bouwden waarin de onmiddellijke omgeving (lees: de buitenruimte errond) een belangrijke rol speelde en ze daar vaak ook langere tijd vertoefden.

Mountaincutters: "Stel je voor dat er niets anders is dan je eigen lichaam en voor je is er alleen het landschap – wat gebeurt er dan? Hoe kan je daarmee samenleven, hoe kan je je beschermen, hoe kun je er binnen bewegen …?"

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Julie Mehretu en Jessica Rankin maken abstracte tekeningen en schilderijen waaruit een gemeenschappelijke interesse spreekt voor fictieve cartografie. Dat vertalen ze naar gelaagde, abstracte composities waar in het geval van Rankin ook breiwerk en collages aan te pas komen. Museum Dhondt-Dhaenens brengt nu voor het eerst het werk van beide kunstenaars samen die in het dagelijkse leven ook een koppel zijn.

Jessica Rankin: "Ik denk dat er veel overeenkomsten zijn. Onze werken zijn verankerd in elkaar. Ik weet niet of ze op technisch vlak hetzelfde zijn, maar ik merk veel raakvlakken tussen het werk van ons beiden. Niet in de manier waarop we werken, maar in de manier waarop we kijken en elkaars werk de laatste vijftien jaar lezen."

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Julie Mehretu en Jessica Rankin,‘Earthfold’ tot 12 juni in Museum Dhondt-Dhaenens, Museumlaan 14, Deurle. Open di-zo van 10-17 u., www.museumdd.be

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