Jan Fabre, van Hermitage naar Brussel

Gepubliceerd op: 24 May 2018

De Belgische kunstenaar Jan Fabre heeft twee relatief kleine, maar sterke tentoonstellingen lopen in Brussel: één in galerie Templon, de andere in de Jordaens-zaal van de Koninklijke Musea voor Schone Kunsten. Ze hebben één ding gemeen: beide verwijzen ze naar zijn grote expo ‘Knight of Despair, Warrior of Beauty’, die in het najaar van 2016 in de Hermitage in Sint-Petersburg liep.

Jan Fabre: "Voor mij is Christus – dat zag je al in mijn tekeningen in de jaren zeventig – een model geweest: toen ik die figuur aanvaardde kon ik ook sculpturen maken met menselijke beenderen."

Marc RUYTERS

Praktische Info

Jan Fabre, ‘The Appearance and Disappearance of Antwerp / Bacchus / Christ’ tot 2 juni in Templon, Veydtstraat 13a, Brussel. Open di-za van 11 tot 18 u.

Jan Fabre, ‘My Queens’ tot 19 augustus in KMSKB, Regentschapsstraat 3 Brussel,. Maandag gesloten. www.fine-arts-museum.be

Jan Fabre, ‘Folklore Sexuel Belge / Mer du Nord Sexuelle Belge’ tot 21 juli in Templon, Rue du Grenier Saint-Lazare 28, Parijs, FR. www.templon.com

Keywords

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De Belgische kunstenaar Jan Fabre heeft twee relatief kleine, maar sterke tentoonstellingen lopen in Brussel: één in galerie Templon, de andere in de Jordaens-zaal van de Koninklijke Musea voor Schone Kunsten. Ze hebben één ding gemeen: beide verwijzen ze naar zijn grote expo ‘Knight of Despair, Warrior of Beauty’, die in het najaar van 2016 in de Hermitage in Sint-Petersburg liep.

Jan Fabre: "Voor mij is Christus – dat zag je al in mijn tekeningen in de jaren zeventig – een model geweest: toen ik die figuur aanvaardde kon ik ook sculpturen maken met menselijke beenderen."

Marc RUYTERS

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Jan Fabre, ‘The Appearance and Disappearance of Antwerp / Bacchus / Christ’ tot 2 juni in Templon, Veydtstraat 13a, Brussel. Open di-za van 11 tot 18 u.

Jan Fabre, ‘My Queens’ tot 19 augustus in KMSKB, Regentschapsstraat 3 Brussel,. Maandag gesloten. www.fine-arts-museum.be

Jan Fabre, ‘Folklore Sexuel Belge / Mer du Nord Sexuelle Belge’ tot 21 juli in Templon, Rue du Grenier Saint-Lazare 28, Parijs, FR. www.templon.com

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‘Voor mij was het belangrijk dat de tijd waarin ik als filmmaker in relatie sta tot de omgeving die ik film of tot de persoon waarmee ik werk, synchroon loopt met wat je achteraf ziet – bijna zoals een performance. Ik heb daar niet op ingegrepen, noch op het moment zelf, noch achteraf’

 

De formule veranderde niet, de deelnemende kunstenaars natuurlijk wel. Sinds januari werken Puck Vonk, Jeroen Bocken, Ans Mertens, Chloë Delanghe en Céline Mathieu een jaar lang binnen het kader van STRT Kit, het internationaal ontwikkelingsplatform van de Antwerpse organisatie Studio Start in samenwerking met AIR en Extra City. Net als voorgaande jaren stellen we deze jonge kunstenaars graag aan u voor aan de hand van gesprekken die we komende maanden met ze zullen voeren. Midden april maakte Ans Mertens tijdens haar op dat moment drukke job voor filmfestival MOOOV – de eerste gasten zouden die dag aankomen – een ochtend vrij om over haar kunst te spreken.

Dat Ans Mertens (°1989, woont en werkt in Brussel en Antwerpen) juist met een job bij filmfestival MOOOV een paar centen bijverdient, is tekenend voor haar interesse voor het medium. Al op haar zestiende wist ze dat ze film wilde studeren en ondertussen heeft ze verschillende films op haar actief. Hoe tijd zich in het tijdsverloop van de film kan ontwikkelen en hoe je dat als kijker ervaart, is in een notedop wat ze op dit moment in haar werk onderzoekt.

Ans Mertens: "Voor mij was het belangrijk dat de tijd waarin ik als filmmaker in relatie sta tot de omgeving die ik film of tot de persoon waarmee ik werk, synchroon loopt met wat je achteraf ziet – bijna zoals een performance. Ik heb daar niet op ingegrepen, noch op het moment zelf, noch achteraf."

Anne-Marie POELS

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The Living Room - Strt-Kit #3: Ans Mertens van 4 juli tot 8 juli. Opening op 4 juli van 18-21 u., nadien op afspraak via frederiek@airantwerpen.be

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Guy Rombouts (°1949) staat naast mij. We kijken naar een opschrift op het raam van de galerie. Het opschrift is gesteld in het Azart, een zelf ontworpen alfabet waarvan elke letter door zijn vorm verwijst naar de beginklank van de naam van een gelijkvormig voorwerp. Zo heeft de letter die naar de klank ‘m’ verwijst de vorm van een meander, net zoals de l-klank in het Fenicisch de vorm had van een primitieve hak of ploeghaak (een tak met zijtak), die ‘lamed’ werd genoemd (allicht verwant met ons ‘lemmet’ en het Franse ‘lame’). “Ons alfabet heeft zich langzaam losgezongen van de realiteit,” vertelt Rombouts, “en met het Azart ga ik er terug naartoe.”

Guy Rombouts: "Je wees mij net op de bijzondere bloesems van een Cornus Aurora, die als waterlelies bovenop de kruin lijken te drijven. En dan hebben we in stilte naar die boom gekeken. Zo’n stil samen kijken is een vorm van communicatie die voorafgaat aan de taal, denk ik."

Hans THEYS

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Guy Rombouts, ‘Les beaux contes font les bons amis, les mots comptent pour les faux amis’ tot 17 juni in de Annie Gentils Gallery, Peter Benoitstraat 40, Antwerpen. Open wo-za van 14-18 u. www.anniegentilsgallery.com

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