Irena Nawrot in Cc Maasmechelen

Gepubliceerd op: 23 January 2018
Tot en met 9 februari 2018 loopt een tentoonstelling van de Poolse kuntfotografe Irena Nawrot (°1960) in het cultuurcentrum van Maasmechelen (Koninginnelaan 42) met de titel: ‘The Photographs: Older and Younger’.
Haar fotografisch oeuvre bestaat onder meer uit grote medaillons (doorsnee 150 cm) die er van ver uitzien als bloemen maar die, als je ze van dichtbij bekijkt, bestaan uit kleine met veel geduld aan elkaar genaaide foto’s. Haar werk wordt voor de eerste keer getoond in België.   
Op woensdag 31 januari om 20.15 uur geeft beeldend kunstenaar Paul Sochacki een lezing over het werk van Irena Nawrot.

Praktische Info

www.ccmaasmechelen.be

Keywords

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Tot en met 9 februari 2018 loopt een tentoonstelling van de Poolse kuntfotografe Irena Nawrot (°1960) in het cultuurcentrum van Maasmechelen (Koninginnelaan 42) met de titel: ‘The Photographs: Older and Younger’.
Haar fotografisch oeuvre bestaat onder meer uit grote medaillons (doorsnee 150 cm) die er van ver uitzien als bloemen maar die, als je ze van dichtbij bekijkt, bestaan uit kleine met veel geduld aan elkaar genaaide foto’s. Haar werk wordt voor de eerste keer getoond in België.   
Op woensdag 31 januari om 20.15 uur geeft beeldend kunstenaar Paul Sochacki een lezing over het werk van Irena Nawrot.
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www.ccmaasmechelen.be

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‘De Spinario – le tireur d’épine’
 
La Yoko Uhoda Gallery, à Knokke, propose, en cette période hivernale, ‘De Spinario – le tireur d’épine’ une exposition d’œuvres récentes du Liègeois Johan Muyle.
Passé la devanture, d’aucuns reconnaîtront la rutilante Harley Davidson jadis stationnée au MAC’s. À y regarder de plus près, on distingue une foule d’interventions discrètes, ou pas. Ainsi, une phrase inscrite sur le réservoir criblé de flèches, « Un monde où avoir, c’est être », tient évidemment lieu de critique de l’American way of life. Muyle met, pièce par pièce, la customisation au service de son art. Et crée, in fine, bien plus qu’une sculpture mobile et vrombissante, une dénonciation du consumérisme ambiant.
Au centre de l’espace, une statue de plâtre, d’une immaculée blancheur : il s’agit là de sa version, toute personnelle, du ‘tireur d’épine’. À cette figure du jeune homme en proie au désagrément, reprise au fil des siècles depuis l’antiquité, on a donné nombre de significations, de la souffrance amoureuse au péché meurtrissant l’âme. Muyle, lui, ajoute une machinerie tout droit sortie de son imaginaire : une mécanique tire et plante une épine du pied, perpétuellement. La structure, bien que de taille modeste, confère à l’éphèbe la stature d’un Gulliver.
Johan Muyle, à travers ces œuvres exposées, nous invite à nous pencher sur la condition humaine. À la manière du tireur d’épine.
 
Adrien COSTER

 

 

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‘Johan Muyle. De Spinario - Le tireur d’épine’ jusqu’au 14 janvier à la Yoko Uhoda Gallery, Zeedijk 723, Knokke-Heist. www.yoko-uhoda-gallery.com
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Wiels pakt uit met de eerste tentoonstelling die gewijd is aan het vergeten talent Sophie Podolski. De curator van de expo, Caroline Dumalin, schreef speciaal voor H ART een tekst over haar leven en werk.

Caroline DUMALIN

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‘Sophie Podolski: Le pays où tout est permis’ tot 1 april in WIELS, Centrum voor Hedendaagse Kunst, Van Volxemlaan 354, Brussel. Open di-zo van 11-18 u., elke 1ste en 3de wo tot 21 u. www.wiels.org

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