Hüseyin Bahri Alptekin in het M HKA

Gepubliceerd op: 12 November 2015

Er loopt een sterk geheel van tentoonstellingen in het Antwerpse M HKA met werk, vooral mooie tekeningen, van Otobong Nkanga (zie pag. 25) en een opvallende collectiepresentatie waarin de relatie Oost-West wordt beklemtoond. Dat alles wordt bekroond met een halve retrospectieve van het werk van één van de belangrijkste hedendaagse Turkse kunstenaars: Hüseyin Bahri Alptekin. De andere helft van de retrospectieve gaat door in de RAMPA gallery in Istanbul.

Fotogalerij

Praktische Info

‘Democratische luxe’ van Hüseyin Bahri Alptekin tot 31 januari in het M HKA, Leuvenstraat 32, Antwerpen. Open di-zo van 11-18 u., do tot 21 u. www.muhka.be

Keywords

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Er loopt een sterk geheel van tentoonstellingen in het Antwerpse M HKA met werk, vooral mooie tekeningen, van Otobong Nkanga (zie pag. 25) en een opvallende collectiepresentatie waarin de relatie Oost-West wordt beklemtoond. Dat alles wordt bekroond met een halve retrospectieve van het werk van één van de belangrijkste hedendaagse Turkse kunstenaars: Hüseyin Bahri Alptekin. De andere helft van de retrospectieve gaat door in de RAMPA gallery in Istanbul.

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‘Democratische luxe’ van Hüseyin Bahri Alptekin tot 31 januari in het M HKA, Leuvenstraat 32, Antwerpen. Open di-zo van 11-18 u., do tot 21 u. www.muhka.be

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“Stoppen ze ermee? Is het uitverkoop?” Niets is minder waar. Een paar bezoekers kijken vragend naar de lange rij sculpturen, opgesteld op de Hortiflora, het recentste gedeelte van Middelheimmuseum. De bonte verzameling vormt een optocht, die denkbeeldig door de tuin marcheert. Deze frisse aanpak lokt een andere zienswijze uit en zet gevestigde waarden op de helling. Maar zelfs bij deze tegendraadse opstelling geeft de imposante omgeving zich niet gewonnen en drukt ze een stempel op het werk.

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‘Pom’ po pon po pon pon pom pon…' Een dwarse formatie van sculpturen’ tot 27 maart in Middelheimmuseum, Middelheimlaan 6, Antwerpen. Open di-zo van 10-17 u. www.middelheimmuseum.be

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Wat kan ik vertellen over deze prachtige tentoonstelling van Rein Dufait (°1990) op de benedenverdieping van Mu.ZEE? Als bevoorrechte getuige van zijn werk, waarvan ik de ontwikkeling stap voor stap heb gevolgd sinds 2009, kan ik alleen maar bekennen dat de dingen zich niet laten samenvatten of verklaren. Dit houdt niet alleen een onuitsprekelijk genot in, zoals Tarkovski schreef, het spoort mij ook aan opnieuw naar de dingen te gaan kijken: naar de sculpturen van Henry Moore, als eerste moderne sculpturen die niet langer over de werkelijkheid berichten (we zwijgen over de aloude Chinese congs en bi’s), naar het werk van Brancusi en Giacometti, naar het werk van Rodin. En hoe meer ik mij in die dingen verdiep, hoe minder sluitende dingen ik erover wil vertellen.

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Rein Dufait, ‘Strandtafels, zandhopen’ tot 29 november in Mu.ZEE, Romestraat 11, Oostende. Open di-zo van 10-18 u. www.muzee.be

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